#31
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Oh they do.... they just are of no consequence :P (my mom's red-headed!!)
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#32
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Oh and thanks Bobby, and Daryl!
As I said before this model is not better than any of my other models. It's just different. It does take me considerably longer to build due to the details, but I think pretty highly of my standard models, and I'm thrilled you guys do as well! |
#33
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It makes perfect sense to protect your reputation as a builder of fine guitars. cotten |
#34
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What plan do you have for the bridge on this model? Will it look the same as your standard models?
Also any thoughts on a name or model designation for this new model if you decide to offer it too the public?
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Crazy guitar nut in search of the best sounding guitars built today and yesterday. High End Guitar Review Videos. www.youtube.com/user/rockinb23 |
#35
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If this prototype is good then I'll launch the model. I should know within a month or so. |
#36
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Looks very nice! I'm with Larry and a few others, as I think the cutaway flows beautifuly. And low grade woods? Uh, the amount of silking in that top suggests otherwise. I for one would love to hear a sound clip, whether it lives or not!
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Guitars; Esteban -"Tribute to Paula Abdul L.E." Arturo Fuente- Cigar Box"Hand Made" First Act-"Diamond Bling" Main Street- "Flaming Acoustic" Silvertone-"Paul Stanley Dark Star" Daisy Rock- "Purple Daze" |
#37
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Thanks for the nice words. Yes these woods (except the back which was an orphan) were total rejects. The "defects" are simple cosmetic mainly. The top has really strong dark grain streaks near the edges of the lower bout. It has a bit too much runout as well. The sides have funky mineral streaks to them. So while, tonally speaking, the woods are fine, they are not the quality I would normally put on a instrument to sell, especially one that carries my life's work. On top of that the top is a Lutz spruce top. Not ideal for this style. It's the type of top that likes to be really driven. Not the style for this guitar, but I can take into account those things when I hear the product in the end. Also Indian rosewood for the back and sides work good, but I'd rather have used Brazilian, Madagascar, African Blackwood, Wenge, ect.. But that's why it's a proto! |
#38
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#39
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European spruce or one of it's variations like Italian, Swiss, or German. Cedar and redwood work well too for a slightly different sound. Really Lutz/Sitka can work, but they are just much more fundamental in tone. That might be someones preference so who am I to say otherwise!
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#40
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Well I'll know in a month or so if it worked out.....
And no apple didn't design my binding jig... it would have been made from aluminum, and had some internal camera or something :P |
#41
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If you're willing to donate it to my church, I'll do my part by buying/installing a nice pickup system (out of my own pocket) before handing the guitar to the church. And you'll be able to claim a charitable deduction in your tax filing
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Regards, Chip Taylor GS Mini mahogany/sapele with LR Baggs M80 Voyage Air VAOM-06 sitka/sapele with LR Baggs Anthem Yamaha Guitalele black Taylor T3/B honey burst Fender American Stratocaster tobacco burst G&L Fullerton Deluxe Legacy blonde Gone but not forgotten..... ReviveMusicStore.com |
#42
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#43
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Property Donations. When you donate property to a charity, you generally can deduct the fair market value of the property. But you must reduce the value of the donated property (including a vehicle) by the amount of income that would be ordinary income or short-term capital gain if you sold the property for its fair market value. Capital gain property is the term used to describe donated property the sale of which would result in long-term capital gain if sold. Since sale of your inventory would result in ordinary income, you would essentially get "cost" as a donation and since you already are deducting the production cost as a business expense, you are already getting it. Make sense? If not, the short answer is no you can't LOL
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A brand new duet I wrote with my daughter: https://youtu.be/u0hRB7fYaZU Olson Brazilian Dread #1325 Olson Brazilian SJ #1350 Olson Tiger Myrtle Dread #1355 Olson Brazilian Jumbo #1351 Olson 12-string Jumbo (one of only a few) Martin D-42 Johnny Cash #51/200 (only 80 made) And a few others Quite a few limited edition and rare Martins ----------------- http://www.kekomusic.com |
#44
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It's interesting the way you describe this guitar you're working on because it seems to me that you are pursuing some of the things I like about my grand auditorium Taylors. I know those are a different animal, but it makes me wonder if someone like me who likes Taylor guitars best might like this forthcoming model of yours better than your Gibson-based models. Do you have any thoughts on this? I'm a strummer but not a heavy one anymore. John, I have enjoyed reading about your builds and learning about your instruments and who you are. I have never heard one of your guitars (other than on Steven Curtis Chapman songs) and certainly never played one, but I am very drawn to them. I hope one day to be able to purchase one. Thanks for doing what you do.
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Martin D-15 Mahogany Recording King RAJ-122 Sitka/Mahogany Gibson L-00 Sitka/Walnut Taylor GA8 Sitka/EIR Reverend '21 Charger 290 Gibson '03 Les Paul Studio Swamp Ash Fender '94 American Std Strat Squier Classic Vibe Baritone Telecaster Many are gone but not forgotten...some are just forgotten |
#45
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |