#16
|
||||
|
||||
Try it
Good questions!
I always tune down, as I play solo, and rarely need to be in standard pitch with anyone else. Obviously, a capo at the second fret will take care of that, if needed. D works great for me, my voice is usually really comfortable there. And I must say my left hand likes it better too… Although, I recently scored a very nice 1995 Taylor, Leo Kottke SM 12 string. My Luthier, Tim Luranc is having fun setting it up to be played in the key of C. Not sure whether it’s gonna work for my voice or not, but it’ll be fun finding out! I say, give it a try and see if it works for you! You’re the only you there is, so no one else’s advice will really cut the mustard. You got a try it for yourself Have fun and tune that thing often ! 12 strings require a lot of attention. Cheers. Paul
__________________
3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#17
|
|||
|
|||
My preference is to tune a 12-string at normal concert pitch. I do not care for that down-in-the-basement, muddy sound of a down-tuned 12-string. When I owned a Harmony 1270 12-string that was not designed for tuning at standard pitch, then I tuned it down 3 or 4 half-steps below normal. But as soon as I acquired a Guild F212 back in 1975, I started tuning to standard pitch.
My current 12-string is a Guild F-512 and it's at standard tuning. I do use light gauge (10s) PB strings that are designed for a 12-string at concert pitch. - Glenn
__________________
My You Tube Channel |
#18
|
|||
|
|||
No right answer here. It's all on YOU and what YOU want and like etc ... Anyway, my 12 string is pretty much never in std tuning (unless it must when accompanying someone). Otherwise it's in some form of ALT tuning because that's what *I* like and prefer but that should mean nothing to you (or anyone else). Good luck and enjoy all those strings.
|
#19
|
|||
|
|||
I use standard tuning on my cheapo 12 string unless the material I'm playing calls for something else. Never had a problem doing that. Whether you "should"? I'd say no need and therefore no "should" but do as you please and what works for you and what you're playing.
|
#20
|
|||
|
|||
I have a fantastic Yamaha LL16-12. When tuned to standard pitch, it plays as easily as a six-string guitar and can handle the tension. But when tuned down to Eb, it has a more full-bodied sound.
|
#21
|
|||
|
|||
I’m down a 1/2 step. Easier to play and I believe it sounds better. No worries about other musicians being it just me and the wife in a duo. BTW my Mustapick is a semi bari down a whole step . Not unusual for these to be in drop D or others with my 6. Love me some bass notes.
|
#22
|
|||
|
|||
My F212 has been at concert pitch since I got it in '65, much of that time with medium strings. Did have a neck reset about 10 years ago, but not unusual for any guitar at that age. Keep XLs on it now. As others have posted, it's your guitar do what feels/sounds best to you.
__________________
Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#23
|
|||
|
|||
I have six Martin 12-string guitars. The are all tuned to standard pitch. I use extra-light or light gauge strings.
|
#24
|
|||
|
|||
I don’t, but not for any particular reason. I might give it a try someday if I feel like experimenting.
|
#25
|
|||
|
|||
For many years, I kept all of my 12 string guitars tuned to E standard.
Recently though, most of my guitars are now tuned to either D or D#. My old voice had gotten lower and I can't sing as high as I once did. Todays 12 string guitars are built to handle E standard tuning but some people prefer the lower tone. Neither way is better, just different. In the end though, I would think that a 12 string that lives it's live tuned to D tuning would last a lot longer before stress/tension related problems show up.
__________________
Happiness Is A New Set Of Strings L-20A |
#26
|
|||
|
|||
I tune both of my 12 strings one tone (step) to dD-dd
I use 12/12 - 30/54 strings on both. This gives me a different dynamic to my 6 strings and enables me (without a capo) to sing/play in D, F, or Bb which is a pleasant change. I occasionally use a capo but increasingly rarely. Or even in Gm :
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#27
|
|||
|
|||
yep, same here. Mine is a Taylor 150e, so not a $99 special, but surely an affordable 12 string-at least when I bought mine about 5 years ago.
__________________
"I go for a lotta things that's a little too strong" J.L. Hooker |
#28
|
|||
|
|||
12-string players -- do you down tune, and should I?
Quote:
And I do use a G7th Newport 12 string capo with the compensated string pad to bring them up to 'standard' with a 1st fret capo. I don't really do that too much, but that capo works great with my 12 stringers. No need to re-tune when applying or removing the capo. I fingerpick all my instruments using my nails as picks. And should you tune down? Sift through all the info, thoughts, and reasons provided. Sleep on it, and the answer will come to you. Your mileage may vary. De gustibus non disputandum. Be well and play well, Don .
__________________
*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 06-07-2023 at 07:17 AM. |
#29
|
|||
|
|||
I tune my 12 string D to D. I just prefer the sound of a 12 string down there, nice and growly as opposed to jangly and over-bright.
whm |
#30
|
|||
|
|||
Standard tuning. But 50 years ago a great many of us tuned down a step.
__________________
Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |