#31
|
|||
|
|||
Good method
Quote:
I don't play very many barre chords any more, I can, but I find not duplicating notes and mastering 4 note chords more interesting.
__________________
"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#32
|
||||
|
||||
Playing barre chords is the best exercise. First thing, have the guitar properly setup - perhaps lighter gauge strings.
Play Dylan's "Lay Lady Lay" ten time through. In response to an earlier thread on the same subject I wrote "Pinky Bee". You might try seeing how that goes. Intro: http://dcoombsguitar.com/CDFive/PinkyBeeDemo.mp3 Full tab: http://dcoombsguitar.com/Guitar%20Mu...s/PinkyBee.pdf In any case however, don't over do it. You don't want to injure yourself.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#33
|
|||
|
|||
Get a 12 string and practice your barre chords on that beast. Then it will be a lot easier on a 6 string. ;-)
I tend to prefer the 'ring' of open chords (especially when playing a 12 string), but knowing barre chords gives you an extra arrow in your guitar-playing quiver. Sometimes it might provide the the right sound. Besides, depending on the material, a barre version of a chord might be the best option for where you are on the neck. Or for a quick passing chord. Sometimes a partial chord will sound best, just kind of hinting at the full chord. Knowing the appropriate barre chord can help in this, maybe just the thing to harmonize the melody or solo note(s). Don
__________________
*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#34
|
|||
|
|||
Playing the open CAGED chords with finger 2,3, and 4 has helped me. I realized that it wasn't just my first finger barre that was challenging, but also that the other 3 fingers didn't have the muscle memory. Making the open shapes without use of the first finger is helping to get those fingers to come down without me thinking about their placement, so then I can pay more attention to making the barre cleanly.
Not that I can play barres easily. I have to keep after them and I do get frustrated because they interfere with the fun of playing a whole song and staying in time. I'll try Lay Lady Lay 10 times through today as Rick suggested.
__________________
Denise Martin HD-28V VTS, MFG Custom Taylor 358e 12 string Martin 00L-17 Voyage Air OM04 Breedlove Oregon Concert 1975 Aria 9422 |
#35
|
|||
|
|||
Sure barre chords are useful but not always. The pro guitarists I play with mix it up with a lot of various voicings all over the board. Three note triads vs barre chords can sound a lot better sometimes. Example maj 7th triad 1,3,7 vs a 6 note barre chord, the triad sounds way bluesier.
My point is don't get too caught up in mastering barre chords. They will get easier with a lot of playing but barre chords don't make or break a guitarist. Nobody will care but you if you are a master of barre chords, but if you play great chords they will.
__________________
2002 Larrivee LV-03 2016 Larrivee D40re '60s Aria classical A554S serial # 00001 various basses and uprights Last edited by Casey86; 04-29-2018 at 04:11 PM. |
#36
|
|||
|
|||
Sheesh! I just tried the 10 times through Lay Lady Lay...it was brutal!
For one thing, there are 5 pages to that song, so I only got through it once, and it was a struggle. I'll do it once more before I go to bed tonight, and then I'm gonna try playing it twice a day for a week and see if I can improve. Really, "playing" is a very loose use of the word here. I just went through it trying to make each barre cleanly. The rebellious thought kicked in, "I'm only playing for fun and this not fun"! But it would be fun to be able to play that beautiful song. I'll try.
__________________
Denise Martin HD-28V VTS, MFG Custom Taylor 358e 12 string Martin 00L-17 Voyage Air OM04 Breedlove Oregon Concert 1975 Aria 9422 |
#37
|
|||
|
|||
Quote:
It will get easier...honestly, it will.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#38
|
|||
|
|||
Quote:
A C#m G Bm Don't get hung up on playing the "E major / A minor" barre pattern, ie, A (E major form) barred at the 5th fret, C#m (A minor form) barred at the 4th fret, then the same pattern - G (E major form) barred at the 3rd fret, and Bm (A minor form) barred at the 2nd. That will get tired and boring (though a good practice exercise). You can do all kinds of neat stuff with that descending pattern without a barre in sight, and with lots of open strings. A good way to start is to play around with those chords without the barre and listening for strings that sound right or wrong or interesting. Lift up a finger, try including an open string (e.g. E can fit with all four of those chords), move that pinky to another fret or string. You'll come up with a lot of ideas and if you get stuck just google the chord and there will be lots more ideas! (The F#m is the trickiest.) |
#39
|
|||
|
|||
Quote:
I don't buy the "boring" part. You can learn to use a combination of arpeggios and picking individual notes that will add some spice to your Barre' chords. I do it all the time and I just did it with that particular song. I assume you're singing along. Try releasing your grip between the chords to ease the tension and put a set of Newtone Heritage lights or mediums on that puppy. They are much easier to fret.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#40
|
|||
|
|||
Quote:
Quote:
I just went through the whole song again. My favorites are C#m and A, probably because they are further up the neck. So I think I'll try a capo on the 3rd. Oh, and I love the good old open E! It's like a little oasis every time I come to it!
__________________
Denise Martin HD-28V VTS, MFG Custom Taylor 358e 12 string Martin 00L-17 Voyage Air OM04 Breedlove Oregon Concert 1975 Aria 9422 |
#41
|
|||
|
|||
Quote:
I can play Barre' chords for a three hour set with very little fatigue. My left hand fretting technique improved as well. Try to keep your wrist perpendicular to the neck as well...makes it a lot easier. No bragging but I can play Barre' chords with very little thumb pressure needed, my fingers are that strong.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 04-29-2018 at 05:56 PM. Reason: Added text. |
#42
|
||||
|
||||
Quote:
That quickly killed my interest in guitars, but hey I spent more time playing the piano that way.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#43
|
|||
|
|||
Quote:
Barre chords are not feats of strength but rather nuanced use of pressure by the index finger. Only those notes the index finger needs to fret get the pressure while the other fingers fret their assigned notes. After practicing this on a per barre chord basis the fretting hand will not become fatigued. The index finger will naturally learn the barre chord shapes and what it must do to complete them. But, it will take practice to lose the baseball bat grip and become accustomed to a light but accurate placement per chord. |
#44
|
|||
|
|||
"All Along the Watchtower" is another tune which is all Barre Chords (at least, that's the easiest way to play it, for sure). Am, G, F. Easiest way is to play all as Barres, sliding the barre up and down the neck from 5 (for the Am) to 3 (the G) to 1 for the F.
|