#76
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would you use a small digital mixer and analog mixer for these AMPs?
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#77
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Short answer - Yes you can use either one. Both of these systems have capability for input from an external mixer. |
#78
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Thanks for sharing. I have a Play Acoustic and looking for amp to pair with. I am going to check out an QSC 8.2 but may have to try the L1 while at it.
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#79
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I just brought home a T1 tonight.
Wow, does it ever sound good, and easy to use too! My archtop sounds phenomenal through this. It's killing my BlackFace Fender amps. As good as the Compact sounds on it's own, the T1 is a huge step. Throw away your tuner, it's got one. Throw away your peddles, it's got all that too. So glad I got this! Peter |
#80
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__________________
Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#81
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In the sense that it is a very good digital mixer it will make a big difference to the built in connections.
This is a fascinating thread. If I was looking for one of these now I’d probably have earmarked the Fishman as my No 1 option.
__________________
------ AJ Lucas Pavilion Sweep fan fret Santa Cruz OM/E (European Pre War) Martin J40 |
#82
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The interface is great, I was able to fire it up and figure it out without cracking the manual. Adjustment to parameters of all effects and tone controls on individual channels is very easy in real time without having to scroll through a lot of menu pages. Bose really did their work and got this right. Happily, I was able to return the the ZED10 and a VoodooLabs Trem pedal I had bought for use with the Compact, and it covered the cost of the T1. The built in effects are great, with a beautiful crystal clear quality that just sparkles. Right now my T1 is sitting on a music stand beside my mic stand, but it shows a lot of messy cabling. Trying to decide whether to get the mic stand or tower attachment, and how to best position and dress cables. I'm a little OCD, but the Compact looks so sleek and upscale, it's a shame to have a pile of cables looking bad. The things I worry about...lol You MUST take a T1 for a spin! |
#83
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__________________
Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#84
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Some of the T1's strengths would be wasted in that case, yes? Take the acoustic resonance out of the equation--combining my vocal and guitar into one signal feeding into the T1 is what I'm getting at. P.S. Kills me that none of the local stores seem to have the 330x in stock for testing. |
#85
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#86
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Is the internal EFX enough on these units? Seem like it offer only Reverb.
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#87
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But man do I hate drilling into menus. |
#88
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I had the VE-8 and now have the Play Acoustic. Similar systems... in some ways. But in the end I liked my vocals through the Play better than the Boss. The Play sounds really excellent direct into the Bose Compact. I am thinking "how can it sound any better?"... But still tempted to try the T1 (to hear for myself). So my thinking is to take separate D/I Outs of the Play (Guit and Voc) into two inputs on the T1. I don't want to give up the Play .. Since it gives me looper and on/off foot control of the various effects (through the TC Helicon Switch-6). Something the Bose will not do .. right? (No foot switch) So my big ? is.. Do I really need the T1... With the Play Acoustic? |
#89
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Pnewsom - You got me sold man!! ... It appears the T1 will really enhance the sound.
Cool you were able to return the other gear to pay for the Bose. As for placement... Wouldn't you want it attached to Mic stand. To utilize it while playing. I don't think I would want it attached to the L1. Away from my reach... Quote:
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#90
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ToneMatch Engine: allows you call up built in specific presets for microphones(sm57/85's, EV's, ...), acoustic and electric guitars, specifically by make and models, (Taylors, Martins, Strat's Tele's,) as well as basses and other instruments. All these presets offer a very good starting point, from which you can tweak to your heart's desire and SAVE, to be recalled later. The menu system is great, only two pages deep for any category, and dedicated input knobs to make it easy to change things. This thing works way easier than your smart phone! Effect categories include: zEQ - very easy and effective low/mid/hi tone control on each channel. Para EQ Comp/Gate Modulation: chorus, trem, phase, Flange, Delays Reverb and reverb types They all sound great...sparkling |