#16
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When I started, I fretted the lowest string of a chord first and placed the other fingers afterwards. I am talking nano seconds here. Arpeggios work great this way also. So, when you move to the D chord hit the D string first then the fretted G string second and then the rest of the chord. Look at it as a map to fingering and playing the chord. Start slowly and it will come around in a pretty short time.
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#17
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Hang in there, the muscle memory will come, one day those three fingers will move as one, and you'll be able to play the D in your sleep. No worries, it reminds me of the first book that I read on home brewing beer, the author said: "relax, average people have been brewing beer for thousands of years." Same deal, average people have been playing the D chord for years. Enjoy, your heading down a great path.
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#18
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A solution (not necessarily THE solution) is the Justin S version. I've taught the D to A chord switch from the starting with the D chord perspective…because it's a more familiar chord for most beginning players. Leave your first finger on the 2nd fret of the G string, and then lift and place the A7 around it' for over 30 years (diagram below). But a teenage student helped me improve it… I watched a 13 year old young lady during a group lesson just moving her fingers back and forth between these two chords very slowly for about 5 minutes without playing anything with her strumming/picking hand. I asked why she was doing it and she responded "If I don't try to play anything and just concentrate on switching I learn them faster." It immediately became something I now do personally, and taught students to do with any tough/challenging switches for the last 20 years of my teaching lessons. The D to A (or vice versa) switch 'morphs' very easily. This is a more useful A chord fingering as well since you can simply move the first finger backwards a fret at a time to build an AM7 and A7, or add the pinky to make an Asus, or leave the first finger in place and move the outside fingers up one fret for a Dm.
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Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... …Just because you've argued someone into silence doesn't mean you have convinced them… Last edited by ljguitar; 03-24-2023 at 08:21 AM. |
#19
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Now that I'm teaching myself classical playing, the music often calls for the 3rd and 4th fingers to be used at times where in the past I would use the 2nd and 3rd fingers instead. So multiple silent position changes are called for to retrain my fingers and instincts, lest my wife strangle me in my sleep.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#20
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I would also pick 2 chords and do like 300 changes back and forth. Every single day. One day it will be three, then four... |
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d chord, d chord change |
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