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#1
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well, took me 6 months but finally done. got rid of the pickguard i made, wanted to keep it as original as I could, Finish turned out awesome, love the maple. kept as much of the patina/wear to keep its character. neck reset went very well and action/intonation great. Thanks to Luthier Pat Pattson of NB for guiding me through the restoring/rebuild of the ebony bridge over the phone. Salvaged a piece of ebony from an 1815 quebec cabinet. Just the machine heads are new ( still have the worn out originals) Tailpiece brass came out exceptional imo. plays like a dream, sooooo much volume and can feel every note in my chest when i play it. just waiting on strings i ordered from Newtone in UK (backordered out of stock- so will be a while) thanks as well to everyone who offered advice to me on this project, appreciated.
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#2
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That's beautiful!
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#3
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plays like a dream, sooooo much volume
I've been listening to Ken Parker on youtube some... He says a good Archtop has the versatility to do anything... Have you flatpicked any bluegrass on that thing? ![]() -Mike |
#4
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lately been more into Piedmont & Delta blues with some chicago blues (they are all intertwined somehow including bluesgrass) and slide. everything sounds so pure and unadulterated on it. not much for picks, even for old piedmont i use my nails. Freight train by cotton sounds super on it
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#5
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tks Kerbie...i gotta love Maple, I'm Canadian and the leafs' on our flag
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#6
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Great job! Looks fantastic.
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#7
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Is it solid wood, or laminate? I made an archtop back of solid highly birdseye maple and it's cracking a bit, not that stable. That looks like the top veneer of a laminate to me, in the photos anyway, but curious.
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Brian Evans Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia. |
#8
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Very nice! Unique bridge - original?
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#9
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hi MC its solid maple, and only cracking a bit around one of the f holes with the grain. when i got it ( in 2 pieces) spent 40+ hours using 0000 wool and 400-600 grit paper with beeswax to condition and clean it ( was dark dirty dirty and dried out) then around 40 more hours of hand rubbed finish. should stabilize the cracking and well conditioned now, but at 92 yrs old was in very good structural condition
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#10
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2/3 is original ebony, had a luthier here guide through rebuilding rest of it from a piece of 1815 ebony i had, needed his help to ensure i didnt negatively impact its resonance/sound etc, turned out very well. hence why i wont put a pickguard or any float pick-ups, wanted the pure acoustic sound with no impedance. thing resonates like a baby grand
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#11
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Beautiful! It looks huge, or is it me?
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If the Dawn Patrol gotta tell ya twice, they're gonna do it with a shotgun, I'm cashing in this ten-cent life for another one. |
#12
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Gorgeous! I can understand why one would want to hear just the wood (I wouldn't even use nails)!
This begs for a soundtrack! BTW, what's the nutwidth? Looks pretty wide to me, was that typical in the day?
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Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Dumbo: Seagull Performer CW mini-jumbo (Canada, 20??) Stanley: The Loar LH-650 (China, 2017) Bolink baroque violin (Hilversum, 1982) |
#13
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the nut is 1 7/8" which is pretty common among pre 1930 gits...martin 1923/1927 018/29s 12 fretters. but not alot of consistency in that some companies like martin went to 1 3/4" in early 30s but again depends alot on particular git and whether it is 12 fretter or 14 fretter..but its all over the map
![]() yes im trying to learn how to record this git as well as a half dozen other gits that id like to share soundbites of.( hence why i spent alot of time posting in record section for advice...was just going to try using my samsung s20 propped up against lappy) but bought a eridol roland R-09HR from an old jazz player friend i have. so trying to play around with it first and decide on whether i need a separate mic..already downloaded a DAW program, but that in itself will take me a while to figure out. not as sharp with technology as i once used to be years ago. but yes out of all my acoustics, this thing projects and reverbs like nothing i have felt in 40 years playing
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Don 1929 SS Stewart Professional Archtop George Rizsanyi Custom Quilt Maple Acoustic 2021 Denver DD4412 Yamaha G-130A Melvina 1979 Classical Private Que luth 2003 Briarwood YCL-1 1960 Spanish Parlor 2003 A&L Acoustic 1972 Yamaha Acoustic Fender CD60 Acoustic 1982 Ovation 2020 Fender Tele 80's frankenstrat Yamaha THR5A Traynor Dynagain30 1965 Ampeg Gemini II |
#14
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Sweet! Well done.
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#15
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Can you imagine the cost of this if you commissioned it nowadays? Doesn’t matter as much that you preserved a fine guitar. Way to go!
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