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  #16  
Old 12-17-2019, 03:34 PM
lschwart lschwart is offline
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Here's the present state of the effects-heavy acoustic pedalboard I use with a Gitane D-300 with a BigTone pickup in the floating bridge. The amp is a Fishman Loudbox Artist, fed from the "amp out" of the Radial PZ-Pre (all of the pedals are in the PZ-Pre's effects loop).

This is in the context of a psychedelic improv-oriented band. The Zoom MS-50G is the last thing in the effects chain, and it's used only for its '63 Spring Reverb engine. Everything else does what you'd expect it to do. The Carbon Copy runs into the Nemesis, and the trem and phaser are after the Mel9 and the Ravish, giving them a more aggressive effect since they apply to the mellotron effect on the former and the sympathetic string effect on the latter as well as the dry signals. The MXR tap tempo switch scrolls through the presets on the Nemesis. The Source Audio switch controls the feedback setting on the Nemesis' various engines and presets, allowing me to ramp things into and out of self-oscillation at will.

As should be obvious, pure acoustic tone is not on the agenda, although for passages it's still there, of course, and gets used.

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  #17  
Old 12-18-2019, 05:41 PM
diego diego is offline
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Zoom G3x is the most versatile multi-effect unit I ever had, and I'm using it both for acoustic/electric (it's so good, I'm thinking about getting two of them, so I don't have to switch it between my acoustic/electric guitar rig). It has looper which is critical for my acoustic gigs (not only that, but its looper is even better than some standalone looper units), and its choice of reverbs/delays with a little bit of tweaking can get you through any gig (Arena Reverb and Tape Echo simulation are particularly good). I don't need another pedal for acoustic beside it, apart from the preamp and I'm using Behringer ADI21. I'm happy I only have two pedals for my acoustic shows, and I can do a variety of tones with them.

(you can see it in action here - https://www.youtube.com/watch?v=tAEBsqfr3Zs the first two pedals from right are Zoom g3X and ADI21, the rest is from my electric gig I used for the video only)

Last edited by diego; 12-18-2019 at 05:50 PM.
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  #18  
Old 12-18-2019, 05:56 PM
hotroad hotroad is offline
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I traded out 9 pedals for one EAE StompMix X6, six channel mixer, foot controlled with ten customizable storage presets and all the effects I need inc. notch, compression, sweepable mids, gain, chorus, delay, reverb, and more. Truly does most of everything I would ever use for an acoustic. I also use it for my electric assigning five presets for electric and five for acoustic.
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  #19  
Old 12-19-2019, 04:19 AM
lppier lppier is offline
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Quote:
Originally Posted by diego View Post
Zoom G3x is the most versatile multi-effect unit I ever had, and I'm using it both for acoustic/electric (it's so good, I'm thinking about getting two of them, so I don't have to switch it between my acoustic/electric guitar rig). It has looper which is critical for my acoustic gigs (not only that, but its looper is even better than some standalone looper units), and its choice of reverbs/delays with a little bit of tweaking can get you through any gig (Arena Reverb and Tape Echo simulation are particularly good). I don't need another pedal for acoustic beside it, apart from the preamp and I'm using Behringer ADI21. I'm happy I only have two pedals for my acoustic shows, and I can do a variety of tones with them.

(you can see it in action here - https://www.youtube.com/watch?v=tAEBsqfr3Zs the first two pedals from right are Zoom g3X and ADI21, the rest is from my electric gig I used for the video only)


My impression of the zoom pedals from the 90s is that they are pretty digital sounding, and sucks tone - is it still that way or they are way better now?
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  #20  
Old 12-19-2019, 09:16 AM
lschwart lschwart is offline
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Quote:
Originally Posted by lppier View Post
My impression of the zoom pedals from the 90s is that they are pretty digital sounding, and sucks tone - is it still that way or they are way better now?
Way better now.

Louis
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  #21  
Old 12-19-2019, 11:50 AM
rockabilly69 rockabilly69 is offline
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concerts....


clubs and restaurants...
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  #22  
Old 12-19-2019, 03:04 PM
Akousticplyr Akousticplyr is offline
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  #23  
Old 12-19-2019, 03:28 PM
Laughingboy68 Laughingboy68 is offline
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Wampler Ego compressor
TC Helicon Harmony G XT
Way Huge Pork Loin
Radial Elevator
Akai Headrush Delay
Source Audio programmable EQ
EHX POG 2
Ibanez Modulation Delay
Digitech Stereo Jamman

Road Rage loop controller
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2018 Furch D31TSR
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  #24  
Old 12-19-2019, 03:56 PM
guitarman68 guitarman68 is offline
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Grace Felix or EA StompMixX6 - it depends.
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mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo
live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye

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  #25  
Old 12-19-2019, 04:14 PM
kcnbys kcnbys is offline
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Boss TU-3 - LR Baggs PADI. Just plain gets the job done. Boom!
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Eastman PCH1-OM-CLA
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  #26  
Old 12-20-2019, 06:18 AM
Perchman Perchman is offline
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Pedaltrain Classic Jr, BBE Supa Charger powering
Red Eye Fire Eye
Korg Pichblack tuner
MXR Analog Chorus
TC Alter Ego V2
TC Hall of Fame
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Farida OT-22
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  #27  
Old 12-20-2019, 07:06 AM
Scott M Scott M is offline
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Fishman Aura and TC Electronics Boost.
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  #28  
Old 12-20-2019, 03:59 PM
alnico5 alnico5 is offline
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Mel9, latching kill switch. Only no board.
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1984 Carvin LB-40 bass
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  #29  
Old 12-20-2019, 04:08 PM
Photojeep Photojeep is offline
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Main board: Boss TU-3 -> Boss AD10 -> LR Biggs Align Reverb -> House PA

Best,
PJ
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A couple Martins
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  #30  
Old 12-22-2019, 01:40 PM
mizukun mizukun is offline
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K&K pure mini to TU3 to Baggs Venue. Very simple, always sounds great. Never needed a feedback suppressor.
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