#16
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Here's the present state of the effects-heavy acoustic pedalboard I use with a Gitane D-300 with a BigTone pickup in the floating bridge. The amp is a Fishman Loudbox Artist, fed from the "amp out" of the Radial PZ-Pre (all of the pedals are in the PZ-Pre's effects loop).
This is in the context of a psychedelic improv-oriented band. The Zoom MS-50G is the last thing in the effects chain, and it's used only for its '63 Spring Reverb engine. Everything else does what you'd expect it to do. The Carbon Copy runs into the Nemesis, and the trem and phaser are after the Mel9 and the Ravish, giving them a more aggressive effect since they apply to the mellotron effect on the former and the sympathetic string effect on the latter as well as the dry signals. The MXR tap tempo switch scrolls through the presets on the Nemesis. The Source Audio switch controls the feedback setting on the Nemesis' various engines and presets, allowing me to ramp things into and out of self-oscillation at will. As should be obvious, pure acoustic tone is not on the agenda, although for passages it's still there, of course, and gets used. |
#17
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Zoom G3x is the most versatile multi-effect unit I ever had, and I'm using it both for acoustic/electric (it's so good, I'm thinking about getting two of them, so I don't have to switch it between my acoustic/electric guitar rig). It has looper which is critical for my acoustic gigs (not only that, but its looper is even better than some standalone looper units), and its choice of reverbs/delays with a little bit of tweaking can get you through any gig (Arena Reverb and Tape Echo simulation are particularly good). I don't need another pedal for acoustic beside it, apart from the preamp and I'm using Behringer ADI21. I'm happy I only have two pedals for my acoustic shows, and I can do a variety of tones with them.
(you can see it in action here - https://www.youtube.com/watch?v=tAEBsqfr3Zs the first two pedals from right are Zoom g3X and ADI21, the rest is from my electric gig I used for the video only) Last edited by diego; 12-18-2019 at 05:50 PM. |
#18
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I traded out 9 pedals for one EAE StompMix X6, six channel mixer, foot controlled with ten customizable storage presets and all the effects I need inc. notch, compression, sweepable mids, gain, chorus, delay, reverb, and more. Truly does most of everything I would ever use for an acoustic. I also use it for my electric assigning five presets for electric and five for acoustic.
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#19
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Quote:
My impression of the zoom pedals from the 90s is that they are pretty digital sounding, and sucks tone - is it still that way or they are way better now? |
#20
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Quote:
Louis |
#21
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concerts....
clubs and restaurants... |
#22
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__________________
83 Fender Strat Elite 89 Fender American Standard Strat 99 Taylor 710ce 06 Taylor Koa T5 09 Takamine 12 string 11 Taylor NS24ce-LTD 13 Gibson Les Paul Standard 14 Fender Geddy Lee Jazz Bass 16 Taylor 524ce Mahogany 16 Taylor GS Mini Mahogany 17 PRS SE Custom 24 23 Taylor GS Mini Walnut LTD --------------------- |
#23
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Wampler Ego compressor
TC Helicon Harmony G XT Way Huge Pork Loin Radial Elevator Akai Headrush Delay Source Audio programmable EQ EHX POG 2 Ibanez Modulation Delay Digitech Stereo Jamman Road Rage loop controller
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Mike 2018 Furch D31TSR 2008 Martin OMCRE 1992 Takamine EAN20C 1996 Fender Telecaster w/ Barden Nashville set 1986 Charvel Model 5 2005 Art & Lutherie Ami 1980ish Hohner copy of a 'burst |
#24
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Grace Felix or EA StompMixX6 - it depends.
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#25
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Boss TU-3 - LR Baggs PADI. Just plain gets the job done. Boom!
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Eastman E1SS-SB Eastman PCH1-OM-CLA |
#26
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Pedaltrain Classic Jr, BBE Supa Charger powering
Red Eye Fire Eye Korg Pichblack tuner MXR Analog Chorus TC Alter Ego V2 TC Hall of Fame
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Guild D55 Gibson Southern Jumbo Farida OT-22 |
#27
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Fishman Aura and TC Electronics Boost.
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#28
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Mel9, latching kill switch. Only no board.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#29
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Main board: Boss TU-3 -> Boss AD10 -> LR Biggs Align Reverb -> House PA
Best, PJ
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A Gibson A couple Martins |
#30
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K&K pure mini to TU3 to Baggs Venue. Very simple, always sounds great. Never needed a feedback suppressor.
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