#1
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Pick's Effect on Sound
Hello all,
As I continue my journey as a beginning acoustic guitar player, I have been experimenting with different picks and how they affect sound quality. My observations so far: Dunlop .46 nylon - makes the guitar sound thin and tinny Dunlop Tortex Flex .50 - Nice balance between brightness and mid-range - so far my preferred sound Dunlop Tortex .60 - Louder and very "throaty" tonal quality I have enjoyed reading the threads on string selection and how it impacts sound, but I found myself very surprised by the difference pick selection can make. I can understand that a thicker pick is going to help the strings ring more, but in addition to volume, the tonal characteristics really change as well. I'm curious - For those of you who are experienced guitarists, do you intentionally choose certain pick/string combinations to achieve a desired sound? |
#2
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Yeah. A very effective, instant, cheap way to change tonal quality.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#3
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Yes, absolutely. The pick is the interface between you and the guitar, and it is a crucial element in tone production. I favour Dunlop Ultex .73 .88 and .90. I prefer a bright, snappy tone so my picks need to have the right combination of stiffness and thickness. I still haven't found the 'perfect' pick; a .88 with the stiffness of 1.00 would be about right for me.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#4
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* Currently my top 3 picks I perform with & their affect:
#1 Blue Chip Vespal Large triangle aka TAD-40/1.0 or TAD-50/1.25 with right hand speed bevel... the 50/1.25 wears better for performing for me, I can go thru a 40 in a month or so. Tone-wise they are great; fat, full and brings out mids nicely with rounded trebles. Very fast glide with an excellent speed bevel and no pick noise. This translates nicely when amplified. #2 Hawk Casien Large triangle aka Tonebird 5 1.2 with right hand speed bevel... nice bevel, nice polish, great presence/definition tone-wise; maybe a hair more then the BC, but they don't wear as well as the BC. Best bang for the buck among the boutique picks imo... Casein has a bit of pick noise vs vespal and poly which have almost none. #3 Dunlop Primetone (smooth finish) polycarb in 1.0 teardrop... just a great sounding overall pick. Very musical across the board, no pick noise, decent sculpted bevel. Similar wear to casein. Btw the translucent version with the grip is a bit brighter and they sound good, but I prefer picks without grips on them. ** I have other casein picks by CLP and EML that sound very good too, but BC is my overall fav... my preferred thickness is between .97 and 1.25 depending on material. *** I sometimes use the characteristics of each of the above as sort of a fine tune EQ at my shows when I've dialed in the Tak preamp and Loudbox, yet need a hair more of this or that, a pick can do the trick!...
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 Last edited by noledog; 09-17-2019 at 06:09 PM. |
#5
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Oh boy!! If you use the search function on here and look at threads about picks and their effects on tone, it would take you months to read them all!! We have some excellent members like Scott at Charmed Life who manufacture higher end picks made of casein and vespel. It’s an adventure that will surprise you. It really depends on the guitar, the strings, the material and thickness of the pick. At least to my ears, each of my guitars likes different picks. Have fun!!
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Guild D55 Gibson Southern Jumbo Farida OT-22 |
#6
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I started right where you are, with those same dunlop picks. I traveled to PrimeTone, which are ok, and LANDED on Dunlop 207 and 208 picks. Such a thicker tone with less pick noise. That's for CHEAP picks. Expensive picks... casein! Bluechip are ok for how I play (bluegrassers lose their minds over them). I really love my Red Bear casein pick in addition to the Dunlop 207 and 208s. If I had to buy another casein, I'd go Charmed Life or EML or John Pearce.
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#7
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Quote:
You can buy them in three different tonal offerings. Sweetwater carries them.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#8
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Quote:
Apparently they've been around for a while. Casein is a nightmare to work with. It produces TONS of blems, rejects, C goods and unsellable inventory. It is not an expensive material, but the labor is murder, and the frustration is maximum. I'd encourage everyone to support this business as much as possible, even though they are in the UK. I will say this: Strictly from a business viewpoint, I do not think this is a sustainable long-term business model. If it is, I say more power to them, and more power to you for having found a great source for reasonably priced casein picks that are beautifully made and I'm sure sound awesome. I realize this may come across as sour grapes, and you can crack on me for that, but it's not meant as such. The nightmare of working with casein deserve its fair reward, and these folks are selling themselves short. Again, this is good for the consumer -- even great for the consumer -- but working on such thin margins over the long haul is extremely taxing and exhausting. I try very hard to take the high road and, as always, I will recommend these folks and their products. That's just the way I roll. I want everyone in the category to succeed and flourish, as one vendor's success lifts everyone else. But it pains me to see good folks doing great work but selling themselves short. It has taken me decades to learn that the most important relationship we have in the world is with ourselves, and that a healthy self-regard and -- dare I say it -- self-love is the well-spring from which all virtues flow. Not narcissism, but positive self-regard. I learned this through very hard study, having tried almost every other path before I stumbled upon it. Yeah, I'm getting all mystical and dewy-eyed here on the internet. Okay, you can crack on me now. best to all, scott memmer Last edited by Charmed Life Picks; 09-17-2019 at 08:28 PM. |
#9
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Quote:
** The large triangle blue 1.2 I got from you is beautiful and when I first strummed it I absolutely loved the depth and presence. I'm just so hard on picks as I rip thru edges with my performances of Richie Havens/Pete Townsend aggressive strumming, to DJ scratchin' stuff across the strings. So I wore that baby out! LOL! But that takes nothing away from how wonderful it sounds and your excellent workmanship! *** The Hawks are nice for sure, but Eric's speed bevel on his EML 1.5 is better to me then the Hawks with a much better polish too... it's just too thick, but maybe a bit more Pinball Wizard with it will thin it out LOL!! Cheers to you Scott! eric
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#10
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I've always felt that the other members here provide the most relevant and useful info as to product recommendations and unbiased reviews. You continue to provide this service to everyone here, and as much as you travel and gig, I, for one, want to thank and applaud you. I consider Eric L. at EML a good friend and a worthy colleague, and I believe he feels the same for me. We're in this together. When the boat rises in the water, everyone in the boat rises with it. I've learned in this life that gratitude is the greatest gift, so I give thanks and props daily to my peers for the arduous and beautiful work they do. Imagine being in a craft where you make music -- music, which I consider sacred (it is, after all, a part of every spiritual tradition on the planet) -- more beautiful, more enjoyable, even more sacred. Wow. It's humbling. So props to Hawk, and BC, and EML, and Wegen, and Dunlop and Fender, and all those who ply the trade. It's a great time to be a guitarist and musician. Safe travels to you out there, Eric. Best, Scott |
#11
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Technique, pick, strings, setup, and characteristics of a given guitar. Ear will eventually develop as well.
I'm very particular with my picks. Quite often, I'll use a specific pick or two per guitar. I like the V Pick Stiletto on my Tele and semi-hollows. I use a BC TD40 on my Don Sharp DN. My Bob Thompson DN uses a CL casein pick. Bob Thompson OM loves the CL vespal pick. |
#12
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Hmm, food for thought. Thanks for that; we don't have Sweetwater in England but I'll see if anyone else stocks them-always worth a try. Thanks again.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#13
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#14
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Yes, considerable difference in sound and feel.
Your range of experimentation is far to narrow (IMHO), lots of picks out there with wide differences in materials and thickness.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#15
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Did you miss the part of my post where I said that I have hundreds of picks?
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