#16
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CALL Jon at My Favorite Guitars and Maury at Maury's Music on the phone and have a conversation.
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#17
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For those who have the 17 what made you choose it over a std J45 or a D18. Just curious as I research my potential next guitar between these 3
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#18
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......LIKE......
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Eastman E1SS-SB Eastman PCH1-OM-CLA |
#19
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Quote:
My advise is to play all three before you make a choice...especially before you choose a DSS-17 over the others.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#20
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Got one (D-18) and had the other one (J-45). The DSS-17 is really not in the same league as the 18 or 45. It's almost like a feather weight love child of Martin's D-18 and Gibson's J-45. I can definitely hear some of both builders in this particular guitar. Covers a lot of ground with one instrument. Did anyone mention it's a lot of fun to play? Cause it is!
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Jim Dogs Welcome......People Tolerated! |
#21
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What is it?
DSS-17 !?
Well it isn't a slope shoulder dread, because that is an "original (12 fret) dread. It's a copy of a Gibson jumbo body but with a standard scale. mmm, OK.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#22
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#23
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Would you say it would be good for Jim Croce, Cat Stevens style music? |
#24
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I thought the trebles were too jangly. Probably with a 13 and 17 or just older strings it would sound excellent.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#25
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It sounds interesting. They lost me at 'MLO neck' though.
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#26
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You mean at the same time, conference call? Let them duke it out in real time...
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#27
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Yeah, it sounds the same in person, Barry. It’s kinda part of its brash vibe. I’ve tried a variety of strings on it and Retros seem to tame it a bit. But you’re 13-17 idea is a good one. May give it a try.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#28
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The j45 is a good guitar for that. The D-18 will be fine for that. This is the guitar you pick up when you want to play ''Bad to the Bone'' or some acoustic Stevie Ray. The 45 and 18 are traditional. They are refined. The DSS-17 is like the guy in ''Friends in Low Places''. It shows up in boots, drunk! Nobody bothered to finish it. It's still got the pin holes showing that they couldn't be bothered to fill. TBman is right, it's way to jangly, especially when it's strummed. That's where you get the honky-tonk, rock&roll sound. Fingerpicked, it does show it's Martin DNA. It's in the strumming; I could see Moses parting the Red Sea with this thing! It's nowhere in the league of the D-18 or J45, but somehow when I took it off the hook at Music Zoo, I saw those two trembling. And when I hit the first open G chord, those two went running for cover! Last edited by lowrider; 05-23-2019 at 11:24 AM. |
#29
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Don't know why they can't beef it up to a medium C? Or the same thickness and a D shape with more shoulders and a little flat center radius for the thumb. Like a Kostal. That skinny C is so child like.
I sold my great sounding 000-18 because of the MLO. It has a cool sound. it is kind of scooped like Gibson but long scale, so that's not right? I like the tuners. Probably a good mid price player. |
#30
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I believe Taylor have a new slope shoulder as well....anyone tried that?
Nick |