#16
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To me, they are already singing with the old Harmony Sovereign. Just different perspectives, which is what makes the world great!
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#17
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Quote:
Last edited by Brent Nelson; 12-16-2009 at 12:14 PM. |
#18
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Anyone know if that headboard has "opened up" yet?
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#19
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[QUOTE=Stringfellow;2053924]Tis the season to be seriously affected by GAS. But while we're obsessing over tonewoods, bout sizes, body depths, neck widths, neck depths, purfling, binding, tuners, fretboards, fret sizes, scale lengths, nuts, saddles and neck joints... (along with all the other stuff) - it's worth reminding ourselves just what you need to make memorable music. Check out Jimmy:
http://www.youtube.com/watch?v=y1BiPbxX1YU .../QUOTE] You got a Favorite, a 5 star, a comment, and a subscription out of that clip, sir. As I said in my YouTube comment, that clip makes me think about trying standard tuning again. Fran
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E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog |
#20
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Hi sfellow…
That was fun to watch and listen to...love story tellers. |
#21
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Thanks to mr51 for posting elsewhere on this forum some Seasick Steve who embodies the point of the original post:
http://www.acousticguitarforum.com/f...d.php?t=171530 QED? You make the music with what you got - not what the guitar got. Thanks for a good exchange. |
#22
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i remember hearing a drummer who was born a natural, we had a small apartment and he made the lamp shade sound like the best drum set in the world, he played the counter top then he played the bathroom door, he had us literally struck.......he was amazing (and we were not drunk) he did it all the time every day everywhere. So no, he didn't need a top of the line drum set period. I also remember walking downtown Santa Cruz where the street players were playing for dollars, a guitar player was wailing on his old harmony with two missing strings, crowds of people were riveted. right down the way was a guy with a real good Martin, souded like a nice guitar but I was the only one standing there. Anyone who ascribes to you have to have the top of the line Martin, Gibson, handmade box just misses the root cause of sweet playing, my opinion. Yea this guy may have sounded better acoustically if he had a Bourgeois but that isn't the point at all.
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#23
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Quote:
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