#16
|
|||
|
|||
moon: The lowcut filter is off, I never use it (doublechecked just nowto be sure the switch wasn't accidentally flipped). Also the limiter is off.
rick-slo: There is indeed a capo, but on the second fret. Since you are hearing "capo fifth fret" and moon hears "small guitar"... there is a problem with the recording. Although I agree that the sound is perfectly usable in some contexts, and can be worked with as Doug has proved. Fran: Could be worth a try to swing the mics outward. But wouldn't this only create another xy configuration? They are still pretty close together. Doug: thanks for the detailed info. I will try to recreate this inside whatever Logic has to offer. Tell me one thing guys, which of the two sounds I posted so far do you prefer? Or Dougs remix? I will make a third recording tomorrow trying some other mic position and swinging the mics outward. I suspect I'll get a third usable sound... |
#17
|
||||
|
||||
Quote:
Quote:
__________________
Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#18
|
|||
|
|||
Quote:
As you move the mic capsules apart you enter into a new way of capturing stereo. The distance between the mics allows time difference to be detected and the result seems to be preferred by many. The tradeoff is often described as more spacious but less precise. As you say, the distance in this case is small, but the source is also small as is the mic distance. And the cost of the experiment is very low. Fran
__________________
E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog |
#19
|
|||
|
|||
My, my, my - that mix Doug posted is just dripping with beauty. Great playing - I'd love to hear more of that - both the playing, the composition, and the sound. I tried downloading the original just to compare but I think I'm late to the party - it wouldn't download. Kudos to all I just enjoy reading, listening, and learning in threads like this.
|
#20
|
||||
|
||||
Quote:
In any case using some reverb most always improves the sound.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#21
|
|||
|
|||
Quote:
Here are the mp3 links again. The original recording: http://www.mateuszherczka.net/guitar/DonalOgg.mp3 My second recording with different strings (woodier sound) and mic elevated about 50cm (about level with my shoulder): http://www.mateuszherczka.net/guitar/DonalOgg2.mp3 rick-slo: I will record a tune in standard tuning that uses more of the fretboard. I just have to get some of that christmas stuff done, so hopefully tonight (European time). |
#22
|
||||
|
||||
Couple of thoughts:
1. The Sony unit is a fine device, however, I think you might be running into the intrinsic sound/limits of what it does. I have a Zoom H4, and notice that it tends to have a characteristic sound to what it records. 2. If you were running a pair of SDC mics into a dedicated mic preamp, you would probably notice quite a bit of difference. Martin and Pierre are using way more high-end equipment when they record, and it makes a difference. 3. Doug's processing of your clip is great, and shows that even with limited equipment, you can get a very nice recording. 4. The recording captures the sound of a O23 capoed on the fifth fret. I've played 'em a lot, and that's a Lowden! My O35 sounds fairly different, but it has a spruce top. 5. The "boxy" sound is also apparent on Martin Simpson's recordings. Listen to (for example) "Polly on the Shore" on "The Bramble Briar", and then to Doug's mix of yours. Interesting the similarities, even though he is playing a Sobell with a spruce top. May have something to do with mic positioning.
__________________
Bill Vencil http://www.billvencil.com http://billvencil.bandcamp.com http://cdbaby.com/cd/bvencil http://www.facebook.com/billvencilmusic |
#23
|
|||
|
|||
Quote:
I received this one earlier: Maybe we're just in different parts of the world and it's timing out. I don't know. Thanks though. |
#24
|
||||
|
||||
Working fine for me, starts playing in a few seconds. Maybe try a different browser?
__________________
Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#25
|
|||
|
|||
Weird - still nada. It's as though my IP is blocked by a firewall on their end.
|
#26
|
|||
|
|||
Frank,
What monitors are you using? I'm only listening on the Macbook at the moment, but your first mp3 has a nice dry sound. A little honk, maybe, but as someone mentioned that's how those guitars sound. Get someone else to play it while you stand in front of your own guitar and see what that sounds like. Be prepared to be surprised. While you're there, stick a finger in one ear and, at about 2-3 feet out, move your head around listening with the other ear. Acoustic guitars project lobes of sound from different parts of the face. See if you can find one of those lobes that you like and put your mics there. I do like the second pair of strings better. The D50: You're throwing $500 at the project for mics and recorder. The mics I use cost almost $2k today. They were a lot cheaper when I bought 'em. The good news is you are starting to hear the difference that gear can make. The bad news is that you're starting to hear the difference good gear can make. Nice playing and please don't beat yourself up. Regards, Ty Ford |
#27
|
|||
|
|||
Ty, thanks for your feedback! I'm learning a lot so definitely not being hard on myself. I dont have pro monitoring, so I'm listening on AKG240 headphones and my hifi - an orelle amp and pretty good dynaudio speakers. I can at least compare the sound with some albums I like.
I was planning to record something more but now is christmas and kids running around so this has to wait a couple days. I'm curious to try some different mic positions, and recreate the original placement. Suspect that proximity to floor created the excess honk... Back as soon as I can! |
#28
|
|||
|
|||
In the meantime, a local is selling a matched pair of used AKG451b at an ok price. Could these be a good budget option? I know the other suggestions that pop up here, octava, adk6, schoeps etc. i cant afford schoeps, what about the 451b? Or should I get something else?
|
#29
|
|||
|
|||
Frank,
After determining via the finger in ear test that your guitar really doesn't sound that way out front, my thought would be to try one Audix SCX-1HC It's the scheopsiest sounding non-scheops I've come across. Not fully there, but a better choice than what you mention. Regards, Ty Ford |
#30
|
|||
|
|||
Interesting - had no idea about this one. Any particular reason you recommend the hypercardioid over regular cardioid (I can imagine it maybe does better in a crappy living room)? I suppose one needs two of these?
|