#1
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Ain’t No Sunshine - the “Mom’s on a business trip/vacation” version
I find it really easy to transition between an acoustic and an archtop. The string gauges are the same, and the wound G string with the flatwounds makes the feel really similar, especially if you use Elixers on the acoustic. As different as they sound, I play them both pretty much exactly the same way.
Last edited by lkingston; 10-27-2020 at 08:58 PM. Reason: Embedded video for you |
#2
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That was just fab, the playing and the humour !
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#3
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Nice "revision" version there. I keep at least one electric with a heavier wound G set for my "Think acoustic, play electric" needs, though I can't do that nice barre and partial barre stuff you're doing.
I see the Shure SM7b mic. I keep thinking more home recordists need to look into it or the ElectroVoice EV-20 for vocals. Less sensitive to home background noise, less room tone issues. And they sound great for anyone but the most quiet singers.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#4
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To me the choice between the SM7B or the EV RE20 is more a matter of looks than sound. They both are wonderful and fill that same niche of being wonderful vocal (or instrument) mics in less than ideal environments.
I use either a FetHead or a Cloudlifter, and with a bit of a boost they are fine for soft singers as well. Last edited by lkingston; 10-28-2020 at 03:22 PM. |
#5
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Very nice Larry!
I really like your guitar arrangement! Sounds very cool! - Glenn
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