#31
|
||||
|
||||
Quote:
Edited to mention that while I cannot tell about the BRW, the MadRose set pictured is flatsawn. The heart is where the knot is, and it appears to have a classic heart crack toward the top as well. Still looks like superior material to me, but the heart crack could be thought of as a portent of things to come. Last edited by Bruce Sexauer; 02-10-2015 at 04:11 PM. |
#32
|
|||
|
|||
I had a Larrivee D10 Spruce/EIR that was a great guitar. I was lucky enough to come across a Brazilian D10 a few years ago, which I bought. I could tell from one strum that it was noticeably different than my EIR D10. The Brazilian D10 has a glassy sort of reverb tone that the Indian Rosewood D10 did not have, as well as more sustain and clarity. The bass is rich and full, and notes on the upper register just ring. The Brazilian D10 was made in 1998 with some very high quality brazilian wood that Jean Larrivee had. It is one of the best sounding guitars I have heard. I am convinced that in the hands of a skilled luthier, brazilian is sonically superior to other rosewoods. Here is a little sound clip of a song I wrote, recorded on a Snowball microphone, no effects added. https://soundcloud.com/247hoopsfan/summer-breeze
__________________
1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#33
|
|||
|
|||
Hi, lets face it - although we are musicians and have our guitars for the noises they make - most of us lerv - the looks of beautifully featured woods. There is nothing wrong with that.
I've seen really boring BRW AND Mad-rose, and truly beautuiful EIR. I have heard from two different makers that they have Mad-rose in stock but wolt use it out of social conscience - ther is some bad stuff going on in Madagascar. BRW, unless it is on a provably elderly instrument is simply not worth the bother for me any more too problematic to travel with. My Rosewood backed guitars are all East Indian - that'll do for me. |
#34
|
|||
|
|||
Quote:
Cheers, Steve |
#35
|
|||
|
|||
Any update on the 2 guitars?? What was the difference in sound?
Brian |
#36
|
||||
|
||||
Well, it's been nearly 6 years, so........
__________________
~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#37
|
|||
|
|||
6 years and it still depends on the luthier, the bracing and a number of other variables. Best, Jayne |
#38
|
||||
|
||||
Exactly. This a a boring, oft repeated topic.
__________________
Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#39
|
|||
|
|||
The main difference I notice is good Brazilian has a glassy quality to its sound.
__________________
Guitars by... Mossman - Martin - Taylor - Åstrand - PRS - Collings |
#40
|
|||
|
|||
How about this....
I can take 10 identically spec'd guitars, from the same builder... all 10 will sound slightly different.... There are WAY too many variables to get a guitar to produce completely identical tone... I personally prefer high quality Brazilian when making a purchase... more so due to rarity, tradition and resale..... other than that.... Bob Taylor proved some many years back that even a fork lift pallet could sound great in the right hands... |
#41
|
|||
|
|||
One of many “vs” threads that set up opportunities to present opinions as fact.
__________________
McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#42
|
|||
|
|||
My guess is that the Madi would be a little warmer sounding and the Brazilian would have a bit more ring to the top end, and that if you played me only one I would have no idea which one it was.
I can hear the difference in any A/B comparison, but I can't tell you which parts of the guitar contribute the major differences I hear.
__________________
Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#43
|
|||
|
|||
Quote:
http://www.leonardo-guitar-research.com |