#76
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I don't know about now but back in the 70's the investigators got to keep half of what they collected.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#77
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Let me say that again... the venue owner was ignoring their responsibility. There's no other reason for the interaction to get ugly. Once the venue refuses to pay the licensing fee, the PROs have not only the right, they have a duty to their membership to gather evidence to take into court and force the venue to adhere to the law. The penalties assessed aren't "bully tactics," they're the consequences the law allows in cases where the venue owners refuse to do what is required to provide music to their customers. Those consequences exist to discourage venues from operating illegally. What so many of you are describing as a "racket" is not only how musicians get paid for the use of their intellectual property, it's the law. It is the responsibility of venue owners to understand music licensing. I do understand that some may go into that business ignorant of the law but once the law has been explained to them, the venue owners have a responsibility (there's that word again) to comply with the law and not engage in some protracted resistance. To comply is simple... you write a check. For those that don't comply, there will be consequences for those actions. Yes, you may be visited by people who put the evidence in front of you and explain how costly the fines could be should the owner engage in future resistance and illegality and be taken into court. But the venue will only wind up in court if they continue to balk at paying ...and if they do wind up in court, the venue is most likely going to lose more money than they'd lose had they simply complied in the first place (the law allows the PROs to sue for $750 for every song played out of compliance). The PROs know what evidence is needed to build a winning case and the law on this stuff is pretty black and white. There's little hope for a venue to prevail.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |