#46
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#47
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Can’t wait to try one of these d-18’s! Sounds pretty cool and definitely worth checking out.
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#48
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No cutaway, no care
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#49
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Yep, Jamie. Someone once said, when you base your argument on what the other guy is doing, you've already lost.
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"It's only castles burning." - Neil Young |
#50
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With a list price of $4399, and a MSRP of $3399, you should be able to get one for somewhere about $2639 from one of our AGF sponsors...
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"Music is much too important to be left to professionals." |
#51
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Jaime et all...you are technically correct....Taylor didn't go after Martin specifically....they went after all x-braced guitars; Martin, Collings, Santa Cruz etc. I found the Taylor campaign really troubling.... it actually made me feel bad that I own and "had" enjoyed my five Taylors. The important thing about this announcement is that x-braced guitars from Martin are still available. The "Re-imagined "series has been upgraded but not at the expense of the older guitars They are not now being roundly dismissed as old and inferior technology. I think Indy has it right. Martin is competing with old Martins. Bob Taylor showed me something very distasteful... he is trying to make his guitars "obsolete" to force customers to buy the "latest and greatest". He really hates his old guitars.
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Rip VanWinkle..... Some Martins, OO-18CS, 00-28 CS, 000-28 EC, 0000-28H LSH CS, D-18 CS, D-14 CS VTS Spruce over Morado, OM CS VTS Adi over Guatemalen, D-35 CS Some Gibson's, Keb Mo 00, J-35 Collectors Edition, 12-Fret AJ, Some Taylors, 612-CE 12 Fret, Custom 12-Fret Walnut, 814CE, Custom 2015 Engleman over Ovangkol GA,752ce LTD 12x12 Rainsong C1100-NS, Recording King RP 626 Schoenberg |
#52
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To everyone, please keep it respectful and objective with no brand bashing. Some of the posts in this thread are skirting the edge.
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#53
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I love the current Martin sound and if they are improving it, even a little, I'm all for that. I look forward to playing one |
#54
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“We’re still improving the guitar today – we’re leaving the X brace behind and now have interiors that make a better guitar – more projection, more in tune, the harmonies are beautiful, louder, more sustain..” |
#55
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Martin makes wonderful guitars. They don’t need to start over with some completely new bracing system that is now their new standard leaving all their previous customers holding the bag. And I agree, Taylor moved a couple of sticks around.
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Martin 00018 |
#56
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Maybe I'm a slow-witted outlier who lacks any deep insights on this, but when I read the article I didn't interpret the "moving a couple of sticks around and calling it innovation" comment as ANY kind of attack on Taylor or any other guitar company, much less a specific attack on Taylor's V bracing. I took it as a general comment, nothing more. From what I can tell, you all are reading more into that than was intended.
Vicarious outrage and indignation are easy to embrace, of course, but I don't see anything to get wound up about here. Seems like kind of a waste of energy and emotion to me. The Martin Modern Deluxe guitars sound like they have an interesting combination of features. I look forward to getting a chance to play a few of them. Wade Hampton Miller |
#57
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eric
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#58
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SprintBob, I took your advice and re-read the Q&A in the last Wood and Steel. I should say that, obviously, I have no idea how Bob Taylor "feels" about his older designs. My comment was certainly a wild grenade and I apologize. His answer in "Wood and Steel" was much more nuanced. I can only wish that was the company line at the beginning of the new V-Class marketing push. But I realize with my advancing years that my opinion on anything is not unique. If I feel a certain way about something, it's likely that hundreds of people probably feel the same way whether they voice their opinion or not. Therefore, I suspect, that "how to walk back" the most exuberant language about V-Class has probably been discussed inside the executive building in El Cajon. And it should IMHO. I don't enjoy felling a little bit betrayed and, for the record, I still have my Taylors and they are not leaving because I like them better than the V-Class models. But as Bob says..."Time will tell..."
There should be no argument that Bob Taylor has done great work on tonewood sustainability from Africa to Hawaii and deserves a great deal of credit for his efforts.
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Rip VanWinkle..... Some Martins, OO-18CS, 00-28 CS, 000-28 EC, 0000-28H LSH CS, D-18 CS, D-14 CS VTS Spruce over Morado, OM CS VTS Adi over Guatemalen, D-35 CS Some Gibson's, Keb Mo 00, J-35 Collectors Edition, 12-Fret AJ, Some Taylors, 612-CE 12 Fret, Custom 12-Fret Walnut, 814CE, Custom 2015 Engleman over Ovangkol GA,752ce LTD 12x12 Rainsong C1100-NS, Recording King RP 626 Schoenberg |
#59
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What can really be done to an acoustic guitar to make a drastic difference?
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#60
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It’s cool that Martin is making some innovations. That said, I don’t understand why this thread was created stating this as a “counterpunch” and competition between Taylor and Martin. Stuff like that creates brand wars and defensiveness.
They’re both great companies and neither company has left their customers high and dry.
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Taylor- DN8, GS Mini, XXX- KE Gibson - Gospel Reissue Takamine- GB7C |