#1
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Favorite Telecaster Pickup position or combo
Since the Telecaster appears to be a popular electric guitar option, what would be your favorite pickup position: Bridge only, Bridge and neck, or neck only?
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#2
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Tele pickup position
I use both with a healthy amount of reverb thru a Blues Jr.
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Regards, BahPa 2015 Taylor GS-Mini Hog 2002 Martin 000-18 Sunburst 2005 Martin 000-28 2011 Martin 0-12VS 1972 Ovation 12 string 2015 Fender P-Bass Sunburst 2008 Fender Tele Thinline 2011 Fender Tele Sunburst 1998 Washburn BT-9 |
#3
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The jokey response is "it has a neck pickup?"
But I do use the neck pickup. And both together. It really depends upon what I am playing. |
#4
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Nashville with a push/pull to get all 7 pickup configurations.
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#5
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The bridge pickup is probably the defining sound of a Telecaster. I don't use the neck pickup much, but it isn't wholly dissimilar from a Strat neck pickup.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#6
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I've played a TON of gigs with a Tele and while the neck pickup is certainly the Telecaster sound, I love the neck pickup and find it quite useful. If I had to have only one, it would be the bridge but I'd be bummed out. I don't think I've spent more than 5 minutes in my life playing with both of them on.
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#7
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I play 80/20 bridge/neck.
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#8
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this should be in the electric section, but....i use all three but the bridge is definitely my favorite as it is the tele sound. to each their own.
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#9
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I won't choose because I need to choose.
That classic Tele bridge pickup sound is an icon. Depending, it can be bright and cutting or surprisingly thick and meaty. Pick near the bridge and use those wound strings, and Twang! Get some gain in the signal chain somewhere it turns mean and nasty. And the tone control knob is useful on a Tele. I've got humbucker guitars where I've never touched the tone control knob. Bonus: on a Tele with a standard control plate you may be able to get your pinky back there and pretend you have a wah-wah pedal. Neck pickup. Want that "jazz tone" without sounding like you're playing under a blanket? With the right amp and the Tele's longer scale than many "jazz boxes" you can get a lovely timbre there. I've seen Bill Frisell play whole sets on a standard Tele neck pickup, and if that's not a beautiful sound, I don't know what is. Both pickups. A Tele secret weapon. On my Teles that's hum-cancelling, so when you have a troublesome gig or location, but only a Tele with traditional pickups in front of you, it can get you through. As a sound itself instead of Plan B, into a clean amp and chain it has a nice broad sound. I like it for strummy parts that I might have played on acoustic if I had one along. With higher gain, the hum canceling comes into play again, and you can get a thicker sound that anyone thinks is a Tele. Of course there's three pickup Teles, series/parallel wiring, variations of the original Tele setup with "bassey sound" positions and so on...
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#10
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All three. Playing in a band that covers many genres of tunes I need to be able to get both twang, and thick bluesy "woman" tones from the same guitar. I probably use the neck pickup alone more than the bridge. Never understood the hatred for the Tele neck pickup. The Tele is a great blues platform if you use the pickups and tone controls.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#11
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Quote:
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Early Ovation classical 2001 Taylor 355 2002 Taylor 308 BB 2004 Taylor 214 2011 Taylor GC4 1964 Fender Stratocaster 1965 Fender Jazz Bass Fender Twin Reverb |
#12
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The Esquire with one pickup is all I want. I may remove the neck pickup, fill the slot, get a new pick guard and pull out the pick up selector.
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rubber Chicken Plastic lobster Jiminy Cricket. |
#13
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Ha ha. We’re really good at consensus. I think if you ask 90% of Telecaster players what they think defines the Tele sound they’ll say the bridge pickup. Not to say the neck isn’t awesome. But my favorite “combo” by far is bridge alone.
https://www.seymourduncan.com/blog/t...-rhythm-pickup
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#14
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I think Osage's "neck" PU reference was a typo. He meant "bridge" (per the rest of his post).
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#15
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Agreed. It was clear to me too.
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