#16
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#17
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Call me lucky -- most of my guitars were bought used off the internet.
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#18
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There has been a lot of good advice provided.
I started playing the guitar - and taking lessons - when I was 13 years old - I'm now 60. By the time I was 18, I'd saved all my nickels and bought what was then my Holy Grail of guitars, a Martin D-35. By a few years later, my musical tastes had grown and a D-35 wasn't cutting it. I traded it for a beat-up Larrivee classical guitar, one that had been made by Larrivee and his apprentices. By that time, I was well into handmade guitars by one-off luthiers, leaving the factory-produced guitars behind. I never looked back. There is always something new, better, more exotic for offer. It has become a pastime and/or obsession for many to continually change what they have and acquire the next great thing. That's fine. However, be aware that that is an activity in and of itself that has little to do with the quality of one's guitar playing or musical ability as a whole. Many guitar players confuse buying a "better" guitar with their sounding better - that is, their ability to have better sounds come out of the instrument they play. Improving one's knowledge of music and ability to play one's chosen instrument is an activity very different from constantly pursuing a "better" instrument. Sure, having a nice instrument can motivate some to play more and strive to be better at it, but so long as one has a well-setup instrument that sounds "acceptable", that's really all one needs in an instrument to be able to focus on improving one's playing. Beyond that, for many, it is largely a pride of ownership thing. |
#19
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Charles has some great points. I'm a pretty good player after all these years and have a number of really nice guitars. I can afford them and I like having the size/wood/tone options to choose among. But if all I ever had was my trusty ~30 year old Seagull S6, I could still happily make music for the rest of my playing days.
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#20
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I've really enjoyed reading all the replies and I'm not done yet. I'll read them again and again.
It's clear that there is always more than one school of thought and no substitute for experience that brings you come through the other side. I am also a saxophonist and regards musical taste etc...I can say that my choice of mouthpiece today is as far removed from what I considered was the holy grail back in the 80's that you couldn't get any further away. Nice to know similar things happen in the guitar world and that you all go through it without exception. 'Working your way through the food chain' and 'buy nice or buy twice' sum it up nicely while keeping in mind the capability of some more affordable guitars, moving goal posts and mastering what you have. Oh boy.... I guess I'll settle on a way forward over the coming months after much reflection on this thread so many thanks to all. Either way, the most important thing except making sure I don't end up bankrupt is to enjoy the path and not worry about finding the destination. |
#21
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I'd spend about $600-$900 on a first guitar and get an all solid wood one.
You could spend $2,500 on a Martin and discover a year later that it has too much bass for your liking or if you got a Taylor you might say it doesn't have enough bass or is too bright. You don't know how your ears are going to develop. As long as you are careful with it and keep the guitar humidified you should have no problem trading it in towards something else later on down the road. Consider the "loss" you take on trade-in as rent for the guitar while you had it. Guild makes decent all solid woods for around $800 and is a middle of the road guitar as compared to the tone of Martin and Taylor. Yamaha is another to look at (not sure of which price point the all solids begin at though). There are Eastman guitars also that plenty of people here love and can give you guidance on them. What may seem confusing is that you will get different opinions on this and each of them is right! Everyone has their own preferences that arose from their experiences. Good luck and enjoy the hunt!
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 07-14-2020 at 07:18 PM. |
#22
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#23
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If I were you, I'd set my sights on a Taylor Grand Auditorium (model number ends in "4"). The Goldilocks of acoustics - not too big nor too small. Generally comfortable to play, do everything well and should be easy to resell if you end up going in a different direction at some point...
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#24
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Yamaha also puts out some pretty good all-solid instruments at a reasonable price point.
I have the LS-TA, and like it enough to be considering a mahogany B/S 000/Concert like the FSX5 or AC-5M. Both are made in Japan with solid woods, bone nut and saddle, good electronics, scalloped braces, and aged tops. Body size is great for a couch guitar. $1299 for the AC-5M, $1399 for the FSX5. Without electronics, the FS5 is about $1200. Or you can get the made in china FSX3 for $999 (with electronics) or the FS3 for $799 (without electronics). Can't say for certain what's "right for you", but these are worth considering. The budget Taylors are also a good choice, though I might recommend against the Mini... not that its a bad guitar, but I don't like the scale of the neck... feels kinda cramped to me. You'd want to try one for yourself to see if you like it. |
#25
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hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#26
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The Martin 000-16’s are a great value, imo. You get high quality guitar for a very reasonable price. The 000-16 GT has a 1 11/16 nut and the newer 000-16E has the 1 3/4 nut. I’ve seen used GT’s listed for $1000 or less.
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#27
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Go find a used D 18 or 000 18. Maybe you loose $200 if you sell it someday. Maybe not. Get something from 2000 to 2018 or and earlier guitar that's had a neck reset. Play it until you have some chops under your belt. You won't spend the next couple of years playing what if.
One day you will either say, boy I made the right decision, or I should have gotten the other size, or a rosewood guitar, or a Gibson, etc. But you will know a level of quality and saved yourself money in the long run.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#28
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Buying your last guitar first is cheapest. |
#29
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Next guitar
Personal taste aside (love Martin workmanship. Rarely heard or played one that sounded especially great. Guilds are terrific. Haven’t played a taylor. They’re all good.
I’ll say this. In 1972 I bought one of the first high end totally handmade Yamahas. Fg1500. Breathtaking. Until yesterday it was the best sounding guitar I’ve ever heard. Yesterday my Furch Violet GSY arrived. Very plain guitar. Immaculate fit and finish. Without a doubt the most incredible sounding acoustic I’ve ever heard. And this is their intro model. Solid top. Laminate back. Open pore satin finish. The sound, action, resonance, sustain, and overtones have absolutely blown me away. < $900 US. if this is what their base model sounds like I can’t imagine their “better” guitars. Dealer told me they absolutely leave Martin and Taylor in the dust. I bought it online sight unseen and I’m sold. For less money can’t go wrong with yamaha seagull guild and despite what you hear a lot of Korean and Chinese guitars are pretty good. Find a good local store and play everything you can. But for the money the Furch violet is better than anything I’ve ever seen or heard. |
#30
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I'm still listening to all the comments...congrats on your Furch Violet GSY @chimayred
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