#16
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Vox mini5. We have one, I like it. The Vox is at a price point that fit the need at the time and still gets used from time to time. Has multiple features, is portable.
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#17
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A preamp pedal that emulates an amp that you like - with speaker emulation. Plug that into some computer speakers or studio monitors.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#18
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At one time I had a spark and a Katana 50 MKII. I still have the Spark. The Spark is a much better practice tool with its YouTube integration, jam tracks, and everything else in between. There’s truly nothing like it in the market. Oh yeah, and it’s surprisingly loud, and you can dial some great tones, or just download a patch off the cloud. It is also a killer Bluetooth speaker as well. It’s on sale right now for $249 and come with a gig bag. |
#19
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Current: Froggy K; Collings OM2Hc (on order); Martin SC-13e; Apollonio Cittern ------ Electrics: Collings I35; Gibson CS Les Paul; Grosh NOS Retro; PRS Custom 24 (for sale); PRS Silver Sky Signature; Fender Select Strat -------- Past: Bourgeois JOMC; Collings OM2T & CJ; Larrivee LV-05; Lowden O-50c, F-50c & F-35c; Martin CS 00c; RainSong V-WX1000; Taylor 814ce, 512e & T5 |
#20
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they do look unique. if I was on the hunt, this may be my first choice.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#21
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Although I do really like my Katana mkii head, if I was in the market for something now I would also seriously look at the Spark and the Yamaha amps. They all have similar qualities and all are likely good.
I have heard one person on this forum that didn’t like the Spark, but others do. As a beginner, it’s features have a lot of appeal. For someone less of a beginner, maybe one of the others has more value. |
#22
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I have a very old (original version) Line 6 POD and a Yamaha THR10 that work extremely well and if I want to play electric through headphones those are the ones I go to now. I've stopped playing electric, but if I were still playing I think the Boss Katana would be what I would go with today. If I were seriously playing electric, I would just get a Mesa Triple Crown and be done with it . |
#23
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#24
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I think they’re worth it, but you must be clear that it’s strictly a practice amp. It won’t be loud enough to play over a hard hitting drummer. Quote:
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Any early adopter is absolutely justified to hate the thing. The rollout delays alone was terrible. Positive Grid basically crowd-funded the inventory buildup, and made bogus promises. They almost went under because of this with all the angry early adopters that waited months after paying in advance. |
#25
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I'm not bitter about it, but I don't use it. |
#26
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I got a Pig nose 20. battery powered, portable, sounds ok. Only pedal I have is a Cubebaby and it is ok too.
I am looking at a spark but the Pig nose is good for now. The battery is good for a long time, week or so. |
#27
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I would add the Fender micro mustang and headphones, if it hasnt been mentioned yet. Even if you add a small amp or even just powered speaker, it makes a nice little modeler of some iconic amps. And does a surprisingly good job.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#28
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The Fender Mustang Micro was Reverb's #1 best selling amp of 2021 (even though it's a headphone amp. I've never played it before but to be a #1 best seller for Reverb it must do something right.
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#29
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I also have a Fender Twin, which is "airier" and more open when recorded (but also needs a more extensive setup: proper mic placement, preamp settings, and then once you add in gain/overdrive either from the amp or effects pedals it just requires more setup). The Micro is much easier to just plug in and record and can get you close to the real thing. What stands out with the modeled amps is that they DO respond differently to different guitars and different pickup settings - so a strat, tele, LP, hollowbody, etc will all react differently to the same modeled amp (i.e. the Fender Deluxe setting) that mimics how the real amps respond to different guitars. The one downside of the Micro with the sound is that it's more compressed than the real thing - i.e. doesn't respond as dynamically to your touch/picking. It's far from being flat or dead, but certainly not as 'jumpy' or alive as the real thing. But for recording basic stuff and for silent/quiet practice, it's hard to beat. |
#30
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Apparently, they taste good to dogs, as well. Im on number two. I love it for practice with headphones, and sometimes plugged into a bose speaker or mackie monitors. It is a YUGE improvement over the cheap headphone amp modelers from 10 years ago.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |