#1
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Keith's Brazilian Omega Dread...Finally finished!
Thought I'd give this a new title for those who like to look at the finished products. If you missed it here is the original thread. http://www.acousticguitarforum.com/f...d.php?t=242067
The only thing better than that first coat of finish is the first strum!!! Here is the Leach/Omega in all it's glory. I think it sounds great but then it's hard to mess up with Adi and Brazilian One of my favorite tricks with falling leaves is to use two different materials for the front and the back of the leaves giving them a slightly different shade just like in nature. It helps to show motion and gives them a 3-d look. For these the shell used is agoya, green rippled abalone and green abalone standard. The limb is paua which I though conveyed the tree bark really well. ...always like to have a little fun with the logo... All that's left is to install a Baggs Anthem and it'll be on it's way home... finally
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Harvey Leach |
#2
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Great looking guitar.Not much of a fan of cutaway dreads but thats personal.
The inlay is outstanding and as is all the abalone. You dont see zero frets all that often. Stunning guitar all round. |
#3
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I am not the biggest fan of inlay, but that is the absolute tops.
I also like a zero fret, and approve of this one! What a scorcher, all round. |
#4
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Going against the grain
Well I like everything about it, incredible! Lets hear a bit?
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Andersonville Tennessee Clinch River Instruments, White Oak O, 13 fret Nick Lucas, 1937 spec D-18 Martin 000-28 EC Gibson Les Paul Gibson 335 Dot Bunch of Strats Fender B-Bender Tele |
#5
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Exquisite work Harvey as good as it gets.
regards Geo
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some toons - http://www.youtube.com/user/TheGeordieAdams https://myspace.com/geordieadams/music/songs |
#6
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That is gorgeous, Harv.
Congratulations, Keith. Enjoy this beauty in good health! |
#7
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Harvey, I think the guitar is gorgeous, and I admire you not only for the fine work you do, but specifically for your willingness to take on this project that has so much meaning and take it to such a wonderful result.
Keith, What a great looking guitar you're getting hear. Congratulations! I hope you post some audio clips for us to hear.
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Price is what you pay. Value is what you get. Warren Buffett |
#8
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That turned out great! Well done. Congrats, Harvey and Keith.
Kindly, Danny |
#9
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Nice work Harv! I love the inlay work on this one
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Brad |
#10
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Skill, effort, and materials: you've really put it all together on this one Harv! It looks fantastic, wish I could see and hear it in person.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#11
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My hat is off to you Harv for pulling that one back out of the fire.
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#12
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For someone (me) who doesn't like inlays, abalone, brazilian rosewood, dreadnoughts, cutaways, or zero frets, this is honestly one of the most jaw-dropping, awe-inspiring, naturally beautiful guitars i have ever seen. I enjoyed following the build thread and to see this as the finale was amazing. thank you!
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Will M. I should be playing... ====== |
#13
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Harvey,
Just beautiful work, I am sure it sounds like a dream. One question: Could you address zero frets...what are the advantages, etc? Jimmy
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Avian Skylark Pono 0000-30 Gardiner Parlor Kremona Kiano Ramsay Hauser Cordoba C10 Chris Walsh Archtop Gardiner Concert Taylor Leo Kottke Gretsch 6120 Pavan TP30 Aria A19c Hsienmo MJ Ukuleles: Cocobolo 5 string Tenor Kanilea K3 Koa Kanilea K1 Walnut Tenor Kala Super Tenor Rebel Super Concert Nehemiah Covey Tenor Mainland Mahogany Tenor Mainland Cedar/Rosewood Tenor |
#14
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Yes, I am highly interested in zero frets as well. What are the advantages of it?
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#15
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Very nice, great work....
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onedayatatime |