#16
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never need em, but I rarely play live at a loud volume.
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#17
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Thank you all! Looks like I'll start leaving it in the guitar case for now. I guess with solo it's more likely my mic that will feedback before the guitar......Have a great day, AGF!
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#18
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Yes, my mic will always feedback before the guitar does
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#19
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Nope. Never. I play a lot of acoustic-electric instruments amplified at gigs. Most are not guitars or if they are they don't have standard round soundholes.
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#20
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No, I use the notch filter and careful amp placement-yet as others have noted-I don't play at very high volumes.
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#21
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Looks like your question's been answered so I hope you don't mind if I drift off topic while you're all gathered -
I've sometimes considered trying a SBT of some kind, probably a K&K, but am put off by the potential feedback issues at some louder gigs. As a rough guide my current situation is that if I don't use a feedback buster on my UST equipped guitars I sometimes struggle at the bottom end. I like to keep the bass but lose the feedback so I use a SHP - issue solved. For anyone who might have experience of using a SBT with a SHP, how effective is it?
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#22
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Stage monitor in front, facing me: I use one.
Monitor behind me, I don't. I usually run a guitar with Baggs M1 > pedals, if I'm using any that night > Marshall AS50D amp > out to PA. Unless it's a really low-volume situation, I use the Marshall as a guitar monitor. |
#23
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I always carry one. If I’m standing near a floor wedge, I’ll proactively put it in. If just using in-ears I don’t need it. I recommend always having one in your gig back. They’re cheap and effective. Just a good thing to have if you play live.
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#24
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Gig went well last night. It was a quieter one than usual. I enjoyed playing without the feedback buster! Cheers guys.
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#25
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Quote:
Some people may like the microphone all the way up but it just sounds wrong to me. I get an amazing sound from my Matons with the mic down. I play through Schertler amps — happy as anything. |
#26
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I have only used a "feedback buster"-gizmo 3 or 4 times in my 50 years of performing.
Back in the 70's, I saw James Taylor on a TV show and he had some "black thing" in the soundhole - I later learned that it was an inverted shallow plastic container that someone used a Sharpie marker to get the black... so I tried that in my Martin D-35. Worked "kind-of", but I only ever used it when our group was playing a small, tight area. A buddy of mine got an endorsement deal with Lute-Hole, a manufacturer of very nice soundhole covers, and he gave me one that matches my spruce/maple Mark Angus F-40. I checked to see if it fit well, but other than that I have never used it. Except for extreme circumstances, it's been my experience that my acoustics won't feedback, IF I'm using a good pickup and a good PA rig...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#27
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Depends on the room, monitor placement, and volume.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#28
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I bought one, but I don't use it. Feedback hasn't been an issue for me.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |