#31
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#32
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As a "beginner" (you're not really a beginner) I would need to play a bunch of guitars to see what fit my needs. But that doesn't really answer the question. For a collection I would think something along the lines of: A dread - maybe a hog. A D-18 kind of instrument. A 000/OM in rosewood. A smaller instrument if you're into playing while you slouch on the sofa. From there I'd start to satisfy an itch. Might be for beautiful wood, or outstanding builders - or both. Maybe a Bourgeois. At some point your wallet really starts to dictate your choices - maybe immediately. 12 string? 12 fret? Koa? Etc. So many choices.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#33
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Sounds like the OP is already starting his search by playing some different instruments. I think as one continues playing, continues experiencing different guitar sounds and feels that "collections" organically happen.
If possible when casting your net by playing guitars in stores it might be good to play a couple of models from somewhere in the center of the lines of Martin, Taylor, Gibson and possibly Guild too. I think this sort of thing might help you get some guideposts about what are some "classic" sounds and approaches to flat-top 6 string acoustic guitar. As you try to hit those signposts, mix it up a bit on body sizes. It'd be good to try at least one rosewood b&s guitar, and at least one mahogany top and one cedar top guitar. But there's no requirement to be systematic. If you find a guitar you like that you can afford, that's the start of a collection. BTW. I have a Korean made Cort Parkwood. I can't speak for the line in general, but mine is a nice guitar, one that I think is clearly in the ballpark of other now better-known and currently available upper range Chinese guitars.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... Last edited by FrankHudson; 02-22-2020 at 10:28 AM. Reason: typos |
#34
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My collection was not planned but after buying a few guitars I realized that I had a bit of a "collection" going. From an acoustic standpoint, I have opted to enhance my "collection" with different woods and styles. I now have a Taylor 810 (Brazilian Rosewood) dread, a Larrivee OM-40 walnut, a 1996 Larrivee OM-09 (rosewood) 12-fret (custom), and a Martin OO-28. Didn't plan it that way -- it just sort of evolved. You may opt to collect OM's or 12-fretters or whatever makes you happy. When the GAS arrives I ask myself -- which guitar would I sell to buy the next one, and would that enhance my collection ? My thought process then goes to which guitar do I play the least. In my case it's the Taylor 810, but that's also the guitar I've had since the 1990's and has the most sentimental value. I now focus on playing more and improving, which seems to reduce the GAS as I realize how great my collection already is! Enjoy the ride cause you can't buy 'em all ! Seek your own happiness in guitars!
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#35
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Thanks for the feedback. For clarification, I’m asking where you would begin your guitar collection if for some reason you had to start over. Taking what you’ve learned about your preferences and the intangibles that draw you to some instruments over others, what would be the most crucial first building block for you? I’m not asking what “my” guitar collection should look like. I’m not sitting here looking for guidance on how to spend thousands of dollars that I don’t have. Guitar collections obviously aren’t built overnight, and they come together organically, not by calculation. To be honest, I don’t even realistically expect to ever have a significant high-end collection of my own. However, as this forum is populated by guitar collectors, I am interested in hearing about your experiences and seeing what you’ve learned from them. I’ve been playing off and on for over thirty years, and I’m really only exploring the acoustic world now — and I’m kicking myself for not doing so sooner. |
#36
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i NEVER set out to be a collector.
For many years I had just one guitar ... at a time, working my way up from a cheap house model Jumbo, to a strange brand of an OM to a Harmony Jumbo H1265, to a Gibson J50, to an Epiphone Frontier, to a Gibson SJ200, to Guild D40, to a Martin (d18 or d28 - couldn't really understand the difference although one was prettier than the other), then a D35 that I kept from '75 to '96. This was my bluegrass period, so a Dobro followed, then a mandolin. My big mistake was swapping it for a J40 -one of the worst guitars I had -apart from the Gibsons. However, it taught me to start looking for a guitar that fitted me and my style. Cut to 1999. Collings DS2h. Heaven. Did I mention the 0028 that my wife had built fr me in '98? started haunting ebay for Collings guitars - 0002h, DS1, another Ds2h. then someone turned up at my door with a DS1ASB. (I stopped buying Collingses. 12 strings - a Martin D12-20 replaced a D12-35, National style "O" , a Weissenborn Upgraded my mandolin and dobro. Got into archtops from 2006, and then a couple more. Got a Roy Smeck style jumbo. Etc. I really didn't mean to become a collector. I've been playing since the mid-late '60s, but didn't really start "accumulting" until the 21st century particularly after 2000 when my financial situation became clear.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#37
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There is one thing, and one thing only, that is THE critical place to start building a collection:
A large checking account or credit limit. There....finally someone tells the truth. |
#38
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You might be overthinking it.
Buy a guitar that you like and can afford. If you go off it then sell it and buy something else (flipping). As long you like it and play it, keep it and if you fancy something else and can afford it, buy that too. Repeat until bored, satisfied or dead. I think that covers everything.
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Never argue with an idiot. They will drag you down to their level and beat you with experience. Mark Twain |
#39
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I suppose this is the only “correct” answer. 🤣🤣🤣 |
#40
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Dont collect guitars -bad idea
unless you do it over a very long time popularity drives prices , not getting a great guitar. and popularity changes as the wind changes - Your money would better serve you in the bank !
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--------------------------------- Wood things with Strings ! |
#41
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I didn't get the impression that the OP was looking to start a collection for financial reasons...
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#42
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Large necks, big ol' V necks, very thin profile necks, and wider string spacing simply don't work for me and it took too many guitars that didn't " fit " to find out...... |
#43
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My thoughts while reading through this thread. Start with a guitar that suits you, especially in terms of your musical ventures. Build an opus, not a collection of instruments.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#44
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If you come from an electric past and you know the fretboard I would get a Gibson. A little less nut width than Martin and Taylor(by a 32 th of an inch) and a rounder fretboard (although they have new Martin radius models now). Gibson's have a nice dry tone that you can play fast tunes on easily. You can dig in with a pick.
Like Stevie Ray Vaughan: https://youtu.be/BMK1g4rHrWY?t=70 |
#45
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Clarification
I see the OP’s post on this page and his specific question, if you had it to do over again...
I bought a Larrivee L-09 in 2000 but in about 2010 I decided I wanted a smaller guitar and wanted to learn to play finger style. When I bought the Larrivee I liked a Taylor but it cost more. So this time I decided I would get a rosewood Taylor (GC7 is what I chose). But that day the guitar I liked best was a Martin 000-18GE which cost about $500 more. You see where this is going? $1000 to $1700 to $2200. My finances have changed over time. But I will also say that as much as I still like Larrivees, I don’t like their neck shape. I have had several and that’s what it comes down to. Long story to get to this point. 1. Regardless of cost, the guitar MUST be comfortable to you. Then you will play it. 2. If you have the money to do it at the beginning, I would buy a Martin 000-18 or OM of some sort. That choice depends on which scale length you prefer. If you strum more than pick, then probably an OM. Used probably. Martin has changed the specifications and the newer 18s approach the GE in some features, bracing. Not Adirondack top and more modern neck profile and spacing I think. You can research that part and play a few. I actually don’t have one now but think it is an excellent guitar. It is midrange price wise. It is midrange for size. It retains its value better than most and is a good place to buy, sell, trade up or down. And you might just keep it. My signature isn’t up to date. So in the 000/OM group I have a Martin 000-28 blackwood/Carpathian spruce and an OM-28e retro. I gave the Guild on permanent loan to someone and the Gibson I have listed to sell but not pushing very hard on that. Just don’t “need” two 00s. 20/20 hindsight says I might still have that one if I knew what I know now in 2010. Have fun! Last edited by Psfam; 02-24-2020 at 06:10 AM. |