#1
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Hideous To Look At, Heavenly To Play
Does anyone here have any guitars you think look awful to your taste but keep or bought because it just played so good or sounded so good? I'm a bit shallow, if it's too unpleasant to look at I won't buy it, regardless of how it slobs, so I don't own any with this combination. It's usually a headstock or bridge that turns me away, Breedlove, Alvarez are examples, I've never come into contact with either though but I can see I'd avoid them because I don't like to look at them. Deeply shallow, lol
Seagull is one I guess that maybe I could fit here actually, I owned an S6 for a year or two. The headstock was so weird, but oddly enough I'm once in a while drawn to that odd headstock. I loved the guitar though, and miss it. |
#2
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Not yet...
I bought my 1st guitar last Wednesday and passed on a Breedlove for the exact reason you mention. It actually "played" slightly better to me than what I bought. Last edited by jacot23; 12-05-2021 at 09:09 AM. |
#3
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Quote:
For me, how guitars play and sound are the most important factors in a purchase - but appearance is a factor too. My 814ce is so comfy and sounds so good - but then I also enjoy the compliments on its appearance.
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https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#4
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I have a 00 Alvarez and I hate the look of the bridge also,
My everyday guitars have traditional looking headstocks and bridges.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#5
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Again, I refer to my Godin A6 Ultra which is my Swiss Army knife for any plugged-in acoustic situation, but many do find it’s appearance a bit odd.
Nevertheless, when I get my inevitable record deal I’ll pose for the album cover with my Martin HD-35 but play all my sold out solo area shows with the Godin.
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Some Acoustic Videos |
#6
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Short answer - no.
I'll admit that I'm fairly p[icky as far as looks are concerned and only have 12 fret guitars that are either Gibson, or mostly Martin prewar designs. Too much of a variation on the design turns me off - strange bridges or headstocks - no thanks.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#7
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I'm not a fan of most sunbursts on acoustic guitars and the burst on my CEO-7 is among the least attractive to my eye. If looks mattered to me, I wouldn't own that guitar. But it's one of my two acoustics, was my only acoustic for well over a year, and I suspect I'll have it for the rest of my playing life. I bonded with it instantly - it's sound and it's feel are the best I've ever owned and it seems happy enough being the ugly duckling. BTW, my other acoustic is an 000-28EC with a natural finish, and that's what an acoustic guitar is supposed to look like to my mind - it's beautiful. And it's a fine sounding and playing guitar too, but odds are if I was ever to sell either of my two current acoustics, it would be the 000, not the CEO.
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#8
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You mean like those red finished Martin Streetmasters;
They were blowing them out about a year ago and even at that really low price, I just couldn't do it! |
#9
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Never cared for abalone inlay on guitars. But the place I do like some dazzle is the headstock. I thought those Kay Kraft/Oahu asymmetrical headstocks with the MOTS were drop dead sexy. And as far as finishes it never got better than the pre-1934 or so hand rubbed Gibson bursts
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#10
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I like the looks of the Streetmaster series but that guitar is just plain ugly. Very different than other pics I've seen.
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#11
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I feel that way about upper level Taylor’s. The ones I’ve played have felt and sounded incredible, but I hate the bling. The wood pickguards and all the abalone turn me off for some reason. But the headstocks on Breedloves don’t bother me at all!
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#12
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I was going to say that I was OK with a “hideous” guitar because I nearly bought a beat-to-heck J-50 once. Multiple open cracks, just a wreak. But sounded awesome. But I realize that’s not really fair, because I think that natural wear in is cool looking.
I wouldn’t buy a Blueridge over the headstock, nor would I buy one of the “red” 000-15 street masters. So I guess I am in the somewhat shallow camp. Guitars are visual too, so I admit I won’t get one I think of as “ugly.” |
#13
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I never bought a guitar with a look that was weird to my sight.
But I do own and keep a few acoustics because I love the comfort and tone but I could barely sell because of some notable flaws. My Aria AC-80 I bought long ago already had a construction defect I could not recognize as a newbie and the beauty was saved later on with a weird surgery that now make strings harder to change. My Ramirez R4 has a crack on the top just besides the neck. My Guild F30 Aragon got an awfully checkered nitro finish. None of these defects altered their tone, but they are not axes I would be proud to show anymore : I keep them as go to guitars.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#14
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My personal opinion is that since guitars exist to create a form of art, I appreciate it when a guitar maker is using his own design. I love the traditional Martin look but I have no issues with most designs. As long as it sounds great and is comfortable to play I’m interested.
The only exception is the fake street-worn look. I would never consider buying that Streetmaster!
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https://youtube.com/user/birkenweg42 Charis SJ, Goodall RCJC, and Petros Apple Creek GC ___________________________________________ Christian |
#15
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How it sounds and plays is always foremost, but at the more expensive levels of guitars that many here play, you can have looks as well. No need to compromise on that for those folks.
In a vintage guitar, scratches dings and worse are expected. And I accept them, but not weirdness. I once failed to follow through on a custom build partly because of an assymetrical headstock. There were ample other reasons, but we'd gone partway down the planning process when I realized he would not alter the headstock. I just could not stare at that thing every time I played.
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