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#1
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I got my first Archtop and I'm looking forward to experimenting with strings at some point. I just love tinkering.
Any suggestions for strings for acoustic play? You know, bright but not brash, mellow, but not dull? Good sustain. It would be nice to have a starting point. |
#2
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Start with a set of MM13 Martin Retro Monels - a modern-day iteration (lighter gauge/improved manufacturing techniques) of the strings favored by the Big Band-era compers - and work from there...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#3
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What guitar are you talking about? Acoustic? Acoustic/electric? I've liked Newtones, Martin retro monels, Ernie Ball aluminum bronze and Curt Mangan round core monels all in medium gage (13's) for my Eastman archtop.
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#4
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I like the Thomastik Swings. They’re a bit expensive but I really don’t change arch top strings that often.
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Rob 2018 Gerundino Hijo Negra 2019 Gerundino Hijo Blanca 2021 MJT VTJ 2022 Antonio Raya Ferrer Negra 2019 Eastman T49D/V-AMB 1937 Gibson L-50 2022 Eastman AR880CE 2006 Gibson Advanced Jumbo 2021 McPherson Sable |
#5
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Here's my archtop with D'Addario NB (nickel-bronze) light gauge (.012-.053) to give you a vague idea of what might be expected. The first video is from the day I put them on, 12/7/22 and the second is from 12/27/22. I've been playing it almost daily since. Your mileage will vary, but it's indicative of how lively they're capable of being. Best, Howard Emerson
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#6
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PLEASE IGNORE THIS POST. I HAVE MEASURED THE RETRO STRINGS AND THEY ARE LONG ENOUGH FOR THIS GUITAR. Sorry if I have misled anyone. Mike Last edited by Mike12; 01-12-2023 at 09:27 PM. Reason: Incorrect information |
#7
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Mine came with flat wounds and I have really liked the tone from day one. It’s jazzier for sure. I’m gonna try monels soon.
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Martin GPC-15ME, Model America 1 1957 Gretsch New Yorker Recording King RO-T16 and RO-06 Huss and Dalton Road Series 000 '57 LG1 Eastman AC222CE |
#8
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I’m a fan of TI flat wounds on big box archtops. I have tried the nickel-bronze DAs on my parlor and do enjoy the tones. They last a pretty long time too. I might have to try them on the archtop. The TI flat wounds seem to last forever.
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Greg_C |
#9
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I've been using this exact set of strings on my 2001 Nick Lucas Reissue, they sound great acoustic, and they play well with magnetic pickups. I really liked them, so I just bought two more sets to try on my 1986 Guild X160 archtop.
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#10
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If you play fingerstyle: Thomastik Spectrum or Plectrum; AC112 (brass-wounds with a flat-wound G) or SB112 (wound with some kind of bronze). A bit more expensive in the US but they last a long time. They also seem to use a finer wrap wire giving less fingernoise.
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Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Dud McLemon: Cordoba Fusion 14 Maple (China, 20??) Stanley: The Loar LH-650 (China, 2017) |
#11
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I'm a fan of Stringjoy, and their Foxwood line (coated phosphor/bronze) provides a good balance of tone between being too "jangly" and too "dark." I'd go for the 12/54 set, but they have lighter and heavier, and you can get custom sets, too.
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I own 40 guitars. Most are made of wood. Some are not. |
#12
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#13
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I have been using D'addario Nickel Bronze for a couple of years on my purely acoustic archtops (Gibson L4, Harmony Monterey, and Eastman AR805).
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Silly Moustache, Elderly singer, guitarist, dobrolist and mandolinist. I'm here to help and advise only By request, I offer one to one lessons/meetings/mentoring via Zoom! See: https://youtu.be/Pd5Lcd6MLSI https://www.youtube.com/user/SillyMoustache/videos |
#14
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Depends on the guitar, I would think, along with whatever one's ears and fingers vote for. To my ears, my 1946 Epiphone Broadway likes a fairly heavy set (though my fingers are getting to prefer mediums rather than an .058 set), and if it were acoustic-only, I would stick to phosphor bronze. But since it gets played amplified more often these days, it's Thomastik BeBops, which have decent acoustic sound and last a long time. Same compromise goes for my X-braced Eastman 805, though it's currently operating amplified-only with Galli tape-wounds. (Very muffled acoustic sound.)
My general observation is that a too-light set will sound thin and twangy, which is not my idea of an acoustic-archtop voice. On the other hand, less-than-mediums might drive a light-built modern archtop acceptably, and probably will sound fine amplified. And I've never liked the sound of flatwounds, even amplified, but as someone who came up not as an electric player, I may be in the minority about that. |
#15
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I used Retro mediums on my Epi Devon, but my local shop strongly recommended the D’A NBs, so they’re going on next.
I did find out there’s no disadvantage if the wrap on the D string doesn’t make it to the tuner, as happens with a Frequensator. Not relevant here, but I had a strong need to get that out.
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2007 Martin OM-21 1950 Epiphone Devon 2019 SilverAngel mandolin (“Swazi” - it’s a long story) Eastman MDA-315 2021 Karsten Schnoor Custom B&D Style 5 tenor banjo 2019 Schnoor Weymann (orphaned pot) conversion 1958 Gibson ES-125T 1967 Emmons GS-10 1976 Fender Telecaster (“Ohmygodthisweighsaton”) Lots and lots of other stuff |