#16
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I own the exact same model, Kay branded though, with a floating DeArmond pickup. It's a VERY cool guitar. Kay called it a "Master Cutaway," made it from '60 to '64 abouts, and it was the top of their "student line"--sold for about $100 back in the day, which would put it right on part with what a lot of budget archtops cost today... Somebody should snap that one up! If I hadn't just dropped a big wad of cash on a bathroom remodel, I would, just to have an "all acoustic" version. As for the Loar...I dunno...seen WAYYY too many people complain about inexcusable problems, like misaligned necks and such. Caveat Emptor. The Godin is a shallow bodied archtop...The model with the pickup makes for a great budget "ES-125" vibe, but I can't see the acoustic version competing with a deeper bodied archtop in terms of volume and tone. |
#17
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As for the Loar complaints, some of them are justified, others are unfair. Neck angle is correct for an L5 spec-d instrument (i learned this with my L7: lower neck angle / shorter bridge). Knocking it down for damage seems unfair as well. The unfinished underside of the neck extension is consistent with my L7, the Loar is just worse. So, with all reviews, grain of salt. There are a few loud voices with very specific issues, this is the internet after all. The nice thing is, you can buy it from an online retailer and return it if it is terrible. I fully expected to do that, but was completely surprised and delighted. |
#18
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I currently own two acoustic archtops, and have had a few more over the years. I spent an hour or so with a Loar, not sure which model, last fall and thought it was an excellent sounding and playing guitar. I did not notice any finish flaws in the one I played. I also have played a Godin Fifth Avenue. It was nice but didn't have the same quality of sound as the Loar, I'm guessing laminated top vs. solid top. I wouldn't hesitate to add a Loar to my herd, in fact it's on my short list of what to buy when my canoe comes in-I'm saving my ship coming in for one of Ranger Doug's vintage Strombergs.
Brad
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Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#19
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I'd recommend the old Martin Archtops... They can be found a little above your price range (sometimes) if you look around and can sound really nice. I own an 1937 R-18 that I really love.
Here are some photos... Kindly, Danny |
#20
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#21
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Good. I just figured i wasn't on the internet enough as it was, so why not another forum?
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#22
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Also look at Eastman, they make lots of dfferent archtops, all are solid woods, quality is impeccable (clearly better than the 3 Loars I've seen personally but also more expensive) and you can usually find a used one for a good price (around $1200).
Jimmy
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#23
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[edit] They do! 905NC. 3x's the budget though. I don't know if this is a one-off / custom or what but it looks pretty: Last edited by Polishbroadcast; 05-04-2011 at 11:37 AM. |
#24
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Know what you mean...I joined here last summer to try and find out more about that Kay. Ended up really liking it around here...
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#25
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My main player is a '53 L-50 which I guess was the inexpensive version of the L-5. I love it. I can't say as I've tried too many other modern versions. The 5th Avenue wasn't too bad, but seemed a little "thin" to me, not as solid as I'm used to. But, maybe I'm a bit spoiled. The price on the 5th Ave. seemed right.
But, keep up the search, archtops are very versatile, they'll handle anything. |