#16
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F# is the third. It is not the 11th. Like chemistry, music theory is not whatever you want it to be.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#17
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let the bass player catch the F# while playing the D chord with the (G) suspended. Solves all the finger stretching issues. With so many 3 chord songs the (slash) chords often refer to suggested bass movement by the (bass or piano) player
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#18
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No bass player. Just me, mostly for my own entertainment. I'm now playing a regular D, adding my pinky on the third fret of the high e, as I think you are suggesting. It's pretty easy to hit because I'm used to playing a D and the pinky is already there. I'm working on the thumb, but it sounds ok just hitting the top five strings, so I can add the thumb when I'm ready.
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Regards, Jim Larrivée L-05 Mahogany Gibson Les Paul Traditional Fender Stratocaster Epiphone Les Paul Standard |
#19
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Or C, G, D, which is how Zevon plays it in the live videos I've seen. One reason I like this version is the way you can play the opening riff by pulling off and hammering on from C to G so cleanly. The upstrokes on the Gs in that repeating riff just sound so right. What can I say? It's a challenge working it out, but that's part of the fun.
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Regards, Jim Larrivée L-05 Mahogany Gibson Les Paul Traditional Fender Stratocaster Epiphone Les Paul Standard |
#20
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Quote:
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#21
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I played it using D,A,E chords tonight for about 45 people, they loved it !!
Great song !!
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Alvarez 66 CE Alvarez AJ80CE Takamine F340 Guild F-2512 Deluxe CE Ibanez Acoustic Bass 12 M1 Martin 12 string X Series Harley Benton Telecaster EVH Wolfgang Formerly known as Martin Maniac..... M |
#22
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It's a great song. I play it using C/G, G and D (plain C during the bridge). Not saying it's the greatest, but it works!
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