#1
|
|||
|
|||
Studio Monitors For Home Acoustic Practice?
I have read Elite Acoustic amps have sound quality closest to a studio monitor.
I would never use a studio monitor for live sound, but for home practice/near field listening would this be the best acoustic guitar sound? I use my QSC K8.2 for gigs, but for home practice I am wondering if it would sound even better using my single Adam Audio A7X Studio monitor, which I have hooked up to an Allen and Heath Zed-10FX mixer? This speaker has a 7 inch woofer, ribbon tweeter, 150 watts, 42-50 Hz frequency response. If the answer is yes, how many people use two speakers for stereo effect? Last edited by wweiss; 07-12-2020 at 02:14 PM. |
#2
|
|||
|
|||
Quote:
But I did try both. Most Monitoring speakers sound better than any PA speaker in a near-field situation. The Adam are the best monitor speaker on the monitor speaker wall at my local dealer. The best practice plugged in tone I ever had was with a pair of Presonus ERIS 8 and Allen Heath ZED 10FX... and I am sure the ADAM are better. Note it is not the same price: You need two studio monitors to get a correct acoustic image. my 2 cents, Cuki
__________________
Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#3
|
|||
|
|||
I think it's more complicated than this. It depends on what you're putting into it, what your expectations are and what your room is like.
Remember that good monitors are good when they are not flattering so if you put a cheap piezo on a guitar you will hear it's flaws in all their glory, particularly as monitors are not usually built to accommodate a high impedance system like a passive piezo. A classic Les Paul sounds much better through a really inefficient and non linear Vox ac30 than it does dry through a Genelec. What do you mean by stereo? Are you using chorus or stereo reverb, for instance? Two identical signals from separate sources is not stereo and can actually cause all kinds of phasing issues. A good system in a great space will sound much better than a top-end system in a freight container.
__________________
Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#4
|
|||
|
|||
Quote:
Note if you just want to play at home and get a great sound, you don’t have to use a piezo pickup. Studio Monitor speaker Can accommodate Micing the guitar as long as you are not playing loud and You correctly position The mic.
__________________
Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#5
|
|||
|
|||
Yes, the sound of my Elite Acoustics D6-8 is very similar the that of a reference monitor with an 8" woofer.
I love it for practice as well as small to medium sized gigging. My Schertler Roy has immaculate studio quality sound as well in the mids and highs, but with far more power in the low frequencies than a studio monitor Exceptional live sound is particularly important to me because I have hearing loss. Last edited by lkingston; 07-12-2020 at 08:27 PM. |
#6
|
|||
|
|||
Yeah, I was kinda generalising there but you're absolutely right.
The bottom line is if you have all the kit there you can give it a go and judge the results. You're unlikely to do any harm if you switch the monitor "on" last and "off" first to avoid spikes when un/plugging or powering up the mixer and if you do use a mic avoid feedback at all costs - PA speakers are generally more robust than little dinky, detailed monitors. Let us know how you get on. I find it's always cheaper to learn from somebody else's mistakes than my own
__________________
Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#7
|
|||
|
|||
Personally, I don't 'get' using an amp (any kind) for home practice unless wanting to use FX or a looper. If you can't hear the guitar well when playing unplugged, find a better spot where the room's wall reflections help. Playing in a big room with a lot of sound absorbing furniture and carpets will only amplify the tonal issues with the amp.
__________________
Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#8
|
|||
|
|||
If you want to use a studio monitor for live sound, check out Daedauls speakers: http://www.daedalusmusic.com/w803.html
__________________
Eric Omega Braz MJ, 2011 Omega MJ Braz Baritone Ryan Cathedral ABW/Bosnian Build thread: 2011 Kostal Mod D Brazilian/German Build thread: 2019 Kostal MDW Brazilian/German Build thread:2019 Bigfoot Mod D |
#9
|
|||
|
|||
What I meant by stereo was using two speakers out from a mixer. From the main left/right outs. The two speakers are 6 feet apart. I like the stereo effect of being enveloped by the sound coming from the left and right.
|
#10
|
|||
|
|||
Got it, although the PITA little voice in the back of my mind is saying, "...well, strictly speaking that's dual source mono..." but he doesn't get out much.
__________________
Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |