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"Ear Blindness" (and bridgepins)
You've probably seen the commercial about being "nose-blind" where after a few minutes you become oblivious to the pet and food odors in your home. I'm wondering if some of us aren't a bit "ear blind" as well, accepting errant issues with sound as "normal". I know I just experienced that myself.
I was testing my 814ceDLX to see if I could hear any difference in sound after a couple days of additional Tonerite application. I was using my 614ceDLX as the "control" guitar for comparison. In this moment my hearing was turned on to "critical listening mode". I was listening for nuance and trying to be aware of every detail. So I strummed a few chords of the 814, put it down and picked up the 614ce. As I listened to the 614 I was listening across the entire chord spectrum and though slight, I could hear the B string projecting just a hair more than the other strings. It was very slight and I hadn't noticed it before. But every chord I played I could distinctly pick out the B string among the others. Not the high E as one would expect, but the B string. I just had to see if I was hearing things, or was simply wrong in my analysis. So I quickly took it to the other room, installed an African Blackwood pin in place of the ebony pin on that B string... And voila, the sound blended back in with the other strings! Hmmm? Did my 814 have a similar issue? So I picked it up, did the same test, and to a lesser degree that pesky B string sound stood out among the rest. Same experimental fix: African Blackwood pin in the 2nd slot. Same result. I was surprised that I hadn't been keen enough to identify this before. But again, we get so used to hearing whatever it is that we accept it as it is, just like we accept food and pet smells. I suppose many can't hear the differences and I guess in some ways that's a blessing. Being able to hear minute nuances to the point of it being bothersome is both a blessing and a curse [ask me about the time my tuner accidentally got recalibrated to 441hz!]. So in this moment my both my Taylors have ebony pins in the 1st, 3rd, 4th and 5th slots, buffalo in the 6th and African blackwood in the 2nd. The 814 is due for a string change in the next few days. I'll see if I'm still hearing the same issue afterward. Just thought I'd share.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#2
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Probably very good guitar players who are able to draw out a wide range of tones and dynamics from their guitars via their
refined technique and musicality are the best judges of what's what.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#3
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Life's too short...
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#4
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Quote:
And with all good players, we all make automatic adjustments for some things, sometimes unconsciously. And perhaps folks like the anomalies of the sounds- and that's ok. But this is about awakening awareness of subtleties.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#5
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Quote:
says something about playing technique or about some guitar or gear I freely pay attention and don't feel there is some other agenda going on.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#6
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Amen, Andrew. I’ve heard there are people who enjoy watching paint dry too.
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#7
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Quote:
I appreciate the thought and effort Vin puts into sharing his experiences, even though I'll never swap a bridge pin.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#8
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OK. What happened the time your tuner got accidentally recalibrated to 441 Hz?
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#9
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As I've posted before, if you Really want to try something different try using a 1/8" aluminum pop rivet washer to anchor the ball end against the bridge plate and eliminate the bridge pin altogether. I've done this on 3 guitars, and noticed an improvement on 2 of them, and only a subtle improvement on the 3rd one.
Again, this isn't a viable option on a live performance guitar due to the difficulty restringing in an emergency... |
#10
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Quote:
Thank you. Obviously, there are some who haven't got anything intelligent to add and must be bored silly with their own lives. I respect that some folks don't want to be bothered with any of this stuff. It can be time consuming on several levels. But it makes no difference to me whatsoever if those that disparage my observations and idea sharing wish to be ignorant. They think they are contributing something to the forum and that's ok. They can go on thinking that. I get enough PM's behind the scenes to know that some folks get enough out of the postings to make it worthwhile to do.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#11
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Apologies Vin, I thought I was being light-hearted, but obviously it’s more than just the British spelling of ‘humo(u)r’ thats different to American!
Carry on...
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#12
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I liken it to seeing your favorite moving 20 times, and then one day you notice one tiny minutia in the background of a scene and are like, "wow I never noticed that before." It doesn't change your opinion of the movie, and you will probably forget you saw it the next day.
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#13
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Quote:
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#14
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#15
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My guitars (Collings, Santa cruz) came with ebony pins. I changed them to bone because I prefer the look of white/ivory coloured bone in an ebony bridge, but, I have noticed a slight but definite change in the tone, esp, in my 000 and Waterloo guitars.
A little extra brightness and sustain ? Neither of which Collings need of course, which is probably why Collings keep to ebony pins. My "bones" are staying!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |