#31
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I have had a few people tell me that I sing better over top of my Martin 000-15 then my Taylor 512 cedar/mahogany. That instrument has nice overtones and chime but I think the dry mellow tone of the all mahogany Martin sits under my voice and blends better. Good luck with the new to you Gibson and enjoy. Last edited by Kerbie; 02-25-2020 at 04:28 AM. Reason: Edited quote |
#32
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P.s. you didn't take a lot of convincing I wish all I had to say to my wife was.. err, sorry, too much information, never mind..
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Gibson Customshop Hummingbird (Review) Last edited by Kerbie; 02-25-2020 at 04:28 AM. Reason: Edited quote |
#33
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I’m single so it’s my conscience that nags me on such things. I told it to shut up, it’s £110 off and I’m not convinced they didn’t make a typo on the price given everywhere else is £870!
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#34
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#35
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If I had started off with the Taylor I would probably be none the wiser! I know my voice works well with Gibsons though so should be ok there.
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#36
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You've got that right. I've often thought that they ought to put a sound hole in the back of the guitar as well.
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#37
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Guitar doesn’t complement voice
Having played in cover bands where I had to mimic everyone from John Denver to Willy Nelson to Bob Dylan I figured out sometime back that my guitars couldn't change but my voice could. Give it a try. You might like it. |
#38
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No big deal now anyway, I sold it to my friend who has wanted a better acoustic than his epiphone for ages. G-45 doesn’t come until Monday, I actually dreamed about it last night. |
#39
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#40
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Let us know how the Gibson turns out! I mostly do solo acoustic shows, so I understand what you're going through. I don't think I've ever played a Gibson that didn't compliment my voice. Right now I have an Avalon Arc and it sounded great for its first show last weekend.
Thing about the Avalon is it sounds so beautiful on its own, I don't sing much with it at home!
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"The real risk is not changing. I have to feel that I'm after something. If I make money, fine. But I'd rather be striving. It's the striving, man, it's that I want." - John Coltrane |
#41
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#42
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Years ago I was playing with my old friend who had an amazing voice. Just so smooth. I had a 314ce back then and he sounded average. He let me play his J45 and his voice was magic! I told him he sounded so much different, he smiled and said, “buddy, if you are going to sing, you better have a Gibson.”
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Martin 00018 |
#43
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"The real risk is not changing. I have to feel that I'm after something. If I make money, fine. But I'd rather be striving. It's the striving, man, it's that I want." - John Coltrane |
#44
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I’m actually looking in the classifieds now!
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Martin 00018 |
#45
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This would be more of an issue if more people paid close attention to how their voices meshes with the guitar. My bet is that 90% of us never think of it. I didn't - until I happened to get a guitar that I just sang better with. The little light in my brain went on then.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |