#31
|
|||
|
|||
Quote:
From my recent experience, I have a relatively new acquisition, a '95 Taylor 910. It's spruce over rosewood and the overtones/harmonics can get way out of hand with the wrong strings. Recently I've strung it with John Pearse 12-56 PB's and those solved the overtone issues. I messed a bit with the bridge pin "recipe" to even out the string-to-string balance and it sounds pretty amazing. If what I just suggested above isn't acceptable, a great set of strings to try are the Gibson Masterbuilt PB's- while you can still get them. Very warm and mellow, yet full sounding set of strings. Good luck.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#32
|
|||
|
|||
Was coming here to say the same thing as vindibona1... more tension = more fundamental, less harmonics.
EJ16s are on the lower tension end of the spectrum for light gauge strings, like right around 160lbs. IIRC, Martin Authentic lights are something like 167lbs, I would try those and see how they work out. Wouldn't go so far to put nickel/monels on a rosewood guitar, although some folks really like that combo, it's generally not a recommended pairing.
__________________
'18 Pre*War 000-28 Braz |
#33
|
|||
|
|||
Quote:
I didn't know there were "recommended pairings" of specific strings with tone woods. |
#34
|
|||
|
|||
You can obviously do what you want, any string will work on any guitar. It's pretty common to see nickels/monels used w/ hog or woods that stress the fundamental, PBs on rosewoods.
__________________
'18 Pre*War 000-28 Braz |
#35
|
|||
|
|||
My sense (from reading posts here, and hearing guitar guys talk) is that nickels emphasize the fundamental, so I guess pairing them with mahogany kind of doubles down on that effect? Canceling out all overtones and complexity, I guess?
|
#36
|
|||
|
|||
I'll just chime in and say that monels sound okay on my D-18 and horrible on my rosewood guitars. Who knows why.
__________________
Current: Lowden F35, Sitka / Cocobolo. Maestro Victoria, Sitka / EIR. Maestro Singa, Adirondak / EIR. Maestro Singa, Sinker Redwood / Wenge (incoming) Gone but not forgotten: Martins, Gibsons, Taylors, sundry others. |
#37
|
|||
|
|||
Right, and I agree that does feel like it could be a "too much of a good thing" situation in certain cases.
__________________
'18 Pre*War 000-28 Braz |
#38
|
|||
|
|||
We'll see what happens when I get my guitar back from its setup. With Retros on it. I guess you're supposed to wait six months or so before the strings sound good....
|
#39
|
||||
|
||||
Quote:
I think they meant that more people have had success with the Retro - Monels with more fundamental guitars like Mahogany bodies vs. those who tried them with Rosewood guitars. I tried them with both, and neither were a fit for me.
__________________
"It's only castles burning." - Neil Young |
#40
|
||||
|
||||
Quote:
For others reading this, I'd highly recommend GHS Vintage Bronze to take the edge off of an overly bright guitar without losing warmth or tone. I use them for this purpose, as well as for my Mahogany body guitars.
__________________
"It's only castles burning." - Neil Young |
#41
|
|||
|
|||
OP here -- great conversation folks! Very informative!
|
#42
|
|||
|
|||
Elixir Polyweb’s will work.
__________________
Taylor 512ce Urban Ironbark Fender Special Edition Stratocaster Eastman SB59 |
#43
|
|||
|
|||
Quote:
One thing I would never do, and have never done, is post asking what strings will work best on any given guitar. There's clearly nothing wrong with doing so, and I don't want to give the impression that I think there is. But what I always do is try several different string alloys on any new-to-me instrument that happens to come along. That's because I never know for certain ahead of time which strings I will like best on it. You can't really know that until you perform your due diligence and compare several different sets. Anyway, Joe, if it turns out that you like the Martin Retros best on a rosewood guitar, I'll talk to the forum moderators and try to persuade them to NOT send in the Guitar Police armed tactical SWAT team to kick in the door of your music room and confiscate your instruments. It'll be tough, because those guys REALLY like kicking in doors and setting off those flash-bang grenades, and if they can make your wife cry and get your dog yapping hysterically they like it even better. But I'll try to talk them into standing down.... Wade Hampton "I Said Stand DOWN!!" Miller |
#44
|
|||
|
|||
Quote:
Well...luckily (perhaps), my guitar in question is safely mahogany in its back and sides. So...Retros may not conflict with any of the Canonical Combinations. I heartily agree with your point about trying different strings on any given guitar. Totally consistent with my past experience. You just don't know till you try. |
#45
|
|||
|
|||
Quote:
My very 1st experience with DR Sunbeam mediums was ... ordinary. By some strange chance I just happened to have a set of lights on hand. Simply went from Sunbeam mediums to Sunbeam lights and the difference was a huge surprise - probably my favorite guitar experience in 2019!
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |