#16
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When I'm playing my Martin 000-15m it sounds like the only guitar I would ever need. But then when I switch to my Martin Custom D, I'm blown away by the greater depth of sound. Likewise, when I move from the dreadnought to the 000, the smaller guitar sounds a bit thin.
Solved this problem by leaving the 000-15m in the bungalow and housing the Custom D in the cabin. Now each guitar rules its own roost.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#17
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Do any of your guitars sound better when not directly compared to another guitar?
No, but my singing sounds better when not directly compared to another singer who can actually sing...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#18
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I've noticed the same thing, individually each guitar sounds incredible. You start comparing to other guitars and it brings out all kinds of interesting aspects.
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#19
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All my guitars sound wimpy after I play my Baby Grand piano.
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Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#20
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I never A/B/C/D/E/F/G guitars I already own. Nothing good ever comes of it.
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#21
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I just play the one I own.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#22
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Do any of your guitars sound better when not directly compared to another guitar?
Quote:
You make a great point. How does one effect the other when shopping? In optical sales it is a killer to have a patient who cannot make up their mind. One technique to help with decision making is to put out three frames. If they are having problems deciding you show them an OK frame. Then you show them a dog...one you know will not look good. Then you show them one that you know will look great on them. Frequently they will immediately decide for the good frame. If in the store you play a bad guitar, the next descent one will sound great. And another point. There is a face for every frame and a frame for every face, but not every frame for every face. We could extrapolate that to guitars also. |
#23
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Except for when I bought my Alvarez 00 and Seagull Folk I always try to get a guitar that brings something to the table my other guitars don't have. Sometimes its a vertical improvement, other times its horizontal, just as good, but different. For example, my J-45 vs Avalon vs Martin. Apples and oranges. Also, my Larrivee is different, an OM and has its own space in my guitar world. It can't compete with my dreads for sustain (except the J45) and I use it for tunes that fit its tone.
Most of us have to balance budget with tonal desires. A G45 is going to be a little less in the volume department compared to the 814, but playing different kinds of music on each will make each one shine in its own way.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#24
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Quote:
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#25
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Eastman ed2 (and ed1) sounded great in the store. I was about to buy one. But there was a blueridge 160X (with all the bling). I compared them for half an hour and couldn't longer buy the eastman.
The Blueridge had a complexity the eastman just didn't have. I didn't notice it before I AB it with something else. |
#26
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I am an intermediate fingerstyle player.
I do own quite a nice herd of low to mid-range solid wood acoustics and I would not say one is that better than another : I would adjust my appreciation to my expectations about the guitar on a particular style or repertoire. I frequently play two different guitars in the same session without any negative thought other than "Does it suit this tune well or not?". I frequently compared two or even three guitars while building my herd and my thoughs have always been "Is this guitar sounding that different from the others that I want it in ?" I have to mention I also had a period of strings trials and still often have to try two or three sets of strings on any new guitar I get. So, to me, it is not a matter of better or not but does it sound different or not.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#27
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I suspect some of it is how fussy your ear might be. I don't prefer thin/bright guitar sounds. It doesn't matter how long I play a guitar I don't prefer, I still don't like it.
Isn't the very definition of "better" totally dependent on a comparison?
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#28
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Yes it is and it seems every time I close one case and open another it happens automatically. Like cruise control? I guess it's human nature at some level to do so? And as long as I'm "comparing" to something I already own it may be acceptable?
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Jim Dogs Welcome......People Tolerated! Last edited by llew; 11-13-2020 at 08:04 AM. |
#29
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They don't sound better or worse, just different. Which is precisely the reason I bought them in the first place.
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#30
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Isn’t this exactly what happens when playing guitars off the rack? It’s how we decide what we like.
Until recently I only had one acoustic guitar because I had found the sound I wanted. No other was needed. A travel guitar was purchased but solely for travel, I thought, until the tone blew me away, but that’s another story. I have several electric guitars and some aren’t played a lot, simply because they aren’t as “good” as some of the others. If you have multiple acoustic guitars, you likely have some that aren’t that great. Like some of my electrics, they don’t do it for you. Playing them by themselves and not comparing them, won’t change that.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |