#46
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In the samples shown, I think the ABW looks the best with the fret board, the BRW was really light....who knows following the burst though.
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PS. I love guitars! |
#47
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I like them both, though I would guess the ABW weighs a bit more than the BRW; maybe you want to discuss the tonal implications with your builder....
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#48
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Quote:
Yes Louie, we are discussing bridge weight and damping and how it might affect the sound of the guitar. BRW is lighter with low damping, Ebony is heavier with high damping and ABW is heaviest and has low damping.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#49
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tick, tick, tick...
Always an anxious time during any build incorporating a burst (the waiting to see how it came out). The pore filler is on, the top has been sealed and the rosette, purfling and binding has been masked (1/16” tape, yikes!). John is waiting for a better weather window to spray the burst. I should see something soon...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 12-17-2017 at 04:21 AM. |
#50
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Sunburst
One of the benefits of being an experienced archtop luthier who does their own finishing is mastery of creating a sunburst. After sealing the top, the rosette, binding and purflings required masking before the sunburst dyes could be applied. Some of the rings in the rosette were only 1/16” wide!
Pre-seal & mask... Sealed & masked... Masking the rosette... John created a mixture of hues to tie into the color of the East Indian Rosewood rims and to visually contrast against the abalone purflings/rosette and birdseye maple binding. Here is the sunburst, pre-nitro. It will continue to slightly darken with the application of the nitrocellulose lacquer. I think that it visually ties into brown and red hues of the rosewood and successfully sets off the abalone and maple to boot. The color of the rims & burst, pre-nitro... Detail of the rosette...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 12-21-2017 at 08:19 PM. |
#51
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Wow--that is a wonderful burst!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#52
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Thanks Nemoman... Requesting a burst on a custom commission can be a bit of rolling dice. I did not request a specific burst based on an example photo, but I asked him to harmonize with the body wood and visually set off the shell and maple features. I think that he did a superlative job...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#53
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Great job and smooth transition.
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#54
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THAT'S a burst!!!
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#55
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I concur that John did a great job...(Thanks)
I am looking forward to seeing it next once John applies the nitrocellulose lacquer. The birdsye maple should “pop” a bit and the colors in the rosewood should emerge once the nitro is on. We can then go back to evaluating Brazilian Rosewood, Gaboon Ebony and African Blackwood bridge blanks based on weight and in the context of the burst...::
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#56
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Just remember you saw it here first on the Buscarino channel
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Classical guitars, flat top steel string A few banjos and mandolins Accrued over 59 years of playing |
#57
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John has finished spraying on his nitrocellulose lacquer finish on the guitar. It finally warmed up enough for him to finish spraying. We now begin a 4-week wait until early February to allow it to adequately dry before buffing it.
To match the Gaboon Ebony fingerboard, peghead veneers and tuner buttons, he will use an Ebony belly bridge that looks similar to the African Blackwood one shown in this image, but it will be >5 grams lighter. John also makes his pickguards using hardwoods (impregnated with cyanoacrylate) instead of plastic. He will make a matching Ebony pickguard for this guitar.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#58
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Looking stunnin!
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#59
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Thanks Louie...I will likely have both this guitar and Bruce's SJ at the Artisan Guitar Show. You are welcome to audition it...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#60
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Absolutely gorgeous guitar! But then again, I wouldn't expect anything less than perfection from John. A friend of mine plays one of his archtops and the guitar is just sublime.
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Eastman E8OM Fender EC "Blackie" and 60s Player Strat PRS CU24 Parker Fly Artist Carvin DC400 |