#61
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Burst for sure!
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Multiple guitars including a 1979 Fender that needs a neck re-set |
#62
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I would and I wouldn't.
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#63
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I'm a sucker for a good burst, so my vote is that 'burst that beauty! The image you shared with your other burst guitar swayed me...
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#64
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True enough for the top. Bear claw abounds there which is runout in spades and desirable in my opinion. Actually that's true of the rest of the guitar as well. My hope is that the burst stain will accentuate those local areas of runout.
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#65
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Love the natural beauty. Appreciate the wood, rather than hide it. No burst!
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Susie Taylors: 914 • K24ce • 414 • GSMeK+ Pono Guileles: Mango Baritone Deluxe • Mahogany Baritone Have been finger-pickin' guitar since 1973! Love my mountain dulcimers too! (7 Mountain Dulcimers) |
#66
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I'm kind of late, and this may already have been decided, but I like the idea of a light burst, all around.
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#67
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Never too late Mike. The vote has not been tabulated yet
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Kinnaird Guitars |
#68
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Quote:
But I will assume my second vote does not count. So IMHO....Burst that baby.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#69
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There's been a lot of focus on burst maple backs, but I feel the key factor is the bearclaw in the top. I think that will look best as it ages naturally.
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Chris _____ Guild '56 A-50, '57 CE-100, '60 X-150, '62 F-20, '64 Mark II, '65 SF IV, '75 F-112, '75 Mark IVP, '90 Pilot, '93 X-500, '97 Bluesbird Acorn House Guitars Parlor #1, Butternut Deuce, Rounder, Kulakeiki G&L '93 Legacy Lute '03 Lyn Elder |
#70
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+1 for burst
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My YouTube Page |
#71
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No burst. Too beautiful to cover up, even partially !
JOhn
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#72
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Taller to date: 31 in favor of a burst
12 in favor of no burst There were a few fence stradlers I do believe I will burst the box, probably the neck too. Of course the neck too. Thanks all for your input. The only decision now is whether to do that hourglass burst or a more traditional bulls eye burst. Any input on that?
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Kinnaird Guitars |
#73
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Quote:
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Martin OM28 (European Spruce/EIR) Collings OM3A (Adirondack/EIR) Greven OOO (Lutz/Brazilian) Greven OO (Lutz/Maple) ARK Senorita S6-12 (Adirondack/Mahogany) Circa OOO-12 (European Spruce/Mun Ebony) |
#74
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Either can be cool. I DO suggest leaving the dark parts transparent as opposed to opaque. Wood grain is still cool through the darker stain.
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The Electrics check The Acoustics Tom Doerr - Trinity. Flamed Maple under Swiss Tom Doerr - M/D. Braz under Red |
#75
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My hope is accentuate the grain. I thinking that the contrast between maple and the ebony binding is too severe without the moderating influence of a gentle burst..
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Kinnaird Guitars |