#1
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What's that strumming pattern?
Maybe this has already been asked & answered but I'm finding it difficult to figure out the strumming patterns of song tutorials I watch. The occasional person will say use DDUUDU (or similar) but most don't. Tabs I'm looking for almost never have it. As a result my strumming is a weak part of my practice.
So my question is two-part: 1.) Does a song have to use a very specific strum pattern or can you play any "close enough" pattern for a song? 2.) is there a trick to, or how can I improve the ability to detect the strumming pattern of a song I hear or am watching a tutorial for when none is provided? I want to be as true to the song as I can but I also want to learn to play it and improve. |
#2
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My take: don't over think it.
If you have an idea about how you want it to sound, relax and play. Listen. If you are not happy with the result, try something different.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#3
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What helped me was studying rhythm as a focus area. I used “Justinguitar’s Strumming Techniques 1 & 2” DVDs, as well as their Rhythm Reading book. These helped me to recognize rhythmic patterns, and showed me how to recreate that rhythmic feel on the guitar. As to being true to a song, there are often several percussive instruments that contribute to the rhythmic feel of a song. As a solo guitarist, you are trying to get that same feel with just one instrument. That can be a difficult feat. Enjoy the journey!
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#4
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The most important advice I ever got from one of my guitar mentors was a response to me asking that question. His answer was:
"you guys need to stop trying to figure out the strumming pattern and just FEEL the music" I didn't get it, at first and thought he was just being unhelpful. After a while this sunk in and it changed my guitar-playing-life.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 Last edited by fazool; 04-09-2018 at 10:38 AM. |
#5
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I think it's important to feel the pulse of the music--what is it? Eighth notes? Sixteenths? Some combination?
I think there's some tunes where the strumming is very specific to the tune sounding "correct." Pinball Wizard, anyone? But that's not all that common...generally, there's a groove to follow, and ad-libbing is cool... I never understood the DUDUDUDDUD way of denoting a strum pattern, as it leaves out the most important thing about rhythm--TIME! |
#6
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And listen to the drummer for clues as to the right down up pattern. And most importantly understand that you need to stop strumming for a moment to allow the song to breathe and the other guitar to play the riff or fill. Enjoy the rhythm.
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Happy Sunsets Taylor 514ce (1999) Taylor K22ce - all Koa (2001) Taylor 612ce (2001) Taylor T5-C2 Koa (2007) Ovation CS28P KOAB - Koa Burst (2017) Paul Reed Smith 305 - Sunburst (2012) Paul Reed Smith Custom 22 - Autumn Sky (2013) Fender Classic Player 60s Strat - Sonic Blue (2012) Roland Juno DS76 (2020) |
#7
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Exactly. And that’s what I’m struggling with. Getting the three in sync: rhythm, tempo and melody. Maybe that’s something that will come in time (no pun intended) with practice. |
#8
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Why don't we pick a real tune and go through it?
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#9
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Just keep time with downstrokes on the beats (or on every 8th note if it's slow enough). What matters is that your strumming hand keeps time with that regular movement - whether you hit the strings with every D and U or not. Which strokes actually hit the strings (down or up) creates the patterns, but that's usually variable. Even in songs with complicated strumming patterns, the hand is still moving in that regular down-up way - you shouldn't ever change direction, or freeze the movement. Generally, in rock songs you'd accent beats 2 and 4. Upstrokes usually work best when you don't think about them at all: keep time with the downs (counting beats if you have to), and let the pick hit the strings on the way back up if it happens to. Imagine you're sawing wood: you push down generally, yes? The saw will also bite to some degree as you draw it up, but you don't usually think about that. Obviously it has to come back up before the next down! Guitar strumming patterns are no more complicated than that really. It's the regular, steady movement that gets the job done. You want to cut deeper? hit harder. That's about it.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#10
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I’ve been working on The Band’s THE WIEGHT and The Arlo Guthrie version of CITY OF NEW ORLEANS. |
#11
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__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#12
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D-DU-UDU Covers a lot of simple cases. Last edited by JimCA; 04-09-2018 at 11:32 AM. |
#13
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Tempo - that's just how fast (or slow) your rhythm is Melody - you don't need to worry about the melody until you develop basic stumming skills. Once you have some control over your strumming, i.e. your rhythm is good and you can hit or not hit the strings when you want, you can let the rhythm of the melody (where the notes fall) help you decide what kind of strumming pattern sounds good. Or you can copy what somebody else is doing. But the vast majority of all rhythm patterns are based on a good solid, rhythmic strumming hand. Get that first. |
#14
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Awesome. Thanks. |
#15
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Keep in mind there are really lots of good ways to play a tune. Unless it's Pinball Wizard, or the opening chord "riffs" to a tune like Melissa or Sister Golden Hair, as long as you keep good time no one is going to call the strumming police on you
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |