#31
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Quote:
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#32
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In Reaper, using 'takes' on a single track lets you blend the composite track together without getting a 'click' like you may get if you cut and paste (without doing a fade-in/fade-out). The 'click' happens because the waveforms don't match at the start/finish exactly.
You can also, of course, keep the takes on separate tracks and manually do the fade-in/fade-out with volume automation.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#33
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I believe most full featured DAW's have a version of this , or select the comped track and multi fade all edit points at once like in Pro Tools
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#34
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Just a hobby/home recordist here, I usually take the path of planning multiple takes and cherry picking the best bits.
Often, though, I'll do four or five takes and find that the best one is the first one. Probably, mentally I'm more relaxed as my self-imposed pressure isn't there. By the last take I'm desperately trying to nail it.
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#35
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Correct. And you can, of course, manually adjust the crossfades, too, as well as set the default shapes/times.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#36
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Ha... I've never heard that before but it sure can look that way when you have stacked comp tracks in the edit window.
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#37
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That essay was great! Thanks for sharing. Best, PJ
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