#61
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There’s no reason you can’t have the tone and the playability you want, but it may take effort to find it. If there is a necessary trade off, it might be between playability and responsiveness.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#62
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Bashkin 00-12 Adi/Hog Bashkin 0M-MS Swiss Moon/PRW(build thread) Bashkin GC-12 Sitka/Koa Carter-Poulsen J-Model German Select Spruce/MacEb Fender MIJ Strat ('90) and 50s RW Tele ('19) Martin 00-28c Spruce/BRW('67) Martin M-36 (R) Sitka/EIR Michaud O-R Cedar/Koa - New Build Michaud J-R Sitka/MBW K. Yairi RF-120 Spruce/EIR KoAloha KTM-25 Koa/Koa Yamaha G-231 Cedar/Hog ('71) |
#63
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"Light/medium" strings help bridge this gap, one way or the other. This discussion also highlights the necessity for multple guitars, as in, I "need" a D-28 with mediums for jams and an OM-21 with lights for playing solo and recording.
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2017 Martin D-28 2015 Martin OM-21 1974 William Kingsly classical Fender "Eric Johnson" strat 75' RI Fender Jazz bass |
#64
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Playability is PART of the tone. No matter how good or bad a guitar may sound, if two guitarists play it, I bet it'll sound different from one to another.
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |