#16
|
|||
|
|||
Found some; and on your recommendation have ordered a pack of .88 in 'white'. If they're no good you're in big trouble!
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#17
|
|||
|
|||
Thanks for the replies
Quote:
I assume this note was for me as the OP. Yes - still in my early stages of learning, so I am just starting to experiment. Don't want to drive myself crazy with too many choices at the moment |
#18
|
|||
|
|||
Quote:
Let us all know what you think.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#19
|
|||
|
|||
I just can't figure out why anyone wants to go under .75mm on a pick. On my martin DX1 it likes 1.14 ultex, and it sounded great.
On my GA Alpine/Cocobolo Furch, it loves the Brown Charmed Life picks, as well as the Primetone and Ultex. The new Ernie Ball Everlast pics are pretty solid too! However, I never go above .9mm on my GA. |
#20
|
|||
|
|||
Wouldn't this forum be boring if we all used the same picks, guitars, strings, and amplifiers! I have a large collection of picks, from very expensive to super cheap. I hang on to all of them, but I only use one type of pick..... the 2.5mm Badazz III from Chickenpicks. When you buy Chickenpicks they come with a black and yellow warning sticker..... "Warning these picks are not for everyone" or something like that. They are right, my guitarist friends gasp when they pick one up. I love them though and I can't get the same tone with any other pick.
|
#21
|
||||
|
||||
Quote:
From a listener's viewpoint (I taught for 40 years and sat across from amazing players), the pick choice makes as big a difference as string choice. |
#22
|
||||
|
||||
Uh-oh, Plectrum Food Fight.
|
#23
|
|||
|
|||
Apparently the post was meant for the OP and not me.
|
#24
|
|||
|
|||
Quote:
picks are lke underpants! Everyone has their own preference and what is right foe me won't be the right thing for you, but ...... It is my experience that as we develop our playing style, we tend to start with light / thin picks and slowly go up in thickness over the years. Of course - this is a generalisation, but it happened to me and many others that I know. The thinner the pick, (less than 1 m/m) the easier it is to strum the strings, but the more difficult it is to play more intricate melody lines or to get the best tone. Very thick picks - (2 m/m plus) give very little "feedback to your picking hand, can sound rather dull, and need precise control - often favoured by jazz guitarists and very skilled bluegrassers etc. I am more a bluegrass style picker, and I use 1.25 m/m large triangle (Blue chip TAD 50) picks for dreads and 1 m/m (TAD40) for smaller guitars. I don't recommend these for relatively new guitarists, but you might try some cheaper picks such as Dunlop Tortex - say 1 m/m, and also maybe try some large triangles (which I find easier to hold and control and see if they work for you. Like underpants, you gotta try a few types before you find what suits you, and most of us have large collections of picks we've tried ... and rejected. Good luck!
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#25
|
||||
|
||||
Well stated. Thanks, Andy.
sm |
#26
|
|||
|
|||
Quote:
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#27
|
|||
|
|||
Quote:
On another note, I have to pay a compliment to the Newtone String folks of the U.K. Overall IMHO, they are the best non-coated strings I have used and I buy them quite often. Just trying to do my bit to keep the trade balance.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |