#16
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Put your capo on the first fret and see if it's easier to play. The capo takes the nut out of the equation. If it's easier, the nut is likely too high.
But whatever the result, go have a proper setup. Don't go to anyone, ask friends (this forum), etc, who they recommend in your area. A good setup makes a big difference. ~$80. If, after the setup, you still don't like how it plays, it may be that your geometry (hand/finger size) doesn't agree with the guitars geometry (neck profile, nut width, fretboard radius,...). But since you already own another nearly identical guitar, it's probably the setup. Are the neck profiles on your two 414s identical? |
#17
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As others have said your guitar might need some adjustment. You said it's a recent acquisition. Did you put new strings on or are the ones it came with? (If the latter, maybe they're the wrong gauge or material for you and/or your guitar.) It's also possible that this particular Taylor is just not a good fit for you. Neck width, profile, fretboard radius, action etc. are an individual thing. (For example, I even find certain neck finishes fatigue my hand more than others.) Hope it's an easy fix!
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#18
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Some people do better with a thicker neck. I like the old Taylor neck shape and do well with it, but we are not all the same. I have a 2002 514CE and also a 2010 12-Fret.
- Glenn
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My You Tube Channel |
#19
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I had a 414ce, and always had problems with that neck. My hands (which aren’t big) much prefer fatter necks - my Gibson is much more comfortable for me, including barring at the first fret (and everywhere else).
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Taylor GS Mini Mahogany La Michoacana Classical (my Dad's guitar) Beat to heck Seagull S6 Ovation Celebrity 12 string Fender CD 60 dread that lives in Greece Harmonicas in a Farmer rack |
#20
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Check the nut height, most manufacturers err on the side of caution here.
Press a string down at the third fret, distance from the string to the first fret should now be absolutely minimal. If not, your nut is too high, which causes not only the notes in the first fret(s) to be sharp, but it also makes barre chords harder than necessary in the lower frets.
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Gibson Advanced Jumbo Red Spruce Epiphone IB 64 Texan And about a dozen electrics New/Old Gibby owners here UNITE! Let's see em! |
#21
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Although I play a lot of fingerstyle, I have great difficulty playing barre chords cleanly. It seems to me that the Taylor neck is, for me, too "thin". It seems like the profile prohibits me from getting enough pressure with my thumb/forefinger to form the bar.
Anyone else experience this issue? Thanks - David[/QUOTE] I no longer own any Taylor guitars, but I absolutely sympathise with your problem. I find a chunky neck much easier to play on generally, but especially with barre chords, if I play on a slim neck for any length of time I get hand cramps. I'm sure it's only a matter of time before the general guitar playing community realises that thin necks are literally a pain. |
#22
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I own a '96 curly maple 420, a '99 Sitka/ovangkol 415, and an '07 Custom Solid (bought from Stan Jay and one of the first ones made), all of which have the pre-NT "playability-of-a-fine-electric" neck profile...
I can see my left hand smiling every time I play them...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#23
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I took my other 414 to a guitar store. Their tech lowered the action by decreasing the height of the nut. (I thought action adjustments started with the saddle) It helped significantly.
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#24
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On of the things I find helps with that and have done to all my Fender electrics is have the fingerboard edges rounded. Just that alone will create more ease of barre chords because even that little amount helps with the natural curvature of some hands. It might cost $100 or more to have it done by a professional ( I do it myself on my Fenders) but it's crazy how much something like that helps. It will feel like a different radius while not changing the actual radius at all.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#25
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No problems with my Taylor 324 any more than my other three acoustics--just inherent DukeX problems.
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#26
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I spoke with a friend of mine who is a professional guitarist....he's been playing since he was 8 and spent 4 years studying at a highly regarded music school. I explained my issue and his first question was how frequently was I doing hand exercises. WHAT!? He told me that just playing was not enough. Strength exercises for the thumb and forefinger allow you to use the proper form when playing and allow you to form barre chords effectively. He also recommended a professional setup on my guitar. So...apparently I need to pump some iron with my fingers!
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#27
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I have always found that barre chord difficulty is driven in large part by fret height. Very low frets make clean barre chords difficult because your fingers bottom out on the fretboard. I don't generally find one neck geometry harder or easier. High action plays a role, as you know, but fret height can make any guitar with any geometry a challenge.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#28
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Quote:
I took my Taylor 12 Fret to my luthier (Arnie Gamble in Sac) and when he got done with it I could barre a 1st fret “F’ chord. This is coming from an intermediate player at best, who has always struggled with barre chords. The main adjustment was done on the nut slots. Granted the Taylor is a short scale, but he did the same thing with my Larrivee. Like the posters before have already said, pony up the bucks and have a a set up done.
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-Taylor 322 12 Fret -Taylor GS Mini / Spruce -Takamine EAN40c -Takamine EAN40c-12 |
#29
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Quote:
Try playing some electrics from the 60s and 70s.
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2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#30
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Quote:
Best, Jayne |