#16
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I think this an unrealistic hypothetical question. But perhaps the heart of the question is; would you choose an Eastman over a Martin if the Eastman sounded/played better?
The obvious answer would be "which ever one played/sounded better". And that would be a logical choice- for some. But there are some nuances involved. New or used? Buying it purely for playing pleasure, or is there an "asset value" component attached in the buyer's mind? And while gross dollars may not be a direct concern, perhaps VALUE (i.e. price paid vs going/future market price) a deciding factor?
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#17
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Last edited by zoopeda; 09-29-2019 at 05:28 PM. |
#18
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New or used, resale does not enter into my original post as I was just trying to find out why you would prefer one over the other. No other considerations were mentioned.
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2019 E6/10OM Eastman (adi topped E6) 2016 Martin D-18 (Centennial) FG700 Yamaha Dirty 30's Parlor 7 series 2007 Redline Rambler Square Neck Resonator https://www.youtube.com/channel/UCB1...K6oxpANeRr1_oQ |
#19
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I own both an Eastman, which I like a lot and a Martin. Everyone who has played my guitars always falls in love with the tone of that Martin.
If the house was on fire I am grabbing the Martin as I run out the door |
#20
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It's as hypothetical as expressing a preference to live in China or the U.S.A., not really a reasonable/sane choice for many people though possibly valid for some people.
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#21
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Last winter I pulled a new Eastman E20-OM off the wall and had to walk off with it. It was $1300, sounded similar to my D-35, was easier to hold, and played better. The store owner had given it a 2mm setup. The neck and string spacing is as good as the D-35 for flat picking, and better for finger picking. I am not going to sell my D-35 anytime soon because I have had it for 50 years and don't need the money. But at age 77 now, when it gets down to the last one of my present 5 guitars, it will be the perfect Eastman E20-OM.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M Last edited by vintage40s; 09-29-2019 at 08:19 PM. |
#22
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Big choice right here in this thread.
Eastmans are chosen over two Martin D-35s.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#23
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When you shake the trees of the Internet, you’ll find all kinds of people who prefer a $50 guitar over a prewar D-28 and visa versa. If you look hard enough, you’ll find two people who would rather have their hands sawed off than play guitar. This is no place for statistical analysis.
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#24
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I remember strumming a $5000 D35 at CME and thinking that it was the worst guitar I'd ever played. Then I realized it was a left-handed instrument, and I was playing it upside down.
It's all about inspiration. If it makes your heart sing, and your body vibrate, then it's a great instrument.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#25
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I have both Eastmans and Martin. I love both. The thing is Eastman has all the ingredients to making excellent instruments. Yes there are duds like with any other factory made guitar. There's no reason you wouldn't find an Eastman that completes with the US made big 3 other than their geography difference. Their wood source is mostly from the same supplier as the other reputable companies.
I took my E1SS for a setup, cost less than 800, all solid wood, dovetail construction, you definitely get way more guitar for the money. Chatted with the luthier who worked on it. He said he could see why I liked it so much. He wanted to know where I got it and how much. I saw in the queue a Martin 40 series so they definitely work on the cream of the crop guitars... We talked about Eastman. About how the guy who sold me the Eastmans has a few of his own. The luthier said, "oh yeah, music store people are pretty savvy, they often pick through them and grab the best ones for themselves..." My point, Eastman competes with the big 3 and can hold their own. They'll have duds and fit and finish issues on some but the other US makers are certainly not immune to that. My Eastmans have plenty of saddle. My D-18 doesn't. In the end, it really comes down to what your ears prefer. Sometimes I prefer the Martin sound. Sometimes the Eastman.
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We've got some guitars. |
#26
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I have an eastman e20d and a martin ceo7.
No matter what anyone says, the name on the headstock absolutely plays some part in informing one's decision to buy, even if it is secondary to "tone". Buckdancer's Choice in Portland held an Eastman event last Wednesday. To note, the fit and finish on the Eastman's were excellent. The setups were all purposely high, but all had vey tall saddles. The fret work was decent. Finish look great with none of the blemishes that used to be a big complaint. They were road worn from being toted from store to store, but I did not notice any mfg blemishes, and I did look them over pretty good. That being said they may have picked their finest examples to show. I was able to play an e20om side by side to an om-28 and a 000-28. If all were equal, ie. purchase price and potential resale name cache, i would have chosen the e20om over the om-28 and I would have taken the 000-28 over the other two. The e20om was a better instrument than that om-28 I played, imo of course. I also got to play an e10d that ran circles around the d-18 on the wall not, even close, imo again. That's not to say it would beat every d-18 in existence, but it beat this one. I know it's not a direct comparison because of the difference between the tops, adi vs. Sitka. It's the only comparison I could make. I did get to a/b my e20d to a D-28 marquis with the adi top once and preferred my e20d. That's biased though. Just the fact that the Eastman's are in the conversation is impressive. They were all excellent instruments. I'm not a brand specific player. I choose what I think sounds best. The beauty of the real scenario is that I could have bought four of the Eastman's for the 3999 tag on the 000-28. Granted it could be had cheaper than that, but that is what it was tagged at. |
#27
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Having owned two Martins (000-18, OM-15m) and three Eastmans (E20om, E6D, E20ooss), I’d probably pick Eastman every time. They are simply better built, better finished and far more durable. Their tone is different from Martin, but just as pleasing in their own right. Three neck resets on two Martin guitars in their first five years of life is just ridiculous. My Martins sound lovely, but I’m tired of them spending their lives back at the factory who can’t or won’t explain why.
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#28
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I decided to jump back in this thread.
I have an Eastman E10 00 SS. It is comparable in appeareance and size to my friend's CEO 7. They do not share the same voicing. The Martin is typically Martin and my E10 is more "Gibsonesque", but not as dry. It also has an Adirondack top. From a quality standpoint there is little difference. I would give the edge to he CEO 7, but they are very close. They are both nice looking bursts. Mine is easier to play, but I consider that subjective and arbitrary so YMMV. The CEO 7 isn't unique enough tonewise for me to want to invest in one over the E10 which definitely has a certain uniqueness to it. Since it's the only small body guitar I own, it's a keeper. Very fun to play.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#29
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So the question becomes which tone do you prefer, and do you find their playability similar? |
#30
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The correct answer is: The one that sounds best. However the reality is most people listen with their eyes. You can also throw in the 'loyalty' factor. Folk will defend their brand to the death despite being shown overwhelming contrary 'data'.
So predictably, in this 'hypothetical, I'm going with the Martin...
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