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#16
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What Classical guitars that are considered serious musical instruments have plywood tops???? |
#17
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Glue layers with wood layed in contrary directions..originally used for more stability & less movement is a ka ka idea if the whole point of a soundboard is to respond & vibrate to a string.
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#18
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#19
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Martin uses mahogany for the inner layer of their laminate guitars, which according their wood folks was chosen specifically for the sound.
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#20
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Glen
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Yamaha FG-375S Jumbo Martin DXME/D-35E/DC Aura/000-14 Custom/D-16E Custom/ 000C Nylon/0000-28HE/Concept IV Jumbo/00-16C/D-4132SE Gibson LP Deluxe/ES-347 TD/Chet Atkins CE Fender MIA Deluxe Strat Art & Lutherie 12-string Bellucci Concert Sigma CR-7 Recording King ROS-06 FE3/RPH-05 D'Angelico "New Yorker" New Masters "Esperance SP" Hermosa AH-20 “I never met a guitar I didn't like.” ![]() |
#21
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Laminate is what we in the wood industry refer to Formica, WilsonArt, NevaMar, or other phenolic material that have a paper layer containing the color and pattern plus a plastic (melamine) coating. At least Martin is honest enough to call it what it is, HPL. When we refer to "laminated" in the wood industry, it generally implies layers of thin wood or veneers wiith the grain running in the same direction, to provide (directional) strength by continuity of grain. Curved stair rails and stringers, splayed table legs, modern furniture, even trusses, are examples. Layered is what I like to refer to the double-top guitars that many classical builders and some steel string builders are producing. This is actually a core of Nomex, a honeycomb composiite core used mainly in the aviation industry, with very thin outer skins (usually cedar inside and spruce ouutside). It produces a very light, responsive and stiff top, though some may say the one can be a bit harsh and cold. There also is almost no room for error or repair, as the outer layers are extremely thin. Now I'm not so much a wood snob to suggest a plywood guitar cannot souund good. I own one, and after some tweaking, I feel it sounds really good. But not great, and nowhere near exceptional. I've played great and exceptional guitars, and I gurarantee none of them were plywood! But my thinking it, it is the irregularites and difference in stiffness along different axes that lend "character" to the sound of a guitar. Engineered materials such as plywood do not offer such character, as it is "locked in" by the process. |
#22
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High-end classical guitars now commonly use high-tech laminated tops. They are super light and stiff, and give great volume. They aren't really similar to ordinary laminated tops or plywood though. Instead they have a thick core of nomex and thin veneers on both sides, so really it's more of a "nomex top" with thin veneers over it, a composite top. Calling it a double top or plywood isn't overly accurate, though they are often called double tops. http://www.classicguitar.com/doubletop_article.html |
#23
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A double top is two thin layers of wood with a nomex core that is in a honeycomb pattern. Most of the inner core is air. The honeycomb is just the structure to hold the two layers of wood apart. To confuse this with plywood is reaching for the stars. This creates a top that is much lighter than solid wood.
The plywood people refer to when they are talking "bad for top wood" is the cheap low grade stuff used in entry level guitars.
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__________________________________________ Geri Carletto (classical) Cordoba C7 (classical) Martin 000-18 Ibanez AC340opn |
#24
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What's making this confusing is the connotations in behind the word "plywood."
When many folks hear the word plywood (me included), we often think of the material you use to build a dog house or a bird house. It's the stuff you buy in huge sheets from a home-improvement store. The layered woods used in guitars are usually made of tone woods glued together in layers. Is it plywood? Yes, technically it is because it is made of plies. However, comparing plywood from Lowe's to layered tone woods on a guitar is like comparing bologna to a t-bone. Just my $.02. |
#25
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A short read of interest......http://liutaiomottola.com/PrevPubs/Plywood/Plywood.htm
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#26
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I do believe that manufacturers are confusing the buying public, and it's done intentionally to make people believe there is a higher intrinsic value to a lower-end offering. There needs to be better machining control with bindings, since the show veneer is so thin and care needs to be taken in sanding. So yes, it's a higher grade of plywood, but it is still plywood, with a filler wood used for the core. Look, I've been in the cabinetmaking business on and off for the last 20 years. I've purchased marine-grade teak plywood that cost upwards of $900 a sheet. But when a manufacturer tells you the sides are "layered" it conjours up visions of side veneers bent and put in a press, and that is not what happens. The plywood sheet is cut, steamed or heated, and put in a mechanical press to "form" it's shape. Same as the back. You can even set a CNC up so that the cuts occur with the bookmatching of the veneer on the plywood; you don't even need to square the sheet on the CNC as it will account for that as well. So it's really comparing Oscar Meyer to Boar's Head, but in the end, the marketing hype is a bunch of boloney (not bologna...) |
#27
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Everything effects vibration, which effects sound..."tone."
Coming from the jazz world, a lot of guys prefer laminate guitars for performance because they're durable and resistant to feedback. But laminate guitars are not all the same..."laminate" by definition isn't even the same process from maker to maker...how many layers? what's in the middle? If you ever get a chance, audition a maple backed ES-175 to a Mahogany backed ES-175. They both will suck as acoustic guitars, mind you...but plugged in, they will indeed have a very different character to the tone. |
#28
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Thanks hunter |
#29
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The wood in a solid wood top, or solid wood sides and back, has an internal structure that is the result of the organic tree growing. There are wood fibers that go longitudinally, there are transverse structures that hold them together, there are tiny voids, there are resins, etc. etc. That organic structure matures and ages with time and responds to vibrations from the guitar being being played over the years. With any kind of plywood, laminated wood, layered wood or whatever the guitar making company tries to use as a marketing term to get more sales, you loose much of that organic structure since you now have 3 or more paper thin layers of wood, with a layer of glue between each layer, and typically with the interior layers being less expensive wood and aligned at 90 degree to the grain direction of the adjacent layers. This means that the resulting 'wood' is not going to have the internal organic structure of a piece of solid wood. And this means that you will get your tone mainly from the design and construction of the guitar and not from any particular tonal aspect that the decorative top and bottom wood veneers might give had they been solid. So the decorative veneer is not going to change the tone you get so long as the overall design and structure of the guitar is kept the same. In an all plywood guitar (top, back, sides) You can have a decoration of mahogany or rosewood or koa or whatever and it will sound pretty much the same since the tone is coming from the design and construction of the guitar. If you put a solid wood top on a guitar made with plywood back and sides you will get a combination tone from the overall design and construction plus from the tonal qualities of the solid wood top.
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Member #12 Acoustics: 1995 Taylor 510 1997 Taylor Custom Shop 14 size 1998 Taylor K-65 12 string 1998 Larrivee C-10E with Mucha Lady IR/Sitka Electrics: 1999 PRS Custom 22 Artist Package - Whale Blue/Ebony 1995 Fender Custom Shop 1960 Strat - Dakota/Maple 1997 Fender California Series Fat Strat - CAR/Maple 1968 Teisco e-110 Sunburst/Maple |
#30
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