#16
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hey….wait a second.. people can actually SEE us when we are up there performing.. Ohhhh man, this changes EVERYTHING....
I do agree that it IS for sure a bit different when you are just playing for a small gathering of friends. |
#17
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That's my kind of humor!
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#18
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Quote:
Best, Jayne |
#19
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Most musicians fit the 'weird' category or at least the 'artistic' slot for personality. So I figure it doesn't matter where I look as long as its not making someone the center of my attention. So look around the room, at the guitar, at the floor, moving your eyes as you move through a song.
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Martin D-28 '67 Cole Clark Fat Lady 2 Taylor Doyle Dykes Custom Alvarez Fender Strat '69 Gibson 1942 Banner LG-2 Vintage Sunburst Gibson SJ-200 Taylor Myrtlewood 12 string Emerald X20 Godin Montreal w/piezo |
#20
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When I speak to a group, I always try to make eye contact with individuals - it helps me connect better with the audience.
When I'm playing, I'll make eye contact, but it's usually at the end of a line, and I move on to the next person pretty quickly. I just try to make sure that I hit most of the room over time (from front to about mid-range - it's a little awkward to try to hit people in the back or way at the edges).
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#21
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Thanks
I wondered if I was going to hear from anyone. If you knew my father-in-law, you would still be laughing. Think Archie Bunker without the charm.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 08-14-2018 at 04:18 PM. |
#23
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I shoot for a natural and comfortable combination of eye movements/targets.
After all, I am 'talking' to a group. Some time looking at various individuals in the eyes, but for short periods. A little time looking slightly above heads. A little time with closed eyes. Try to not stare too long at one person or direction. IOW, don't zone out. Also, don't let your eyes dart around quickly ... very distracting to watch. Stay with your audience. I intentionally don't make eye movements too practiced. Enjoy yourself and your music; feel the group and follow the atmosphere. Last edited by Tico; 08-14-2018 at 06:49 PM. |
#24
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I go with what my feeling is. If it's a really emotional tender song I might be more inward. An upbeat song, more outward. When I'm going out to hear music, I could care less where the person is looking. I'm listening and hopefully being moved by the music. Because that's the point for me.
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When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school they asked me what I wanted to be when I grew up. I wrote down, “happy.” They told me I didn’t understand the assignment, and I told them they didn’t understand life. —John Lennon |
#25
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Really interesting question by the OP. Nobody wants to watch or hear me play so I’ve never performed for anyone except for my dog, but I can imagine the awkwardness of a very small audience. I never thought about where to look while playing - this is an interesting topic.
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Justin ________________ Gibson J-15 Alvarez MD60BG Yamaha LL16RD Epiphone Les Paul Standard Fender Player Stratocaster |
#26
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Not sure how I wound up in this thread, but this had me laughing 5 years later.
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Huss & Dalton TD-R Custom, Gibson New Vintage Southern Jumbo, ‘55 Gibson LG1, Mule Resophonic, Martin D-18, Martin HD-28 custom (adirondack + v neck), Martin 000C-16GTE, Teisco/Kimberly Hummingbird |
#27
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If you feel uncomfortable looking at the people look at the wall in the back of the room
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#28
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Glance at the tablet or music book. Even if you don't need it, it's a helpful glance away to throw in.
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-- 2023 Fender American Performer Stratocaster 2023 Martin HD-28 |
#29
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No matter the size or make up the audience, always, always, bubble and effervesce. Don’t get complacent. Your audience can tell if you are not engaged.
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Martin 000-16 McPherson Sable Fender Player Telecaster |
#30
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Quote:
**************** This question caused me to look back at a few videos of my performances. When I sing, my eyes and head move to survey the room, but I keep my mouth near the microphone. If I'm playing a break, intro, or ending, my eyes are closed or watching my hands work the guitar. When I finish an instrumental only part, I look straight ahead. I'm not sure how I would handle playing to a smaller group with no mic. Since I practice habitually keeping my mouth at the microphone, I suspect that I would work an imaginary mic. Last edited by k_russell; 01-30-2024 at 06:19 PM. Reason: omission |