#1
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P&W - What Would You Do?
I play worship at church. Lately with COVID we've had to rethink and reconfigure what we do. We've reduced the worship teams to 2-3 people and, for us, it's a couple of acoustic guitars and a bass now. Since another person is playing only rhythm, I'm covering a little rhythm (when needed for volume) and mostly fills and a lead or two if needed. As a result, I'm using a pedalboard to create a bit of space and ambience and texture. The board is Tuner > Red Eye > EHX Oceans 11 (reverb/shimmer) > MXR Carbon Copy > LR Baggs Session (DI/Comp). I was thinking about another modulation pedal to change the texture periodically, I have a couple of pedals laying around:
- MXR Phase 90 - Suhr Jack Rabbit (Tremelo) Or, should I get a chorus pedal or something else. Not looking to break the bank as I don't think it would be used often but it should be a pedal that can be used more than once in a set because it provide some versatility. Or, maybe I don't need anything more. What would you suggest? You're help and experience is greatly appreciated. |
#2
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First of all, let me say I hope things return to closer to normal soon for you. We are returning to live worship (with social distancing and masks) in the sanctuary tomorrow for the first time in 6 months and we are excited!
For texture I rely on a TC Electronics Corona Chorus (I'm not making this up). It does the classic chorus voice warble, and I can get almost kind of an organ kind of sound with single coils. It also does the modern tri-chorus and of course, there's toneprints available to load. I found a real subtle one I like called "clean chorus". Another great pedal for worship is the Strymon El Capistan, but that of course definitely falls into the "break the bank" category. |
#3
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Thanks for the quick feedback and, yes, hoping things will return back to normal or adjusting to a new normal. I've heard good things about the TC Corona so I'll check it out on Youtube. Yeah, love the Strymon pedals but that is a bit above my budget especially for a pedal that isn't an "always on" or nearly "always on" pedal. Have a great weekend. Enjoy tomorrow.
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#4
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How about playing in different voicing. I.e. if the other person plays open C, use a capo at 5 and play in G. If they're in open D, capo 7 (if you can) and play in G.
As for modulation, do you use the mod switch in the carbon copy? That adds a little chorus.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#5
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Thanks for the feedback. Yes, I do play in different voicing from the rhythm guitar player so got that covered. I do not use the mod switch on the Carbon Copy so will give that a try. I'm just getting this all together so I do need to experiment a bit with what I have but wanted to see if there are other ideas out there to provide some additional options so to keep the trio from sounding monotonous. Thanks.
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#6
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For playing lead and single-note runs, the chorus would be the next step.
Phase and tremelo tend to sound way better on electric than acoustic, in my experience. Plus, these two effects seem to sound the best when set significantly north of 'subtle.'
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#7
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I’d stay with what you’ve got and concentrate on the job at hand.
No-one in the congregation is going to notice, nor are they listening.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#8
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Have you ever used a short cut capo? That can add a different sound without breaking the bank.
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#9
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Thanks everyone for the suggestions and advice. Really appreciate it. Gives me some great options to consider.
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#10
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Quote:
I've also seen folks have a good experience using the acoustic for ambient tones with a strymon style reverb pedal.
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#11
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Quote:
I'd consider a tremolo pedal since you are backfilling behind the rhythm player by being more 'atmospheric' against their rhythmic play. For me, as a long-time worship guitarist, I'm not supposed to be the focus of the music. The lyrics are intended to be the focus. I'm not implying we worship guitarists should not be heard, just we should supplement, never play hot licks over the lyrics, and never play out of character with the music. If it's for a 3-5 song service, I really don't need more than about 3-4 voicings per song. I can survive in a backing role with fills and leads with 5 good tones for the entire service (it's ok to me to use only 5 solid signature tones). My categories are: A really clean tone - one mellow and one bright A slight overdrive which turns into solid fat distortion with added volume A tone I call Whale-Song (high ethereal sustained tone) A chorus - fast and slow (if not adjustable) A tremolo - adjustable speed My kit actually has 11 ''voices'' in it, but I rarely need/use more than 5 per service. I'm after tasty sounds not flashy or painful ones. Hope this adds to the discussion…
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Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... …Just because you've argued someone into silence doesn't mean you have convinced them… Last edited by ljguitar; 09-15-2020 at 04:14 PM. Reason: changed some wording |
#12
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I often play bass for P & W and after years of doing so have yet to hear anything about my playing. No comments at all. Zip. Now it's possible they don't like what I'm playing but my experience tells me that most listeners are more attuned to the absence of bass than the presence.
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#13
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Although, I do have some favourite moments - for many years my primary instrument in our P&W band was a Variax guitar. No-one ever noticed as I switched it between Teles, Strats, Les Pauls and various acoustic emulations - but turning to the banjo patch always caused some puzzled looks
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |