#16
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Quote:
In the rack, top to bottom: resto-modded c.1963 Acoustic Research AT-TX (early AR-XA) Rotel RCD-1072 CD player Rega Brio-R integrated amp Schiit Modi 3 DAC Schiit Magni 3 headphone amp Sennheiser/Massdrop D6XX cans Nakamichi CR1a cassette deck Monster power center (aka a glorified power strip) To the sides... '59 Fisher X-100 integrated tube amp (not in use presently) Otari MX 8080 switchable half/quarter-track reel-to-reel Spendor SP3/1R2 speakers
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#17
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I did something similar with my OM-15 but I used McGuire's scratch repair.
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#18
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Oh yea the old, show me yours and I'll show you mine trick
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#19
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The polished satin you did is my favorite finish. I dont like gloss but I hate satin that Martin,etc put on their guitars but I love the buffed out satin. I think you must have a nitro finish to make it work though. Dont hesitate you guys out there just dont use of be light with the sandpaper, you dont need it. Yes it wont be a gloss finish by as Ive said 2 times, its better than gloss.
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#20
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That looks great! I love open pore finishes. Having owned "glossy" finishes and open pore satin finishes, I would pay extra to get open pore, especially on the neck.
Yours looks really good! |
#21
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Looks great!
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#22
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Nice work! This has obvious benefits as long as one doesn't go through the finish to bare wood. I did the same to my Larrivee L-03 and I'm very pleased with the appearance and the reduced handling noise; it brought out some details and depth in the grain that were covered by the satin finish.
The only other caveat besides being careful not to overdo it is that often, they don't sand the wood as nicely as they would for a gloss finish, and it might reveal some sander swirls, rough sanding. Generally, this is why satin finishes tend to be less expensive...less labor involved; usually have to look very closely to see it, though.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass |
#23
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they should make a higher end gloss version of these
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#24
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Wow...I've shied away from Martin all hog guitars because of the satin finishes. I like the tone, but I hate the satin finish. Total deal breaker.
The fact that the SM has a 1.725" nut width, and the fact that the satin finish can be buffed out...hmmmm. It's enough to change my mind. Thanks for the thread! |
#25
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Such a big improvement. Congratulations!
I've always felt that flat satin finishes looked cheap. Perhaps that's because I know from years of photographic print finishing, putting down a satin finish rather than gloss reduces the labor time by 80% and takes far more care.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#26
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Looks great!
I've done three satins now. An SG Fifties Trib', a Gnome, and a Larrivée. The satin looks nice, imo, but I tend to buff spots, inadvertently, due to flannel shirts & excessive play. If I want an even finish, I end up having to polish. All mine have turned out well. Despite some videos, and many cautionary posts warning against such folly, I'm very happy with the end result. It's not something I recommend for everybody, but if you're somebody who finishes what you start, you're patient, and you love your guitar--it's a day of listening to tunes, watching tv, and a worthwhile imo improvement.
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'05 Larrivée 0M-03 Custom (bear claw/hog), '13 Kronbauer TDK 285 MJ Custom (koa), '94 Froggy Bottom Custom (koa) dread', '08 Seagull Artist (EIR), '19 Gnome Blues Custom (EIR/T13? redwood), '78 S. Yairi 726 (hog), '84 K Yairi AR377, 1905 Vega parlor (hog), 60's Stella,'94 Saudi Tele', '79 Epi Genesis "Your sound is in your hands ... ... more than it is the amp or the guitar you use." - SRV |
#27
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Oh, that's easy. You keep going until you see bare wood then do a little less. Just ask those who have sanded/buffed through to bare wood.
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#28
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Oh oh! Looks really good, but there goes your warranty?
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#29
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But... it's just normal play wear, right?
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#30
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Looks great - well done!
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Hope. Love. Music. Collings|Bourgeois |