#1
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Guitar sounds better with Capo!
Hi,
Ive noticed more and more recently that my guitar (martin 000-28) sounds better with a capo. Even when only capoing on the first fret, and anywhere up to around the 6th fret, it just sounds better than with now capo. More tone, more responsive (I think), its the strangest thing. Has anyone else experienced this? Do I maybe just need a setup? |
#2
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Yes, I had a Larrivee P09 parlor years ago that sounded more resonant with a capo.
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#3
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My Bourgeois AT Vintage D BK really opens up when you throw a capo on it.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#4
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Some guitars really bloom with a capo, although there are some guitarists who insist capos are cheating. I wish I were kidding.
My Adi+EIR DN becomes a finger style guitar when I put a capo on it. |
#5
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…it would be prudent to have the guitar checked out for potential issues at the nut….it’s possible that it if it’s not properly seated or slotted it might be choking your tone….
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...Grasshopper...high is high...low is low....but the middle...lies in between...Master Po |
#6
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I’ve noticed on my Yamaha AC3M that when I tune to Eb and capo on 1 it sounds like I’m using a little reverb. It’s pretty cool.
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#7
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Although my guitars sound good with capos on - I'm always playing with one on, the open strings have a bit more sustain without one.
I play better with one on at the 2nd fret, than without one. Maybe its age related or just being lazy, but that's my sweet spot. We live in an interesting world don't we?
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#8
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Same here. It's almost like I'm a different player with a capo on 2.
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#9
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I think in general guitars do have more sustain when they are played without a capo. On the other hand, there is something appealing about shortening up the scale of the guitar and changing the pitch of the entire instrument. And putting a capo up on the 7th or 8th fret is almost like creating a completely new instrument.
I did this recording not too long ago using 3 different guitars all with the capo on the 7th fret. I borrowed a theme idea from Carl Miner that he used to demonstrate a Huss & Dalton OM guitar, spruce over mahogany. It's amazing how sweet the guitars sound... This is the Carl Miner demo on the Huss & Dalton OM: In my opinion, the capo can be used to create magic. What would "Here Comes the Sun" sound like without a capo? I think George Harrison played that up on the 8th fret. - Glenn
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#10
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Quote:
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#11
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Glad to hear I'm not the only one. I will probably get the nut checked out, as someone suggested above.
Don't get me wrong, I don't object to having the capo on, and don't understand the "its cheating" mindset, and i agree, it can make a mundane chord progression sound magical at the right fret! Its just, I find myself putting the capo on for no other reason than to alter the tone, even if just on the first fret. I wonder, maybe its worth just tuning down a half step and always having the capo on 1st fret - but it seems a bit crazy to have to do that on what I consider a very expensive guitar. |
#12
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To my ears and fingers, almost all guitars sound and feel better with a capo, and I nearly always play with a capo at first fret as a matter of course. Yes, you get the extra sustain without the capo, and a 'looser' tone, and I understand most folks would prefer that; but I actually prefer the tighter sound and 'sweeter' tone that a capo brings. It's nothing to do with the price of the guitar and nothing to do with the set up - I've come to accept over many years that it's to do with me, and the sound and 'feel' that I'm happiest with.
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#13
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Norman Blake said they projected better (for the audience) when capo'd.
I go with this |
#14
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This may explain some of it:
https://www.acousticguitarforum.com/...ight=zero+fret
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#15
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Quote:
There are a few grains of truth to the “cheating” critique (but only a few, IMO). When I use a capo to avoid doing things that I don’t want to do (learn more chord inversions, master more positions on the fretboard, develop the ability to use a greater variety of chords and chord shapes, etc. ), but that would make me a more versatile player, I can allow that this is in the general vicinity of “cheating”. But I don’t care...I do it anyway. And, there are some great players who use a capo because they want to get a particular tone or find particular chord shapes to be a best fit for a particular song: James Taylor and Happy Traum are two who come to mind. Last edited by buddyhu; 06-07-2021 at 03:54 PM. |