#1
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"Open" headstocks - why?
Photos in the 'Guitars in stock - June 2021' thread reminded me of something that I've been wondering:
Some luthiers like to use "open" headstocks. Is it a stylistic element, or does it also have functional advantages? A photo from that thread for reference: https://www.acousticguitarforum.com/...56&postcount=2
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#2
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In my opinion, an open headstock is only about traditional aesthetics and little to do with superior function.
EDIT: I saw "open headstock" and thought, "slotted". I take it back Last edited by runamuck; 06-02-2021 at 10:57 AM. |
#3
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That's proper posh that is
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#4
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They’re very pretty. I wish they were a shortcut to improving my playing.
Rick
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#5
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I'm a Fan
I am one of those luthiers that likes to use open headstocks. They have more room than slot heads to get in there when you are changing strings.
Like slot heads they put the tuner buttons in an ergonomically superior position to see and turn compared to solid headstocks. We all are used to solid headstocks but if you think about it why would you want the easiest strings to break and the hardest strings to tune to be the most fiddly to access? If those treble string tuner buttons were bolt heads on a car engine they would be described as "*expletive* hard to get to". Open headstocks are lightweight making it easy to avoid making a neck heavy guitar. Finally, open headstocks do offer an alternative ascetic that is very contemporary. Since contemporary guitars are in a golden age it's nice to have a headstock style to flaunt it! When I looked at this picture I realized I forgot to add how nice it is to have such easy access to the torsion rod.
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#6
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I agree with Mark, including some additional points. I have an open headstock design which has become my most popular headstock option since I introduced it five years ago. I call it the "Omega" headstock. I originally came up with this design when a friend/patron asked me to design a headstock that had the straightest possible string pull from the nut to the tuner posts. I think straighter string pull will improve tuning accuracy and stability, as it does not cause the strings to have to break at an angle at the nut. This is VERY useful to people who play open tunings, and re-tune a lot. I think it also may prolong the utility of a set of strings, by not putting that kink in the bend at a headstock that tapers wider at the crest.
One great advantage of an open headstock is that you have a very wide array of choices for tuning machines, because open headstocks utilize standard tuners, not the much more limiting array of slot-head tuner choices. In addition to that, I, and many of my customers, really like the post-modern look of an open headstock. I'm sure it probably does not appeal to some people who are hard-wired traditionalists, but this IS the 21st Century, and I think innovation is a GOOD thing.
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Edwinson Last edited by theEdwinson; 06-02-2021 at 09:31 AM. |
#8
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I think open headstocks look cool and that's good enough for me
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#9
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Looks like it might be a little easier to restring than a standard slothead.
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Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#10
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I really like the way that they look. I have two electrics with that style headstock. I don't have an acoustic like this, but I would consider it a bonus if a guitar I was considering to buy had an open headstock. So, "Why?" 'cause looks cool!
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#11
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I'm still not sure I like the look. I do like some headstock designs that aren't exactly traditional, though
The technical explanations on why it works well do make sense. However, it looks like the 1st and 6th strings make a pretty abrupt turn down at the nut. No problems with that?
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#12
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Quote:
Open headstocks, like slotted headstocks, exist to create anxiety in people who are extra-sensitive to string break angles (ESSBA). Those who are ESSBA can certainly hear the difference in the strings with the three different break angles. Just kidding. I like the traditional (Martin-like) slotted or solid headstock design despite the fact that it forces strings to veer out of line and notwithstanding my 40 years of engineering practice. |
#13
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Yes, an open headstock is easier to string up than a slot-head; however there is a specific procedure to do it. If you don't know the best way to do it, it could result in some frustration. I'm trying to figure out how to post a video that demonstrates how stringing an open headstock is just as quick and easy as with a solid headstock.
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Edwinson |
#14
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Quote:
BTW, have you ever seen the headstock on a lute? Talk about a steep angle! That's about 85 degrees, almost a right angle. I would like to reassure you that after making at least three dozen open headstocks, I have never had, nor heard of any functional problems with them. It is a sound design. And I love making them.
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Edwinson |
#15
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Quote:
Actually, I'm not a great fan of solid headstocks that get wider either, esthetically. Some solid headstocks manage to keep the strings pretty close to inline. Edwinson has good examples of that too.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |