#16
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Is that a TV screen behind you in the photo? If it is you need to drape cloth over it. It's reflecting the sound directly into your mic. That will cause feedback.
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#17
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#18
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Start by moving the amp out of the corner. It will reduce low end build up. Also make sure you are using a 1megohm impedance for the guitar input. If neither of these work then get an Ultra Tonic pickup.
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#19
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Knowing nothing about electronics - obviously - I have no idea how, or what, to check for 1megohm impedance.
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1967 Aria Classical 1974 Guild D50 2009 Kenny Hill New World Player Classical 2009 Hoffman SJ 2011 Hoffman SJ 12 https://paulashley.weebly.com/ https://www.youtube.com/c/PaulAshley https://www.reverbnation.com/paulashley |
#20
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SA220 / 330 pot cleaning
Hi lpa53. Your description of "wind noise" on Ch 2 makes me think perhaps the pots (potentiometers) are dirty. I've had that happen a couple of times.
I posted a thread earlier this year about cleaning them - https://www.acousticguitarforum.com/...d.php?t=515664 - you might check it out. What I heard was white noise - gargle sounds the best I can describe it with my voice - even when all pots (knobs) were 0. Removing the circuit boards and spraying with contact cleaner, then with compressed air to help it dry, then reassembling it and I had no more white noise. My SA220 is not used very often; El Conquistador and I are friends and he's told me he's not had a problem, but his is used frequently. That may be a factor. First step is to physically turn all knobs full on / full off and see if the noise changes or decreases or quits. (Do that with the master volume set very low.) If that doesn't "clean" them, then go on with the contact cleaner. |
#21
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__________________
1967 Aria Classical 1974 Guild D50 2009 Kenny Hill New World Player Classical 2009 Hoffman SJ 2011 Hoffman SJ 12 https://paulashley.weebly.com/ https://www.youtube.com/c/PaulAshley https://www.reverbnation.com/paulashley Last edited by lpa53; 09-10-2018 at 10:10 AM. |
#22
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Thanks to all for the many suggestions. I'm getting somewhat better results after moving the amp out of the corner and forward of the mic, though it's still touch and go. The slightest move of any one element, mic, speaker, or guitar, or even capoing to produce a new resonant frequency, can muck things up. It's definitely a learning experience.
One thing I'm noticing is that with the speaker moved forward of me a bit, and further away, I seem to here more treble than before. Why that is, I don't know. Liking a more mellow rather than right sound, I tend to increase the bass, but I've had listeners tell me the bass is too pronounced.
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#23
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The impedance of the soloamp may be a mismatch. If you are using a k and k I suggest you get a k and k preamp.
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#24
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Quote:
Phil |
#25
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I got your pm - just reply with email address and I'll send the pdf that Fishman sent to me. It's minimal but the job is not complex. Phil |
#26
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FYI, I picked up some noise in a pot recently on an SA220 and contacted Fishman. They sent me step by step photographic instructions for taking the unit apart and cleaning the pots, but they said not to use contact cleaner until I had first tried compressed air, because they said the contact cleaner would remove the lubricant from the pots. He said I should only use contact cleaner if the compressed air failed to solve the problem.
__________________
2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#27
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I had both the SA220 and the 330x. I eventually couldn't deal with the feedback issues despite liking the sound and loving the convenience. I use a condenser mic and it was almost impossible to do a gig feedback free if I had to use any volume at all. Because I needed the additional power, I went back to a traditional PA/acoustic-amp-as-monitor setup. I don't want to sound like I'm knocking these types of systems but they just don't work for what I do.
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#28
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My go to system for small to medium size gigs is a Fishman SA 330, fed by a Gibson Hummingbird Pro with a Baggs Element pickup system, into a TC helicon Play acoustic on the instrument side and a Beta 58 into that Play Acoustic to a separate channel on the Fishman. I sometimes use a regular SM 58 and last weekend an old A.T.M.41 A. Other than a bit of easily tamed low frequency sustaining of the guitar, I've never had a problem with feedback. I keep it about 3 to 4 feet to the side of me and barely behind my back. The sound is great, I can hear it fine without a separate monitor, and it gets pretty loud. I chose it over other offerings because I liked the sound, portability, and the flexibility of the on board mixer. It is fairly sophisticated with a pad button, sweepable notch filter (it works!), and a low cut filter for each channel. Of course it has gain, Hi Mid and Low EQ for each channel and a Master Volume. This thing, and the SA220 I had before, has played a lot of gigs with zero problems for me and I travel all over the Rocky Mountains of Colorado.
I've never used a condenser mike with it so maybe that's the problem. Have you tried to use a Dynamic mike? Good luck! I hope you sort it out soon. |
#29
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Quote:
Thanks! Phil
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#30
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