#16
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I prefer mahogany for the way it looks on back and sides, but not really for tops.
I also prefer rosewood for the way it looks on back and sides. In conclusion: wood grain is pretty. |
#17
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I'm flexible in these matters. My guitars all contain one of the following combinations:
**spruce top with mahogany B/S **cedar top with mahogany B/S **mahogany top with mahogany B/S.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#18
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Quote:
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2019 Martin Custom Shop HD-28 (Adi/EIR) 1998 Taylor 914ce (Engelmann/EIR) 1995 Takamine EN10c (cedar/mahogany) 2013 Yamaha FG720S-12 (Sitka/mahogany) |
#19
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Why are people calling mahogany "hog"? Do you call rosewood "rose" or just "wood"?
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#20
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I was actually planning to do that. I have used them on hog guitars (with both spruce and hog tops) and liked them a lot, but I have no idea how they will sound on my OM-28. I keep reading that monels + rosewood is disappointing, but I guess I need to find out for myself.
Of course, back in the early '30s it was pretty likely that the original OM-28 came with monels, so it might actually be an appropriate choice.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#21
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Because they're not sure how to spell mahogony
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#22
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Ha! -You beat me to it!
- Perhaps at some level “Hog” brings out a repressed element of somehow being connected with the “Hells Angels”? |
#23
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I like a lightly built solid wood guitar that sparks my interest at the time. Which, ensures GAS security.
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JUST PLAY IT!! 2017 Martin 00-21 (Mick) 1994 Simon & Patrick - Solid Spruce, Solid Hog Dred - in transit. 1961 Martin O uke (Sweetpea)- My wife's nickname - born also 1961) |
#24
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No idea, but I never ever saw or heard this - been playing since 1966 - before joining the AGF. I'm inclined to believe it is an AGF thing.
I'm not sure what the current score is for this 'battle' but I will never own a mahogany instrument again. It doesn't work for the sound I like and the styles I play. I hear others play mahogany and sometimes it sounds great. Just not for me.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#25
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Love 'em All
This may sound like a copout, but it's not: I love 'em all.
I love maple because it projects. I love rosewood because it's versatile. I love mahogany because I bind with it like it binds with me; best guitar sex I ever had.
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Martin D-41 (2019) Martin OM-28VL (2009) Martin D18 (2018) Taylor 615CEL (2006) Taylor 714CEL (2009) Eastman MD515L Gibson CS-336L Fender Stratocaster (1974) Fender Hotrod Precision Bass Luna Ukulele |
#26
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So I just reread the
Original post. So if I want a handsome king it would be prince Rosewood. But to reign and care best for the kingdom it is prince mahogany. I hear that in another kingdom there is a King mahogany and a queen Rosewood and they lived happily ever after |
#27
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I'm just a common man guitar player who enjoy the looks, sound and feel of mostly rosewood and mahogany guitars that I've played. Who needs kings anyway? Budweiser has long claimed to be the "King of Beers", but does that mean it's the best ? I own a nice Taylor 514ce with rosewood inlays on the fretboard -- looks great, but doesn't affect how the guitar plays in any way. Just a sales gimmick really. Maybe that's why Taylor is one of the kings of guitar sales.
All the best! Cheers! |
#28
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I vote for maple. It is the best all around tone wood. It can do anything if built with properly.
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#29
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Rosewood HPL sounds just like mahogany and koa HPL...
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Martin D-16GT Martin GPC Special Yamaha FG800 |
#30
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If we are actually serious about crowning a "king of tonewoods", thern there is only one possible choice. Nothing else even comes close. All hail King Spruce the First!
Spruce supplies ~80% of all guitar tops and the top is by far the most important contributor to the overall tone. A competent luthier can make a good sounding guitar with almost any timber for the back and sides. You could make back and sides out of concrete or even papier mâché and get a half-decent guitar so long as the top was good. You can make a good neck out of any timber you like so long as it is strong enough and not prone to warping. You can make an excellent fingerboard out of at least a dozen different timbers, and probably a hundred more if you could be bothered looking for them. But there is no substitute for a quality topwood, and spruce is the near-universal first choice.
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Tacoma Thunderhawk baritone, spruce & maple. Maton SRS60C, cedar & Queensland Maple. Maton Messiah 808, spruce & rosewood. Cole Clark Angel 3, Huon Pine & silkwood. Cole Clark Fat Lady 2 12-string, Bunya & Blackwood. |