#1
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Anyone gig with Fishman Loudbox Mini?
Hi folks,
Just wondering if anyone uses a Fishman Loudbox Mini for small gigs (no PA system, just guitar and mic thru Loudbox Mini). Thanks! |
#2
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I use it a lot at home. All my guitars are electrified with k&k pure mini, LR baggs Element and the classic one with a Kremona pickup. I love the naturalness of the pure acoustic sound of this amp. I had an Ibanez troubadour before and it has nothing to do with it.
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2023 Loef 00 13 fret 2018 Loef Dread SS 12 fret 1972 Yamaha FG-75 Red Label 2017 Kremona Romida rd-c |
#3
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I have used it as my only amp for my acoustic and resonator, but not for vocals as well.
Two acoustic players/two vox - small restaurant type gigs, so not much volume required. Now we have a small PA for vox and I DI out of back of the fishman to the PA, so it's really just my monitor now.
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#4
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A few years ago, I was in a group where we used two of them for small indoor gigs. I think we used the mics as well. They were absolutely fine.
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Malcolm Auden Chester 45 Eastman AC322ce Sigma SDM-SG5 Deering Goodtime Leader O/B banjo Epiphone IBG SG (in cool dude black) |
#5
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A single Mini would be fine for a silent room or a very small venue for which volume wasn’t critical, but when I used one in the past for a Record Store Day appearance I found it soon lost clarity and became compressed/fluffy sounding when approaching performance levels.
I think you would perhaps be better served by the Artist. I found the Artist to be the sweetest sounding of the lot, and certainly provided reasonable output volume. I went through three Performers in the space of six months, all suffered driver or op-amp failure. Not much louder or better than the Artist, and seem to have an inherent design issue. Personally I would rather pick up a used AER Alpha or Alpha Plus than a new Mini. The build quality and tone of AER kit is on another level entirely…really superb.
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'67 Gibson J45 (K&K) ‘81 Eko Ranger IV (weird factory Electra pickup) '95 Gibson Dove (MagMic) ‘97 Martin D18GE (Sunrise) ‘01 Takamine EAN46C (Palathetic and CT4B) '02 Takamine EAN20C (Palathetic and CT4BII) '15 Gibson SJ200 Standard (Sunrise) ‘19 Vintage Paul Brett Viator VC Classical ‘20 Sigma CF-100 copy (Sunrise) Capos by G7th, amplification by AER. |
#6
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This is excactly what I do, using the Mini Charge.
I have done it a lot during the last two summers, connecting guitar and mic. Mostly outside in places where there is not too much noise around. Also small venues with loud crowds, but I'm not really good at this anyway. Occasionally I get compliments from musicians telling me how good the system sounds. I know two of them have bought the same thing.
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Some Nylon String Guitar with pick-up, all good. Youtubechannel: https://www.youtube.com/channel/UC-M...Vbk1XI5Cy4NA7g My goal: 3-4 paid gigs per week. I'm halfway there. |
#7
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I have did it before and seen several other people doing it around here . The little Fishman always did well. I would play at Ice Houses and to me it was fine.
Today I use an old Carvin AG 200 …Sounds good and was built in the USA . |
#8
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Haven't gigged with one yet, but when I do, I will most likely use it as a monitor and still have my guitar going through the mains.
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#9
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Yes I have. Terrific for guitar and vocals. Totally fills a small room.
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#10
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I have used a Mini several times in small relatively quiet rooms and it worked fine. However I think the Artist is much more versatile and I use it instead of the Mini. The Mini lives in my garage as my workshop amp. It is a great little piece of gear though.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#11
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I use it for inside (a quiet restaurant) and outside (restaurant porch, farmers market, small outdoor festivals and it works fine. There is a genuine trade off, weight for performance, so the mini is not always ideal, but the alternative is so much heavier that I use it for the majority of performances where PA’s are not provided. Nobody has ever complained about the sound quality.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#12
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Our small coffee-house group uses a Loudbox Artist for guitar and a single mic, and never had any problems. I have a mini, but the Artist seems to have better projection and is more versatile. the mini is very mid-heavy, and is hard to dial that out without really weakening the overall sound. If that makes any sense. At my small home music room, it does fine, but its a pretty small space.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#13
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Yes for sure. I did small to medium sized gigs with it for a few years. I only needed to be as loud as my wife's un-amplified cello, but there was plenty of headroom left.
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{ o}===::: Craig ________________________ 2003 Gibson J45 2021 Furch Yellow Gc-CR MC FOR SALE 2023 Hatcher Greta |
#14
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I used one for a while and it’s great for smaller rooms with low background noise.
I sold it and bought an “Artist” which is more versatile and packs more punch. These days, I’m using a Bose S1 in small to medium-sized rooms because of it’s ability to disperse sound…not so boxy and I can elevate it to ear level with a stand. The S1 is also more flexible as a monitor when we go to the Fishman 330X or our Alto’s. It’s easier to lug around as well.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#15
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Quote:
I've sat in a room where someone did. The guitar sounded a bit harsh when pushed (might have been his tone settings), and the tone was lacking bottom end in both guitar and vocals. |