#31
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I tend to do this myself (learn songs on acoustic, whatever they're played on), but only because my acoustic is right here beside me and I'd have to get the electric out and plug it in... I learn things on acoustic that were played on bass, piano and horns too... Fine, me too. Quote:
Eg, suppose you hear some whammy bar action? If you're learning it on acoustic, you can make a mental note of where it happens, but you can't play it or practise it. Likewise, if there's long passages on very high frets, that you can't comfortably reach on acoustic (without a cutaway), then it makes sense to break out the electric. (Or start on electric anyway, of course.) Quote:
Even if you find (after hours or days of work) you just can't get on top of a particular song, you'll have learned a lot of useful stuff along the way; technical practice and ear training, if nothing else. As long as you're enjoying what you're doing - either learning a song you really like, or just enjoying the process - it's not wasted time. (I mean, unless there's something More Important you should be doing... ... as if there could be anything More Important than playing guitar! ) If you'd prefer to learn fingerpicking, or get into another genre, or whatever, then do that. If you're bored with what you're practising, that's when it's wasted time. But the song is the thing, IMO. The more you want to learn a particular song, the more you should want to spend the necessary time to master whatever techniques it requires. The goal that keeps you going is getting the song done, adding it to your repertoire. When that's done, there'll be another song (or you spend more time polishing the ones you know). (I'll admit that I've often given up learning a particular piece; when it's got to the point where my desire to play it is outweighed by its difficulty; ie it stops being fun. If that's the case, who needs it? If someone was paying me to play it, that would be different...)
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