#1
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Mic + Vocals - 2 mics or 3?
I'm finally recording some original songs that I am super proud of. I've procrastinated so much, but now I'm super excited.
I have two Behringer C-3 condenser mics which are cheap but highly rated, and I have a Shure SM-58. I have three mic stands. I want to record voice and guitar simultaneously because I play guitar more spontaneously while I sing. For me to use the third mic, I will need another sound card - like a Behringer U-Phoria UM2. I know to point the condenser mics down towards the guitar and the voice mic up towards my mouth to minimize bleed. Do you think adding an extra mic for the guitar will improve the sound enough that it's worth the hassle? The C-3 mic has three selectable patterns including a figure 8. Would it be recommended to use a third mic in a figure 8? Thanks for your opinions!
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#2
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I would suggest working with two mics for simultaneous guitar/vox recording, at least until you get that down (which could take some time and experimentation).
Even more basic, try just one mic in omni (if your room cooperates). |
#3
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My aim is to get a really great recording within the confines of my home office and my budget. I'm satisfied with my knowledge of Cakewalk Sonar Artist - my software. I just found out you can get Cakewalk Platinum for free, and it's called BandLab. I didn't know that it was owned by Gibson. Perhaps less fuss and complication will be better to funnel my creative energy into the music.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#4
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stick with 2 mics...adding a 3rd would just make it more difficult to mix because of potential phase issues from additional bleed.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#5
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Thanks. OK. I'll just use the two mics. Less equipment, less tweaking, more fun.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#6
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I’d stick with 2 mics, put the condenser pointing slightly downwards and towards the neck joins the body for a good starting point. Set it cardiod so it doesn’t pick up as much of your voice. Use the dynamic mic on your voice. A 57 is good choice. You can use the mics the other way around but, usually the guitar will shine better with the condenser mic. You should also try the two condenser mics in cardiod make sure the vocal mic is angled up, and the guitar mic is angled down.
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#7
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Quote:
https://www.acousticguitarforum.com/...d.php?t=314110 ...and I'd especially check out Bob Clearmountain's take on doing acoustic guitar and vocal simultaneously: https://youtu.be/3WrMhr2nUJI Last edited by Rudy4; 11-26-2018 at 10:39 PM. |
#8
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Looks like you are all set, but adding a 2nd audio interface is not the answer anyway - except with some Mac computers (and some work to set up), you cannot run 2 audio interfaces at one time. You would need an audio interface with (at least) 3 mic preamps to use 3 mics.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |