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  #16  
Old 06-12-2019, 11:41 AM
beatcomber beatcomber is offline
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Quote:
Originally Posted by icuker View Post
Not to hijack but maybe in another thread tell us about your stereo. Looks cool too. Nice job on the guitar as well.


In the rack, top to bottom:

resto-modded c.1963 Acoustic Research AT-TX (early AR-XA)
Rotel RCD-1072 CD player
Rega Brio-R integrated amp
Schiit Modi 3 DAC
Schiit Magni 3 headphone amp
Sennheiser/Massdrop D6XX cans
Nakamichi CR1a cassette deck
Monster power center (aka a glorified power strip)

To the sides...
'59 Fisher X-100 integrated tube amp (not in use presently)
Otari MX 8080 switchable half/quarter-track reel-to-reel
Spendor SP3/1R2 speakers
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1955 Gibson ES-125
1956 Fender Champ lap steel
1964 Guild Starfire III
1984 Rickenbacker 330
1990s Mosrite (Kurokumo) Ventures
2002/2005 Fender Japan '60s Tele [TL-62-66US]
2008 Hallmark 60 Custom
2018 Martin Custom Shop 00-18 slot-head

1963 Fender Bandmaster (blonde blackface)
1965 Ampeg Gemini I
2020 Mojotone tweed Champ kit build
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  #17  
Old 06-12-2019, 12:08 PM
Rosewood99 Rosewood99 is offline
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I did something similar with my OM-15 but I used McGuire's scratch repair.
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  #18  
Old 06-12-2019, 12:15 PM
DownUpDave DownUpDave is offline
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Originally Posted by bufflehead View Post
Okay, here's the plan, DownUpDave. You do yours next, and post the results. If your 000-15m comes out as nice as the OP, I'll do mine.
Oh yea the old, show me yours and I'll show you mine trick
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  #19  
Old 06-12-2019, 12:15 PM
mercy mercy is offline
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The polished satin you did is my favorite finish. I dont like gloss but I hate satin that Martin,etc put on their guitars but I love the buffed out satin. I think you must have a nitro finish to make it work though. Dont hesitate you guys out there just dont use of be light with the sandpaper, you dont need it. Yes it wont be a gloss finish by as Ive said 2 times, its better than gloss.
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  #20  
Old 06-12-2019, 12:20 PM
Matt G Matt G is offline
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That looks great! I love open pore finishes. Having owned "glossy" finishes and open pore satin finishes, I would pay extra to get open pore, especially on the neck.

Yours looks really good!
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  #21  
Old 06-12-2019, 12:25 PM
bobster7 bobster7 is offline
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Looks great!
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Collings 000-2H (Sitka/Rosewood)
Dave King L-00 (Adi/Mahogany)
Gibson J-45 JT project "1942 Banner" (Adi/Mahogany)
Eastman E20P (Adi/Rosewood)
Sigma-SDR-28MLE (Adi/Madagascan Rosewood)
Sigma SDR-45 (Sitka/Rosewood)
Sigma SDM-18 (European/Flamed Mahogany)
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  #22  
Old 06-12-2019, 12:28 PM
maxtheaxe maxtheaxe is online now
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Nice work! This has obvious benefits as long as one doesn't go through the finish to bare wood. I did the same to my Larrivee L-03 and I'm very pleased with the appearance and the reduced handling noise; it brought out some details and depth in the grain that were covered by the satin finish.

The only other caveat besides being careful not to overdo it is that often, they don't sand the wood as nicely as they would for a gloss finish, and it might reveal some sander swirls, rough sanding. Generally, this is why satin finishes tend to be less expensive...less labor involved; usually have to look very closely to see it, though.
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  #23  
Old 06-12-2019, 12:34 PM
SlopeD SlopeD is offline
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they should make a higher end gloss version of these
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  #24  
Old 06-12-2019, 12:36 PM
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TDavis TDavis is offline
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Wow...I've shied away from Martin all hog guitars because of the satin finishes. I like the tone, but I hate the satin finish. Total deal breaker.

The fact that the SM has a 1.725" nut width, and the fact that the satin finish can be buffed out...hmmmm. It's enough to change my mind.

Thanks for the thread!
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  #25  
Old 06-12-2019, 12:44 PM
vindibona1 vindibona1 is offline
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Such a big improvement. Congratulations!

I've always felt that flat satin finishes looked cheap. Perhaps that's because I know from years of photographic print finishing, putting down a satin finish rather than gloss reduces the labor time by 80% and takes far more care.
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  #26  
Old 06-12-2019, 01:09 PM
Blind Dog Blind Dog is offline
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Looks great!

I've done three satins now. An SG Fifties Trib', a Gnome, and a Larrivée.

The satin looks nice, imo, but I tend to buff spots, inadvertently, due to flannel shirts & excessive play. If I want an even finish, I end up having to polish. All mine have turned out well. Despite some videos, and many cautionary posts warning against such folly, I'm very happy with the end result.

It's not something I recommend for everybody, but if you're somebody who finishes what you start, you're patient, and you love your guitar--it's a day of listening to tunes, watching tv, and a worthwhile imo improvement.
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  #27  
Old 06-12-2019, 01:20 PM
charles Tauber charles Tauber is offline
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Quote:
Originally Posted by beatcomber View Post
The trick is knowing when to stop.
Oh, that's easy. You keep going until you see bare wood then do a little less. Just ask those who have sanded/buffed through to bare wood.
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  #28  
Old 06-12-2019, 02:32 PM
jpd jpd is offline
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Oh oh! Looks really good, but there goes your warranty?
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  #29  
Old 06-12-2019, 02:41 PM
beatcomber beatcomber is offline
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Quote:
Originally Posted by jpd View Post
Oh oh! Looks really good, but there goes your warranty?
But... it's just normal play wear, right?
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1955 Gibson ES-125
1956 Fender Champ lap steel
1964 Guild Starfire III
1984 Rickenbacker 330
1990s Mosrite (Kurokumo) Ventures
2002/2005 Fender Japan '60s Tele [TL-62-66US]
2008 Hallmark 60 Custom
2018 Martin Custom Shop 00-18 slot-head

1963 Fender Bandmaster (blonde blackface)
1965 Ampeg Gemini I
2020 Mojotone tweed Champ kit build
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  #30  
Old 06-12-2019, 03:22 PM
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Kh1967 Kh1967 is offline
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Looks great - well done!
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