#31
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#32
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Try tuning accurately at the 12th fret first,,, then,, see how your chords sound when played at the normal position.
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#33
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Getting sharp is the much more classic situation with guitars.
There are a number of reasons that this can happen (assuming that the frets are in the right spot... which I'm sure they are), the saddle compensation might need to be adjusted slightly. This is not at all uncommon, especially when switching to different strings. High action can also cause it to go sharp, because as you fret the note, you are increasing the tension in the system from your finger to the saddle, effectively pulling the note sharp. Too much neck relief can also create/exacerbate this problem, particularly in the middle frets. Going sharp can also be the result of user error. Specifically, using too much force when fretting a note can also effectively pull it sharp. This is more likely with lighter strings and bigger frets. The solution to this is to fret the note with the minimum force needed to create a clean tone, and to fret as close to the fret as possible. Also, overly worn frets can cause a note to sound sharp... though this seems unlikely if it's a reasonably new guitar. It's likely that what you're experiencing is some combination of these things.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#34
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A soprano saxophone, for instance, will always sound slightly off to our ears, even when every note is played perfectly in tune, because (due to its basic design) its overtones are not perfect. |
#35
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Saddle height affects intonation, just as much as string length.
Just as too shallow nut slots will force you to stretch the string too much, to hit the first fret. Too high bridge saddle will force you to stretch the string too far as well. Causing sharp notes. |
#36
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Point two is incorrect though. Just like the saddle, too much height will affect playability, but shallow slots in the nut don't affect the action at all, only their height will do that. In other words, too much height at either end of the strings will both make a guitar harder to play and sharpen notes at the same time. Since he already said that the guitar plays well, it's possible that this is not the problem.
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#37
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a thought
Guitars aren't ever in perfect tune all up and down the fingerboard. With enormous care, the worst of it can be pushed back out of earshot.
Comments on tempered tuning, copied from comments by Paul Guy: "In tempered tuning all chords are slightly "out", but all by the same small amount. Remember that the tempered scale is a compromise that enables us to play all chords and intervals, in all keys, with the same relative accuracy. It therefore follows that there is not one chord on the guitar that tunes absolutely pure." |
#38
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__________________
Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#39
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I got a professional setup and all of the intonation issues are resolved. Love how it plays more easily too.
Thanks for all of the great information in this thread. |